Читаем Vanity Fair (illustrated) полностью

A few words ought to be said regarding her Ladyship and her noble family, who are bound by ties of present and future relationship to the house of Crawley. Respecting the chief of the Southdown family, Clement William, fourth Earl of Southdown, little need be told, except that his Lordship came into Parliament (as Lord Wolsey) under the auspices of Mr. Wilberforce, and for a time was a credit to his political sponsor, and decidedly a serious young man. But words cannot describe the feelings of his admirable mother, when she learned, very shortly after her noble husband’s demise, that her son was a member of several worldly clubs, had lost largely at play at Wattier’s and the Cocoa Tree; that he had raised money on post-obits, and encumbered the family estate; that he drove four-in-hand, and patronised the ring; and that he actually had an opera-box, where he entertained the most dangerous bachelor company. His name was only mentioned with groans in the dowager’s circle.

The Lady Emily was her brother’s senior by many years; and took considerable rank in the serious world as author of some of the delightful tracts before mentioned, and of many hymns and spiritual pieces. A mature spinster, and having but faint ideas of marriage, her love for the blacks occupied almost all her feelings. It is to her, I believe, we owe that beautiful poem.

Lead us to some sunny isle,

Yonder in the western deep;

Where the skies for ever smile,

And the blacks for ever weep, amp;c.


She had correspondences with clerical gentlemen in most of our East and West India possessions; and was secretly attached to the Reverend Silas Hornblower, who was tattooed in the South Sea Islands.

As for the Lady Jane, on whom, as it has been said, Mr. Pitt Crawley’s affection had been placed, she was gentle, blushing, silent, and timid. In spite of his falling away, she wept for her brother, and was quite ashamed of loving him still. Even yet she used to send him little hurried smuggled notes, and pop them into the post in private. The one dreadful secret which weighed upon her life was, that she and the old housekeeper had been to pay Southdown a furtive visit at his chambers in the Albany; and found him - O the naughty dear abandoned wretch! - smoking a cigar with a bottle of Curacao before him. She admired her sister, she adored her mother, she thought Mr. Crawley the most delightful and accomplished of men, after Southdown, that fallen angel: and her mamma and sister, who were ladies of the most superior sort, managed everything for her, and regarded her with that amiable pity, of which your really superior woman always has such a share to give away. Her mamma ordered her dresses, her books, her bonnets, and her ideas for her. She was made to take pony-riding, or piano-exercise, or any other sort of bodily medicament, according as my Lady Southdown saw meet; and her ladyship would have kept her daughter in pinafores up to her present age of six-and-twenty, but that they were thrown off when Lady Jane was presented to Queen Charlotte.

When these ladies first came to their house at Brighton, it was to them alone that Mr. Crawley paid his personal visits, contenting himself by leaving a card at his aunt’s house, and making a modest inquiry of Mr. Bowls or his assistant footman, with respect to the health of the invalid. When he met Miss Briggs coming home from the library with a cargo of novels under her arm, Mr. Crawley blushed in a manner quite unusual to him, as he stepped forward and shook Miss Crawley’s companion by the hand. He introduced Miss Briggs to the lady with whom he happened to be walking, the Lady Jane Sheepshanks, saying, “Lady Jane, permit me to introduce to you my aunt’s kindest friend and most affectionate companion, Miss Briggs, whom you know under another title, as authoress of the delightful ‘Lyrics of the Heart,’ of which you are so fond.” Lady Jane blushed too as she held out a kind little hand to Miss Briggs, and said something very civil and incoherent about mamma, and proposing to call on Miss Crawley, and being glad to be made known to the friends and relatives of Mr. Crawley; and with soft dove-like eyes saluted Miss Briggs as they separated, while Pitt Crawley treated her to a profound courtly bow, such as he had used to H.H. the Duchess of Pumpernickel, when he was attache at that court.

The artful diplomatist and disciple of the Machiavellian Binkie! It was he who had given Lady Jane that copy of poor Briggs’s early poems, which he remembered to have seen at Queen’s Crawley, with a dedication from the poetess to his father’s late wife; and he brought the volume with him to Brighton, reading it in the Southampton coach and marking it with his own pencil, before he presented it to the gentle Lady Jane.

Перейти на страницу:

Похожие книги

Лира Орфея
Лира Орфея

Робертсон Дэвис — крупнейший канадский писатель, мастер сюжетных хитросплетений и загадок, один из лучших рассказчиков англоязычной литературы. Он попадал в шорт-лист Букера, под конец жизни чуть было не получил Нобелевскую премию, но, даже навеки оставшись в числе кандидатов, завоевал статус мирового классика. Его ставшая началом «канадского прорыва» в мировой литературе «Дептфордская трилогия» («Пятый персонаж», «Мантикора», «Мир чудес») уже хорошо известна российскому читателю, а теперь настал черед и «Корнишской трилогии». Открыли ее «Мятежные ангелы», продолжил роман «Что в костях заложено» (дошедший до букеровского короткого списка), а завершает «Лира Орфея».Под руководством Артура Корниша и его прекрасной жены Марии Магдалины Феотоки Фонд Корниша решается на небывало амбициозный проект: завершить неоконченную оперу Э. Т. А. Гофмана «Артур Британский, или Великодушный рогоносец». Великая сила искусства — или заложенных в самом сюжете архетипов — такова, что жизнь Марии, Артура и всех причастных к проекту начинает подражать событиям оперы. А из чистилища за всем этим наблюдает сам Гофман, в свое время написавший: «Лира Орфея открывает двери подземного мира», и наблюдает отнюдь не с праздным интересом…

Геннадий Николаевич Скобликов , Робертсон Дэвис

Проза / Классическая проза / Советская классическая проза
Шедевры юмора. 100 лучших юмористических историй
Шедевры юмора. 100 лучших юмористических историй

«Шедевры юмора. 100 лучших юмористических историй» — это очень веселая книга, содержащая цвет зарубежной и отечественной юмористической прозы 19–21 века.Тут есть замечательные произведения, созданные такими «королями смеха» как Аркадий Аверченко, Саша Черный, Влас Дорошевич, Антон Чехов, Илья Ильф, Джером Клапка Джером, О. Генри и др.◦Не менее веселыми и задорными, нежели у классиков, являются включенные в книгу рассказы современных авторов — Михаила Блехмана и Семена Каминского. Также в сборник вошли смешные истории от «серьезных» писателей, к примеру Федора Достоевского и Леонида Андреева, чьи юмористические произведения остались практически неизвестны современному читателю.Тематика книги очень разнообразна: она включает массу комических случаев, приключившихся с деятелями культуры и журналистами, детишками и барышнями, бандитами, военными и бизнесменами, а также с простыми скромными обывателями. Читатель вволю посмеется над потешными инструкциями и советами, обучающими его искусству рекламы, пения и воспитанию подрастающего поколения.

Вацлав Вацлавович Воровский , Всеволод Михайлович Гаршин , Ефим Давидович Зозуля , Михаил Блехман , Михаил Евграфович Салтыков-Щедрин

Проза / Классическая проза / Юмор / Юмористическая проза / Прочий юмор