IT WAS A RAINY NIGHT IN LAREDO—NOT LATE, AND YET THE place seemed deserted. A respectable frontier town, sprawling at the very end of the Amtrak line, it lay on a geometric grid of bright black streets on a dirt bluff that had the clawed and bulldozed look of a recent quarry. Below was the Rio Grande, a silent torrent slipping past Laredo in a cut as deep as a sewer; the south bank was Mexico.
The city lights were on, making the city’s emptiness emphatic. In that glare I could see its character as more Mexican than Texan. The lights flashed, suggesting life, as lights do. But where were the people? There were stoplights on every corner, WALK and WAIT signs winked on and off; the two-story shop fronts were floodlit, lamps burned in the windows of one-story houses; the streetlights made the puddles bright holes in slabs of wet road. The effect of this illumination was eerie, that of a plague city brightened against looters. The stores were heavily padlocked; the churches lit up in cannonades of arc lamps; there were no bars. All that light, instead of giving an impression of warmth and activity, merely exposed its emptiness in a deadening blaze.
No traffic waited at the red lights, no pedestrians at the crosswalks. And though the city was silent, in the drizzly air was an unmistakable heart murmur, the
The river itself made no sound, though it moved powerfully, eddying like a swarm of greasy snakes in the ravine from which every bush and tree had been removed in order to allow the police to patrol it. Three bridges linked the United States to Mexico here. Standing on the bluff I heard the
Looking south across the river, I realized that I was looking toward another continent, another country, another world. There were sounds there—music, and not only music but the pip and honk of voices and cars. The frontier was actual: people did things differently there, and looking hard I could see trees outlined by the neon beer signs, a traffic jam, the source of the music. No people, but cars and trucks were evidence of them. Beyond that, past the Mexican city of Nuevo Laredo, was a black slope—the featureless, night-haunted republics of Latin America.
A car drew up behind me. I was alarmed, then reassured when I saw it was a taxi. I gave the driver the name of my hotel and got in, but when I tried to make conversation he responded by grunting. He understood only his own language.
In Spanish I said, “It is quiet here.”
That was the first time on my trip that I spoke Spanish. After this, nearly every conversation I had was in Spanish. But in the course of this narrative I shall try to avoid affecting Spanish words, and will translate all conversations into English. I have no patience with sentences that go, “ ‘
“Laredo,” said the taxi driver. He shrugged.
“Where are all the people?”
“The other side.”
“Nuevo Laredo?”
“Boys’ Town,” he said. The English took me by surprise, the phrase tickled me. He said, now in Spanish again, “There are one thousand prostitutes in the Zone.”
It was a round number, but I was convinced. And that of course explained what had happened to this city. After dark, Laredo slipped into Nuevo Laredo, leaving the lights on. It was why Laredo looked respectable, even genteel, in a rainswept and mildewed way: the clubs, the bars, the brothels, were across the river. The red-light district was ten minutes away, in another country.