From a contemporary master of the short story: a dazzling new collection-his first in fifteen years-that explores the unpredictable and mysterious in seemingly ordinary experience.These interrelated stories are arranged in two sections, one devoted to virtues ("Bravery," "Loyalty," "Chastity," "Charity," and "Forbearance") and the other to vices ("Lust," "Sloth," "Avarice," "Gluttony," and "Vanity"). They are cast with characters who appear and reappear throughout the collection, their actions equally divided between the praiseworthy and the loathsome. They take place in settings as various as Tuscany, San Francisco, Ethiopia, and New York, but their central stage is the North Loop of Minneapolis, alongside the Mississippi River, which flows through most of the tales. Each story has at its center a request or a demand, but each one plays out differently: in a hit-and-run, an assault or murder, a rescue, a startling love affair, or, of all things, a gesture of kindness and charity. Altogether incomparably crafted, consistently surprising, remarkably beautiful stories.
Современная русская и зарубежная проза18+Bill Clegg
Portrait of an Addict as a Young Man
For Daniel and Hannah Baxter and for Arturo Steely
It is common knowledge that nobody is born with a decalogue already formed, but that everyone builds his own either during his life or at the end, on the basis of his own experiences, or of those of others which can be assimilated to his own; so that everybody’s moral universe, suitably interpreted, comes to be identified with the sum of his former experiences, and so represents an abridged form of his biography.
PART ONE
When she was a teenager, her junior year, her favorite trick involved riding in cars with at least two other girls. You needed a female cluster in there, and you needed to have the plainest one driving. They’d cruise University Avenue in Palo Alto until they spotted some boys together near a street corner. Boys were always ganged up at high-visibility intersections, marking territory and giving off cigarette smoke and musk. At the red light, she’d roll down the window and shout, “Hey, you guys!” The boys would turn toward the car slowly—
Except for the plain one behind the wheel, the girls she consorted with
Despite what other girls said, boys were not all alike: you had to make your way through their variables blindly, guessing at hidden qualities, the ones you could live with.
Years later, in college, her roommate said to her, “You always go for the
“Yeah, but a troublemaker will give
“I can take it. I’m an old-fashioned girl,” her roommate said with her complicated irony.
—
Susan married one of the sweet ones, the kind of man who waved at you. At a San Francisco art gallery on Van Ness, gazing at a painting of a giant pointed index finger with icicles hanging from it, she had felt her concentration jarred when a guy standing next to her said, “Do you smell something?”
He sniffed and glanced up at the ceiling. Metaphor, irony, a come-on? As a pickup line, that one was new to her. In fact, she
“But maybe it’s the paintings,” she said.
“The paintings? Giving off explosive gas? That’s an odd theory.”
“Could be. Part of the modernist assault on the audience?”
He shrugged. “Well, it’s rotten eggs or natural gas, one of the two. I don’t like the odds. Let’s leave.”
On the way out, he introduced himself as Elijah, and she laughed and spilled some white wine (she had forgotten she was holding a glass of it) onto her dress just above the hemline. He handed her a monogrammed handkerchief that he had pulled out of some pocket or other, and the first letter on it was