Читаем Vanity Fair (illustrated) полностью

It was honest Briggs who made up the little kit for the boy which he was to take to school. Molly, the housemaid, blubbered in the passage when he went away - Molly kind and faithful in spite of a long arrear of unpaid wages. Mrs. Becky could not let her husband have the carriage to take the boy to school. Take the horses into the City! - such a thing was never heard of. Let a cab be brought. She did not offer to kiss him when he went, nor did the child propose to embrace her; but gave a kiss to old Briggs (whom, in general, he was very shy of caressing), and consoled her by pointing out that he was to come home on Saturdays, when she would have the benefit of seeing him. As the cab rolled towards the City, Becky’s carriage rattled off to the park. She was chattering and laughing with a score of young dandies by the Serpentine as the father and son entered at the old gates of the school - where Rawdon left the child and came away with a sadder purer feeling in his heart than perhaps that poor battered fellow had ever known since he himself came out of the nursery.

He walked all the way home very dismally, and dined alone with Briggs. He was very kind to her and grateful for her love and watchfulness over the boy. His conscience smote him that he had borrowed Briggs’s money and aided in deceiving her. They talked about little Rawdon a long time, for Becky only came home to dress and go out to dinner - and then he went off uneasily to drink tea with Lady Jane, and tell her of what had happened, and how little Rawdon went off like a trump, and how he was to wear a gown and little knee-breeches, and how young Blackball, Jack Blackball’s son, of the old regiment, had taken him in charge and promised to be kind to him.

In the course of a week, young Blackball had constituted little Rawdon his fag, shoe-black, and breakfast toaster; initiated him into the mysteries of the Latin Grammar; and thrashed him three or four times, but not severely. The little chap’s good-natured honest face won his way for him. He only got that degree of beating which was, no doubt, good for him; and as for blacking shoes, toasting bread, and fagging in general, were these offices not deemed to be necessary parts of every young English gentleman’s education?

Our business does not lie with the second generation and Master Rawdon’s life at school, otherwise the present tale might be carried to any indefinite length. The Colonel went to see his son a short time afterwards and found the lad sufficiently well and happy, grinning and laughing in his little black gown and little breeches.

His father sagaciously tipped Blackball, his master, a sovereign, and secured that young gentleman’s good-will towards his fag. As a protege of the great Lord Steyne, the nephew of a County member, and son of a Colonel and C.B., whose name appeared in some of the most fashionable parties in the Morning Post, perhaps the school authorities were disposed not to look unkindly on the child. He had plenty of pocket-money, which he spent in treating his comrades royally to raspberry tarts, and he was often allowed to come home on Saturdays to his father, who always made a jubilee of that day. When free, Rawdon would take him to the play, or send him thither with the footman; and on Sundays he went to church with Briggs and Lady Jane and his cousins. Rawdon marvelled over his stories about school, and fights, and fagging. Before long, he knew the names of all the masters and the principal boys as well as little Rawdon himself. He invited little Rawdon’s crony from school, and made both the children sick with pastry, and oysters, and porter after the play. He tried to look knowing over the Latin grammar when little Rawdon showed him what part of that work he was “in.” “Stick to it, my boy,” he said to him with much gravity, “there’s nothing like a good classical education! Nothing!”

Becky’s contempt for her husband grew greater every day. “Do what you like - dine where you please - go and have ginger-beer and sawdust at Astley’s, or psalm-singing with Lady Jane - only don’t expect me to busy myself with the boy. I have your interests to attend to, as you can’t attend to them yourself. I should like to know where you would have been now, and in what sort of a position in society, if I had not looked after you.” Indeed, nobody wanted poor old Rawdon at the parties whither Becky used to go. She was often asked without him now. She talked about great people as if she had the fee-simple of May Fair, and when the Court went into mourning, she always wore black.

Перейти на страницу:

Похожие книги

Шедевры юмора. 100 лучших юмористических историй
Шедевры юмора. 100 лучших юмористических историй

«Шедевры юмора. 100 лучших юмористических историй» — это очень веселая книга, содержащая цвет зарубежной и отечественной юмористической прозы 19–21 века.Тут есть замечательные произведения, созданные такими «королями смеха» как Аркадий Аверченко, Саша Черный, Влас Дорошевич, Антон Чехов, Илья Ильф, Джером Клапка Джером, О. Генри и др.◦Не менее веселыми и задорными, нежели у классиков, являются включенные в книгу рассказы современных авторов — Михаила Блехмана и Семена Каминского. Также в сборник вошли смешные истории от «серьезных» писателей, к примеру Федора Достоевского и Леонида Андреева, чьи юмористические произведения остались практически неизвестны современному читателю.Тематика книги очень разнообразна: она включает массу комических случаев, приключившихся с деятелями культуры и журналистами, детишками и барышнями, бандитами, военными и бизнесменами, а также с простыми скромными обывателями. Читатель вволю посмеется над потешными инструкциями и советами, обучающими его искусству рекламы, пения и воспитанию подрастающего поколения.

Вацлав Вацлавович Воровский , Всеволод Михайлович Гаршин , Ефим Давидович Зозуля , Михаил Блехман , Михаил Евграфович Салтыков-Щедрин

Проза / Классическая проза / Юмор / Юмористическая проза / Прочий юмор
Лира Орфея
Лира Орфея

Робертсон Дэвис — крупнейший канадский писатель, мастер сюжетных хитросплетений и загадок, один из лучших рассказчиков англоязычной литературы. Он попадал в шорт-лист Букера, под конец жизни чуть было не получил Нобелевскую премию, но, даже навеки оставшись в числе кандидатов, завоевал статус мирового классика. Его ставшая началом «канадского прорыва» в мировой литературе «Дептфордская трилогия» («Пятый персонаж», «Мантикора», «Мир чудес») уже хорошо известна российскому читателю, а теперь настал черед и «Корнишской трилогии». Открыли ее «Мятежные ангелы», продолжил роман «Что в костях заложено» (дошедший до букеровского короткого списка), а завершает «Лира Орфея».Под руководством Артура Корниша и его прекрасной жены Марии Магдалины Феотоки Фонд Корниша решается на небывало амбициозный проект: завершить неоконченную оперу Э. Т. А. Гофмана «Артур Британский, или Великодушный рогоносец». Великая сила искусства — или заложенных в самом сюжете архетипов — такова, что жизнь Марии, Артура и всех причастных к проекту начинает подражать событиям оперы. А из чистилища за всем этим наблюдает сам Гофман, в свое время написавший: «Лира Орфея открывает двери подземного мира», и наблюдает отнюдь не с праздным интересом…

Геннадий Николаевич Скобликов , Робертсон Дэвис

Проза / Классическая проза / Советская классическая проза