There Won't Be War

Searching for a piece of rope in the refuse dump behind the dunes, Traven found a bale of rusty wire. He unwound it, then secured a harness around the corpse’s chest and dragged it from the crevice. The lid of a wooden crate served as a sledge. Traven fastened the corpse into a sitting position, and set off along the perimeter of the blocks. Around him the island was silent. The lines of palms hung in the sunlight, only his own motion varying the shifting ciphers of their crisscrossing trunks. The square turrets of the camera towers jutted from the dunes like forgotten obelisks.

An hour later, when Traven reached his bunker, he untied the wire cord he had fastened around his waist. He took the chair left for him by Dr. Osborne and carried it to a point midway between the bunker and the blocks.

Then he tied the body of the Japanese to the chair, arranging the hands so that they rested on the wooden arms, giving the moribund figure a posture of calm repose.

This done to his satisfaction, Traven returned to the bunker and squatted under the awning.

As the next days passed into weeks, the dignified figure of the Japanese sat in his chair fifty yards from him, guarding Traven from the blocks. Their magic still filled Traven’s reveries, but he now had sufficient strength to rouse himself and forage for food. In the hot sunlight the skin of the Japanese became more and more bleached, and sometimes Traven would wake at night to find the white sepulchral figure sitting there, arms resting at its sides, in the shadows that crossed the concrete floor. At these moments he would often see his wife and son watching him from the dunes. As time passed they came closer, and he would sometimes turn to find them only a few yards behind him.

Patiently Traven waited for them to speak to him, thinking of the great blocks whose entrance was guarded by the seated figure of the dead archangel, as the waves broke on the distant shore and the burning bombers fell through his dreams.

Attack of the Jazz Giants Gregory Frost

1. Precipitating Events

In the grain mill outside Mound City, Doc Lewis and the boys had themselves four scared black men to burn. Doc, the officiating Grand Cyclops of the Klan hereabouts, sat way back on a cracked cane chair, two legs off the ground and daring the other two to snap. The dare had weight to it because, like his daddy before him, Doc had the heft of a hogshead keg. He’d lost all but a few strands of hair in the past few years as well, and the baldness bothered him much more than his increasing girth. In his youth, he’d gloried in his golden hair. In any case, the niggers couldn’t see his features because Doc wore a flour bag over his head. His boy, Bubba, had charge of the actual branding. It was one of very few events in which the squat, pug-faced boy showed anything at all like industry.

Before he reached for the hot iron, Bubba took a tin scoop, filled it from a sack of buckwheat flour, and then slapped it over his victim. An explosion as from a colossal powder puff, and the tremulous naked man became a blinking ghost, a nonentity, and was thereby reduced further from any kinship with his tormentors. The flour was Bubba’s little joke.

Curly and Ed Rose, holding the victim by his upper arms, got powdered, too. But, half-drunk on ‘shine, Doc’s two assistant Night Hawks only laughed themselves silly and staggered a bit—two demented and pointy-headed art thieves trying to make off with a copy of Michaelangelo’s David. They did not appreciate as did Doc the gravity of their efforts here. It was sport to them, that’s all.

It was four men set to branding eight. They’d brought guns but didn’t have to brandish them. Fear, solid as the chains round their victims’ legs, kept the disguised foursome in power. They could do anything they liked, with impunity. Their victims prayed to survive or else die swiftly.

Bubba drew the iron out of the bread-oven coals, turned slowly, then drove the brand home. The flour puffed up, the black skin hissed. The man kicked and screamed and wrestled but Curly and Ed Rose had braced for that. Flour melted in a stream down a powdered thigh. By the time Bubba pulled the iron away, his victim had passed out. A fresh pink eye within a triangle adorned his left pectoral—a symbol of the magical forces he now lived under.

Bubba was a third-generation nigger-brander. He ought to have had some sense of the history behind his actions.

His grandaddy, the Captain, had maintained this tradition well after slaves had ceased to be property. At a time when carpetbaggers crawled over the body of the South like worms and the Black Codes kept shifting in their proscriptions, the identifying mark was for the black man’s own good. First, the branding reminded him how easily the world could turn over on him. Second, it ensured that he knew he had a home, a place where he belonged. Back in the days of Reconstruction, Grandaddy had been a Grand Dragon.