'Suffer is indeed the word,' he sighed, and stood aside. She swept past him, and out, leaving no more behind her than a faint perfume, for the Venetian to inhale.
When the landlord had departed in her wake, Vendramin closed the door, and came breezily to clap Marc-Antoine on the shoulder.
'Oh, my Englishman! You lose no time, faith. Scarce twenty-four hours in Venice, and already you show a knowledge of its ways that is not usually acquired in weeks. Morbleu, there's more of the Frenchman about you than the accent.'
And Marc-Antoine, to cover that retreat, to avoid the birth of the least suspicion of the truth, must feed the obvious foulness of this rakehell's mind by pretending the levity with which it credited him. He laughed, and waved a careless hand.
'It is lonely for a man in a foreign country. We must do what we can.'
Vendramin thrust playfully at his ribs. 'A coy piece, on my life! And she looked neat. Let her be never so muffled, I have eyes, my friend, that can strip a nun.'
Marc-Antoine thought it time to turn the talk. 'You told the landlord that you were expected?'
'You'll not pretend to have forgotten it? You'll not break my heart by saying that you had forgotten it, indeed? The last thing I said to you last night, when you landed here, was that I would come and take you to Florian's this morning. And you are not yet dressed. This nègligè . . . Ah, yes, of course, the lady ...'
Marc-Antoine turned away, dissembling disgust. 'I have but to don a coat and my walking-shoes. I will be with you at once.'
He yielded without argument so as to have a moment to himself, a moment in which to master the emotions Isotta had left in him, and those produced by this most inopportune intrusion. And so, he left the salon to pass into his bedroom beyond.
Messer Vendramin, smiling and nodding at the picture his imagination conjured of the doings he had interrupted, sauntered slowly towards the balcony. Something grated under his foot. He stooped and picked up an object that in size and shape was like the half of a large pea. The sunlight struck a dull glow from it as it lay in his palm. He looked over his shoulder. The door to the bedroom was closed. He continued his walk to the balcony. There he stood contemplating the little jewel. A malicious smile took shape on his full lips, as he realized that he held a clue. It would be amusing if chance were to lead him one day to find the indiscreet owner. The smile broadened as he dropped the cabochon sapphire into his waistcoat pocket.
CHAPTER IX
HIS SERENITY
Past the majestic portal of Santa Maria della Salute and across the Basin of Saint Mark they were borne in Vendramin's gondola, with the funereal exterior trappings which the old sumptuary laws ordained, but enriched within the felza—the little cabin amidships—by delicate carvings, little painted escutcheons and wide cushions covered in leather that was wrought with scroll-work in gold and ultramarine and red. Whilst of no startling extravagance, yet for a pauper patrician it seemed to Marc-Antoine too much.
Ser Leonardo presented something of a problem to him. But, for that matter, so did all Venice as he saw it that morning. Everywhere life seemed inspired and suffused by the bright sunshine in which it was lived. In the crowds moving along the Riva dei Schiavoni, idling in the Piazzetta, or sauntering in the greater square, all was gay, careless vivacity. The mood of the Venetians, populace, burghers, and patricians, seemed as serene as the blue dome of heaven overhead, without apparent care or even thought for the mutterings of a storm that might at any moment overwhelm them.
It was little more than a week since on Ascension Thursday the Doge, aboard the great red-and-gold bucentaur of forty oars, with splendours as great as those displayed by the Serenissima at her zenith, had gone to the Port of Lido for the annual ceremony of the espousal of the sea.
Today, before the wondering eyes of Marc-Antoine, the sparkling human stream poured along the Schiavoni, past the gloomy prison and the unfortunate wretches who showed themselves grimacing behind the massive bars or thrust forth claws for alms, to be commiserated by some, but to move the derision of more. Westwards, past the Gothic marble-encrusted loveliness of the Ducal Palace, linked with the prison by that marble gem, the Bridge of Sighs, the human current flowed on, to lose its impulse in the spaces of the Piazzetta, to pause there or eddy about the Zecca and the columns of Eastern granite, one of them surmounted by Saint Theodore and the dragon, the other by the Lion and the Book, the emblems of Saint Mark.
Marc-Antoine stood on the pavement of trachyte and marble, spread like a carpet before the Byzantine glories of Saint Mark's. He caught his breath at the vision of the vast, arcaded square with that miracle of grace, the Campanile, thrusting, like a gigantic spear, its point into the blue.