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This was the heart of the great city and here the pulsations of its vivid life were strongest.

By the rich bronze pedestals of the three great flagstaffs a quacksalver, in a fantastic hat with a panache that was a rainbow of dyed cocks' feathers, hoarsely called his unguents, perfumes, and cosmetics. By San Geminiano an itinerant little puppet-show was holding a crowd from which laughter intermittently exploded to startle the pigeons circling overhead.

They came to a table at Florian's on the shady side of the Piazza.

Here among the fashionable loungers of both sexes circled itinerant merchants, hawking pictures, Eastern rugs, trinkets of gold and silver, little gems of Murano glass and the like.

Of the poverty which in her decadence was consuming ever more swiftly the entrails of the State, there was no sign upon the glittering surface here displayed. The apparel of the men and women about these little tables was nowhere in Europe exceeded in extravagance, and their gay, inconsequent, leisurely air gave no hint of gloomy preoccupations.

If, thought Marc-Antoine, the Serenissima was, indeed, as some had diagnosed, upon her death-bed, she would die as she had lived, in luxury and laughter. Thus, we are told, had the Greek republics perished.

He sipped his coffee, listened indifferently to the chatter of the amiable Ser Leonardo and gave his real attention to the pattern woven before his eyes by the shifting loungers. Sauntering gallants and ladies in silks and satins, an occasional masked face amongst them; more soberly clad merchants; here the black of a cleric, there the violet of a cannon, or the coarse brown of a friar, hurrying by with his eyes upon his sandals; occasionally the scarlet toga of a senator proceeding importantly to Pregadi, or the white coat and cockaded hat of a swaggering officer; groups of kilted Albanians or Montenegrins, sashed and jacketed in red or green, soldiers these from the Serenissima's Dalmatian provinces.

From time to time Ser Leonardo would point out a person of distinction in their environment. But there was only one who arrested Marc-Antoine's rather dazed attention: a sturdy, swarthy little man of middle age, in a black wig and a rusty coat; a man with observant, questing eyes, and the hint of a sneer about his tight-lipped mouth. Not only did he sit alone, but in a loneliness made conspicuous by the empty tables immediately about him, as if he bore some disease upon him of which others avoided the infection. Upon being informed that he was Cristofero Cristofoli, a well-known agent—confidente was the term employed—of the Council of Ten, Marc-Antoine wondered what was to be discovered by a spy whom everybody knew.

A couple passed, thrusting contemptuously through the crowd, which without resentment gave way at once. The man was short and mean of appearance, very swarthy and ugly in a suit of shabby camlet that an artisan on holiday might have disdained. A fat, untidy woman of fifty hung wobbling on his arm. They were followed by two men in black, each with a golden key upon his breast to proclaim him a chamberlain, and after these rolled a gondolier in a threadbare livery.

'Who is the scarecrow?' Marc-Antoine inquired.

Ser Leonardo's ready laugh rang out. 'Most apt! A scarecrow, indeed; in fact, as well as in appearance. Well might he scare some sense into these silly, strutting crows.' He waved a long supple hand to indicate the people about them. 'He is an itinerant warning to all Italy, and most of all perhaps to Venice. Oh, yes; a scarecrow. He is the Emperor's cousin, Ercole Rinaldo D'Este, Duke of Modena, lately chased from his dominions by the Jacobins, who, uniting Modena with Reggio, have formed the Cispadane Republic. The woman is Chiara Marini, said to be his second morganatic wife. He's a precious instance of how little the Imperial ægis can now shelter a man.'

Marc-Antoine nodded without comment as tightly reticent in this as in other matters, and evasive of the persistent questions with which the Venetian still sought to probe him. He discounted the repugnance which Vendramin inspired in him, lest some of it should result from a jealous resentment which he had not been human and a lover had he not experienced.

So when they parted at last, it was without much progress made on either side in knowledge of the other, but with effusive promises from Vendramin to seek him shortly again.

Marc-Antoine hailed a gondola at the steps of the Piazzetta, and was borne away to San Daniele and Count Pizzamano.

He dined with the Count and Countess and Domenico, Isotta keeping her room on a plea of indisposition. Later in the afternoon the Count carried him off to the Casa Pesaro, where the Doge resided.

Lodovico Manin, apprised of their coming, received them in the richly hung chamber that served him for a work-room.

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