United Kingdom

Popular music—or pop music, as it came to be called from the 1960s—became an important area in which identities were formed. Pop has modulated through many forms since the 1960s, from the punk of the late ’70s and early ’80s to hip-hop and the rave culture of the ’90s, and distinct styles of life have accreted around these musical forms, not only for the youth. The development of a uniform popular culture, at least as expressed through popular music, was greatly beholden to similar developments in the United States, where social identities were explored and developed in terms of black popular music, not just by African Americans but also by young white Americans. Given the great importance of Afro-Caribbean immigration into Britain after 1945, and latterly south Asian immigration, the experience of ethnic minorities in Britain to some degree also paralleled that of the United States. Concerns about national identity, as well as personal and group identity, became more important as Britain became a multicultural society and as the growth of European integration and economic globalization increasingly called British—and English, Welsh, and Scottish—identity into question.

One of Britain's most influential punk rock groups, the Sex Pistols, performing in 1977.© Paul Slattery/Retna Ltd.

The liberalization of the 1960s appears to have been crucial for many of these changes, with shifting gender roles being only one part of a broader international agenda. The civil rights movement in Ireland, student protest, and the anti-Vietnam War and civil rights movements in the United States were all part of the assault on the still-strong vestiges of Victorianism in British society, as well as, more immediately, a reaction against the austerity of postwar Britain. Change in family life and sexual mores was represented in the 1960s by a range of legislative developments: the Abortion Act of 1967; the Sexual Offences Act of 1967, partially decriminalizing homosexual activity; the 1969 Divorce Reform Act; and the abolition of theatre censorship in 1968. Moreover, debate concerning sexual mores continued in Britain throughout the 20th century and into the 21st, not least regarding the ongoing attempts to change the legal age of consent and the controversial Section 28 Amendment to the Local Government Act in 1988, which prohibited local authorities from promoting homosexuality. Legislation enacted by Parliament in 2004, however, made same-sex civil partnerships (civil unions) legal throughout the United Kingdom by the next year, and in July 2013 Parliament legalized marriage for same-sex couples in England and Wales. While that law generally allowed religious groups to opt in to performing same-sex marriages, prohibitions against same-sex marriage in the Church of England and the Church in Wales remained in force.

Change was also based on the relative economic affluence of the late 1950s and ’60s. The disintegration of older values (including middle class values) was evident in the “rediscovery” of the working class, in which films, novels, plays, and academic works depicted working-class life with unparalleled realism and unparalleled sympathy (including the works of the Angry Young Men). The working class was therefore brought into the cultural mainstream. This was ironic at a time when working-class communities were in fact being broken apart by slum clearance and the relocation of populations away from the geographical locations of their traditional culture.