Читаем Vanity Fair (illustrated) полностью

And so, nothing loth to comfort a sick lady, and perhaps not sorry in her heart to be freed now and again from the dreary spouting of the Reverend Bartholomew Irons, and the serious toadies who gathered round the footstool of the pompous Countess, her mamma, Lady Jane became a pretty constant visitor to Miss Crawley, accompanied her in her drives, and solaced many of her evenings. She was so naturally good and soft, that even Firkin was not jealous of her; and the gentle Briggs thought her friend was less cruel to her when kind Lady Jane was by. Towards her Ladyship Miss Crawley’s manners were charming. The old spinster told her a thousand anecdotes about her youth, talking to her in a very different strain from that in which she had been accustomed to converse with the godless little Rebecca; for there was that in Lady Jane’s innocence which rendered light talking impertinence before her, and Miss Crawley was too much of a gentlewoman to offend such purity. The young lady herself had never received kindness except from this old spinster, and her brother and father: and she repaid Miss Crawley’s engoument by artless sweetness and friendship.

In the autumn evenings (when Rebecca was flaunting at Paris, the gayest among the gay conquerors there, and our Amelia, our dear wounded Amelia, ah! where was she?) Lady Jane would be sitting in Miss Crawley’s drawing-room singing sweetly to her, in the twilight, her little simple songs and hymns, while the sun was setting and the sea was roaring on the beach. The old spinster used to wake up when these ditties ceased, and ask for more. As for Briggs, and the quantity of tears of happiness which she now shed as she pretended to knit, and looked out at the splendid ocean darkling before the windows, and the lamps of heaven beginning more brightly to shine - who, I say can measure the happiness and sensibility of Briggs?

Pitt meanwhile in the dining-room, with a pamphlet on the Corn Laws or a Missionary Register by his side, took that kind of recreation which suits romantic and unromantic men after dinner. He sipped Madeira: built castles in the air: thought himself a fine fellow: felt himself much more in love with Jane than he had been any time these seven years, during which their liaison had lasted without the slightest impatience on Pitt’s part-and slept a good deal. When the time for coffee came, Mr. Bowls used to enter in a noisy manner, and summon Squire Pitt, who would be found in the dark very busy with his pamphlet.

“I wish, my love, I could get somebody to play piquet with me,” Miss Crawley said one night when this functionary made his appearance with the candles and the coffee. “Poor Briggs can no more play than an owl, she is so stupid” (the spinster always took an opportunity of abusing Briggs before the servants); “and I think I should sleep better if I had my game.”

At this Lady Jane blushed to the tips of her little ears, and down to the ends of her pretty fingers; and when Mr. Bowls had quitted the room, and the door was quite shut, she said:

“Miss Crawley, I can play a little. I used to - to play a little with poor dear papa.”

“Come and kiss me. Come and kiss me this instant, you dear good little soul,” cried Miss Crawley in an ecstasy: and in this picturesque and friendly occupation Mr. Pitt found the old lady and the young one, when he came upstairs with him pamphlet in his hand. How she did blush all the evening, that poor Lady Jane!

It must not be imagined that Mr. Pitt Crawley’s artifices escaped the attention of his dear relations at the Rectory at Queen’s Crawley. Hampshire and Sussex lie very close together, and Mrs. Bute had friends in the latter county who took care to inform her of all, and a great deal more than all, that passed at Miss Crawley’s house at Brighton. Pitt was there more and more. He did not come for months together to the Hall, where his abominable old father abandoned himself completely to rum-and-water, and the odious society of the Horrocks family. Pitt’s success rendered the Rector’s family furious, and Mrs. Bute regretted more (though she confessed less) than ever her monstrous fault in so insulting Miss Briggs, and in being so haughty and parsimonious to Bowls and Firkin, that she had not a single person left in Miss Crawley’s household to give her information of what took place there. “It was all Bute’s collar-bone,” she persisted in saying; “if that had not broke, I never would have left her. I am a martyr to duty and to your odious unclerical habit of hunting, Bute.”

“Hunting; nonsense! It was you that frightened her, Barbara,” the divine interposed. “You’re a clever woman, but you’ve got a devil of a temper; and you’re a screw with your money, Barbara.”

“You’d have been screwed in gaol, Bute, if I had not kept your money.”

“I know I would, my dear,” said the Rector, good-naturedly. “You ARE a clever woman, but you manage too well, you know”: and the pious man consoled himself with a big glass of port.

Перейти на страницу:

Похожие книги

Лира Орфея
Лира Орфея

Робертсон Дэвис — крупнейший канадский писатель, мастер сюжетных хитросплетений и загадок, один из лучших рассказчиков англоязычной литературы. Он попадал в шорт-лист Букера, под конец жизни чуть было не получил Нобелевскую премию, но, даже навеки оставшись в числе кандидатов, завоевал статус мирового классика. Его ставшая началом «канадского прорыва» в мировой литературе «Дептфордская трилогия» («Пятый персонаж», «Мантикора», «Мир чудес») уже хорошо известна российскому читателю, а теперь настал черед и «Корнишской трилогии». Открыли ее «Мятежные ангелы», продолжил роман «Что в костях заложено» (дошедший до букеровского короткого списка), а завершает «Лира Орфея».Под руководством Артура Корниша и его прекрасной жены Марии Магдалины Феотоки Фонд Корниша решается на небывало амбициозный проект: завершить неоконченную оперу Э. Т. А. Гофмана «Артур Британский, или Великодушный рогоносец». Великая сила искусства — или заложенных в самом сюжете архетипов — такова, что жизнь Марии, Артура и всех причастных к проекту начинает подражать событиям оперы. А из чистилища за всем этим наблюдает сам Гофман, в свое время написавший: «Лира Орфея открывает двери подземного мира», и наблюдает отнюдь не с праздным интересом…

Геннадий Николаевич Скобликов , Робертсон Дэвис

Проза / Классическая проза / Советская классическая проза
Шедевры юмора. 100 лучших юмористических историй
Шедевры юмора. 100 лучших юмористических историй

«Шедевры юмора. 100 лучших юмористических историй» — это очень веселая книга, содержащая цвет зарубежной и отечественной юмористической прозы 19–21 века.Тут есть замечательные произведения, созданные такими «королями смеха» как Аркадий Аверченко, Саша Черный, Влас Дорошевич, Антон Чехов, Илья Ильф, Джером Клапка Джером, О. Генри и др.◦Не менее веселыми и задорными, нежели у классиков, являются включенные в книгу рассказы современных авторов — Михаила Блехмана и Семена Каминского. Также в сборник вошли смешные истории от «серьезных» писателей, к примеру Федора Достоевского и Леонида Андреева, чьи юмористические произведения остались практически неизвестны современному читателю.Тематика книги очень разнообразна: она включает массу комических случаев, приключившихся с деятелями культуры и журналистами, детишками и барышнями, бандитами, военными и бизнесменами, а также с простыми скромными обывателями. Читатель вволю посмеется над потешными инструкциями и советами, обучающими его искусству рекламы, пения и воспитанию подрастающего поколения.

Вацлав Вацлавович Воровский , Всеволод Михайлович Гаршин , Ефим Давидович Зозуля , Михаил Блехман , Михаил Евграфович Салтыков-Щедрин

Проза / Классическая проза / Юмор / Юмористическая проза / Прочий юмор