Weird Shadows Over Innsmouth

His favoured apocalypse was a tide of McLitter, a thousand channels of television noise, a complete scrambling of politics and entertainment, PROUD-TO-BE-A-BREADHEAD buttons, bright packaging around tasteless and nutrition-free product, audio-visual media devoid of anything approaching meaning, bellies swelling and IQs atrophying. In his preferred world, as in the songs, people bowed and prayed to the neon god they made, worked for Matthew and Son, were dedicated followers of fashion and did what Simon said.

He was in a tricky position. It was a limitation on his business that he could rarely set his own goals. In one way, he was like Sam’s vampire: he couldn’t go anywhere without an invitation. Somehow, he must further his own cause, while living up to the letter of his agreements.

Fair enough.

On his porch, Charlie unslung a guitar and began to sing, pouring revelations over a twelve-bar blues. Adoring faces looked up at him, red-fringed by the firelight.

From the movie camp came an answering wail.

Not coyotes, but stuntmen—led by the raucous Riff, whose singing had been dubbed in West Side Story—howling at the moon, whistling over emptied Jack Daniel’s bottles, clanging tin plates together.

Charlie’s girls joined in his chorus.

The film folk fired off blank rounds, and sang songs from the Westerns they’d been in. ‘Get Along Home, Cindy, Cindy’. ‘Gunfight at O.K. Corral’. ‘The Code of the West’.

Charlie dropped his acoustic, and plugged in an electric. The chords sounded the same, but the amperage somehow got into his reedy voice, which came across louder.

He sang sea shanties.

That put the film folk off for a while.

Charlie sang about mermaids and sunken treasures and the rising, rising waters.

He wasn’t worse than many acts Leech had signed to his record label. If it weren’t for this apocalypse jazz, he might have tried to make a deal with Charlie for his music. He’d kept back the fact that he had pull in the industry. Apart from other considerations, it’d have made Charlie suspicious. The man was naive about many things, but he had a canny showbiz streak. He scorned all the trappings of a doomed civilisation, but bought Daily Variety and Billboard on the sly. You don’t find Phil Spector wandering in the desert eating horse-turds. At least, not so far.

As Charlie sang, Leech looked up at the moon.

* * *

A shadow fell over him, and he smelled the Wolf Man.

“Is your name George?” asked the big man, eyes eager.

“If you need it to be.”

“I only ask because it seems to me you could be a George. You got that Georgey look, if you know what I mean.”

“Sit down, my friend. We should talk.”

“Gee, uh, okay.”

Junior sat cross-legged, arranging his knees around his comfortable belly. Leech struck a match, put it to a pile of twigs threaded with grass. Flame showed up Junior’s nervous, expectant grin, etched shadows into his open face.

Leech didn’t meet many Innocents. Yet here was one.

As Junior saw Leech’s face in the light, his expression was shadowed. Leech remembered how terrified the actor had been when he first saw him.

“Why do I frighten you?” he asked, genuinely interested.

“Don’t like to say,” said Junior, thumb creeping towards his mouth. “Sounds dumb.”

“I don’t make judgements. That’s not part of my purpose.”

“I think you might be my Dad.”

Leech laughed. He was rarely surprised by people. When it happened, he was always pleased.

“Not like that. Not like you and my Mom... you know. It’s like my Dad’s in you, somewhere.”

“Do I look like him, Creighton?”

Junior accepted Leech’s use of his true name. “I can’t remember what he really looked like. He was the Man of a Thousand Faces. He didn’t have a real face for home use. He’d not have been pleased with the way this turned out, George. He didn’t want this for me. He’d have been real mad. And when he was mad, then he showed his vampire face...”

Junior bared his teeth, trying to do his father in London After Midnight.

“It’s never too late to change.”

Junior shook his head, clearing it. “Gosh, that’s a nice thought, George. Sam says you want me to do you a favour. Sam’s a good guy. He looks out for me. Always has a spot for me in his pictures. He says no one else can do justice to the role of Groton the Mad Zombie. If you’re okay with Sam, you’re okay with me. No matter about my Dad. He’s dead a long time and I don’t have to do what he says no more. That’s the truth, George.”

“Yes.”

“So how can I help you?”

* * *

The Buggy Korps scrambled in the morning for the big mission. Only two vehicles were all-terrain-ready. Two three-person crews would suffice.

Given temporary command of Unit Number Two, Leech picked Constant as his driver. The German boy helped Junior into his padded seat, complementing him on his performance as noble Chingachgook in a TV series of The Last of the Mohicans that had made it to East Germany in the 1950s.