Weird Shadows Over Innsmouth

“My what? Oh, Junior. He’s finished on this picture.”

“But he owes you two days.”

“How the hell did you know that? He does. I was going to have Al shoot stuff with him we could use in something else. There’s this Blood picture we need to finish. Blood of Whatever. It’s had so many titles, I can’t keep them in my head. Ghastly Horror... Dracula Meets Frankenstein... Fiend with the Psychotropic Brain... Blood a-Go-Go... At the moment, it’s mostly home movies shot at a dolphinarium. It could use monster scenes.”

“I would like to pick up the time. As I said, a day and a night.”

“Have you ever done any acting? I ask because our vampire is gone. He’s an accountant and it’s tax season. In long shot, you could pass for him. We could give you a horror star name, get you on the cover of Famous Monsters. How about ‘Zoltan Lukoff’? ‘Mongo Carnadyne’? ‘Dexter DuCaine’?”

“I don’t think I have screen presence.”

“But you can call off the bimbos in the buggies? Damp down all activities so we can finish our flick and head home?”

“That can be arranged.”

“And Junior isn’t going to get hurt? This isn’t some Satanic sacrifice deal? Say, that’s a great title. Satan’s Sacrifice. Must register it. Maybe Satan’s Bloody Sacrifice. Anything with blood in the title will gross an extra twenty per-cent. That’s free advice you can take to the bank and cash.”

“I simply want help in finding something. Your man can do that.”

“Pal, Junior can’t find his own pants in the morning even if he’s slept in them. He’s still got it on film, but half the time he doesn’t know what year it is. And, frankly, he’s better off that way. He still thinks he’s in Of Mice and Men.”

“If you remade that, would you call it Of Mice and Bloody Men?”

Sam laughed. “Of Naked Mice and Bloody Men.”

“Do we have a deal?”

“I’ll talk to Junior.”

“Thank you.”

* * *

After dark, the two camps were pitched. Charlie’s Family were around the ranch-house, clustering on the porch for a meal prepared and served by the girls, which was not received enthusiastically. Constant formulated elaborate sentences of polite and constructive culinary criticism which made head chef Lynette Alice, aka Squeaky, glare as if she wanted to drown him in soup.

Leech had another future moment, seeing between the seconds. Drowned bodies hung, arms out like B-movie monsters, faces pale and shrivelled. Underwater zombies dragged weighted boots across the ocean-floor, clothes flapping like torn flags. Finned priests called the faithful to prayer from the steps of sunken temples to Dagon and Chthulhu and the Fisherman Jesus.

Unnoticed, he spat out a stream of seawater which sank into the sand.

The Family scavenged their food, mostly by random shoplifting in markets, and were banned from all the places within an easy reach. Now they made do with whatever canned goods they had left over and, in some cases, food parcels picked up from the Chatsworth post office sent by suburban parents they despised but tapped all the time. Mom and Dad were a resource, Charlie said, like a seam of mineral in a rock, to be mined until it played out.

The situation was exacerbated by cooking smells wafting up from the film camp, down by the bunkhouse. The movie folk had a catering budget. Junior presided over a cauldron full of chilli, his secret family recipe doled out to the cast and crew on all his movies. Leech gathered some of Charlie’s girls had exchanged blow-jobs for bowls of that chilli, which they then dutifully turned over to their lord and master in the hope that he’d let them lick out the crockery afterwards.

Everything was a matter of striking a deal. Service for payment.

Not hungry, he sat between the camps, considering the situation. He knew what Janice Marsh wanted, what Charlie wanted, what Al wanted and what Sam wanted. He saw arrangements that might satisfy them all.

But he had his own interests to consider.

The more concrete the coming flood was in his mind, the less congenial an apocalypse it seemed. It was unsubtle, an upheaval that epitomised the saw about throwing out the baby with the bathwater. He envisioned more intriguing pathways through the future. He had already made an investment in this world, in the ways that it worked and played, and he was reluctant to abandon his own long-range plans to hop aboard a Technicolor spectacular starring a cast of thousands, scripted by Lovecraft, directed by DeMille and produced by Mad Eyes Charlie and the Freakin’ Family Band.