Читаем Weirder Shadows Over Innsmouth полностью

Controlling his breathing, his sobbing, the old man said, “Do you mean are we being punished? I don’t know—probably. Come with me and I’ll show you something.” And getting creakingly to his feet, he went hobbling to a more open area close by, once the corner of a street—more properly a junction of twisted blackened ruins and rubble now—where the scattered, shattered debris lay more thinly on the riven ground, and only the vaguest outlines of any actual street remained. Of course, this was hardly unusual; for all I knew the entire city, and probably every city in the world, would look pretty much the same right now.

And after tugging on the sleeve of my parka while I stood glancing here and there, only too well aware that out in the open at this once-crossroads we would be plainly visible from all points of the compass, my companion finally let go of me to point toward the north-east. So that even before my eyes followed the bearing indicated by his trembling hand and finger, I knew what I would see. And:

“Look at that!” The words were no more than a husky whisper, almost a whimper. And more urgently this time: “Look! Just look at it, will you! Now tell me, isn’t it obvious where at least one of those names comes from?”

He was talking about the Twisted Tower—a “mile-high monstrosity” he’d called it—where it stood, leaned or seemed to stagger, perhaps a mile and a half away, or two miles at most. But matching it in ugliness was its almost obscene height… a mile high? No, but not far short; with its teetering spire stabbing up through the disc of cloud that had been lured into circling it like an aerial whirlpool or the debris of doomed planets round the sucking well of a vast black hole. It was built of the wreckage, the ravaged soul of the crushed city; of gutted high-rises; of many miles of railway carriages twined around its fat base and rising in a spiral, like the thread of a gigantic screw, to a fifth of the tower’s height; of bridges and wharves torn from their anchorages; of a great round clock face recognisable even at this distance and in this gloom as that of Big Ben; of a jutting tube of concrete and glass that had once stood in the heart of the city where it had been called Centrepoint… all of these things and many more, all parts now of this Twisted Tower. But it wasn’t really twisted; it was just that its design and composition were so utterly alien that they didn’t conform to the mundane Euclidean geometry that a human eye or brain would automatically accept as the shapes of a genuine structure, observing them as authentic without making the viewer feel sick and dizzy.

And though I had seen it often enough before, still I took a stumbling step backwards before tearing my eyes away from it. Those crazy angles which at first seemed convex before concertinaing down to concavities… only to bulge forth again like gigantic boils on the trunk of a monster. “That mile-high monstrosity”, yes—but having seen it before, if not from this angle, I had known what effect it would have on me. Which was why I concentrated my gaze on what stood in front of it, seeming to teeter or waver there as in some kind of inanimate obeisance:

It leaned there close to that colossal, warped dunce’s cap, out of true at an angle of maybe twenty degrees, only a few hundred yards or so as I reckoned it in the tower’s foreground; and instead of the proud dome that it had been, it now looked like half of a blackened, broken egg, or the shattered skull of some unimaginable giant, lying there in the uneven dirt of that vast, desecrated graveyard: the dome of St. Paul’s Cathedral.

“Horrible, horrible!” the old man said and shuddered uncontrolla-bly—then gave a start when, from somewhere not very far behind us, there came a dismal baying or hooting call; forlorn sounding, true, but in the otherwise silence of the ruins terrifying to any vulnerable man or beast. And starting again—violently this time as more hooting sounded, but closer and from a different direction—the old man said, “The Hounds! That howling is how they’ve learned to triangulate. We’ve got to get away from here!”

“But how?” I said. “The howling is from the south, while to the north-east… we’re on the verge of the Bgg’ha Zone!”

“Come with me—and hurry!” he replied. “If some of these wrecked buildings were still standing we’d already be dead—or worse! The Hounds know all the angles and move through them, so we must consider ourselves lucky.”

“The angles?”

Перейти на страницу:

Похожие книги

Память камня
Память камня

Здание старой, более неиспользуемой больницы хотят превратить в аттракцион с дополненной реальностью. Зловещие коридоры с осыпающейся штукатуркой уже вписаны в сценарии приключений, а программный код готов в нужный момент показать игроку призрак доктора-маньяка, чтобы добавить жути. Система почти отлажена, а разработчики проекта торопятся показать его инвесторам и начать зарабатывать деньги, но на финальной стадии тестирования случается непредвиденное: один из игроков видит то, что в сценарий не заложено, и впадает в ступор, из которого врачи никак не могут его вывести. Что это: непредсказуемая реакция психики или диверсия противников проекта? А может быть, тому, что здесь обитает, не нравятся подобные игры? Ведь у старых зданий свои тайны. И тайны эти вновь будут раскрывать сотрудники Института исследования необъяснимого, как всегда рискуя собственными жизнями.

Елена Александровна Обухова , Лена Александровна Обухова

Фантастика / Самиздат, сетевая литература / Мистика
Иные песни
Иные песни

В романе Дукая «Иные песни» мы имеем дело с новым качеством фантастики, совершенно отличным от всего, что знали до этого, и не позволяющим втиснуть себя ни в какие установленные рамки. Фоном событий является наш мир, построенный заново в соответствии с представлениями древних греков, то есть опирающийся на философию Аристотеля и деление на Форму и Материю. С небывалой точностью и пиететом пан Яцек создаёт основы альтернативной истории всей планеты, воздавая должное философам Эллады. Перевод истории мира на другие пути позволил показать видение цивилизации, возникшей на иной основе, от чего в груди дух захватывает. Общество, наука, искусство, армия — всё подчинено выбранной идее и сконструировано в соответствии с нею. При написании «Других песен» Дукай позаботился о том, чтобы каждый элемент был логическим следствием греческих предпосылок о структуре мира. Это своеобразное философское исследование, однако, поданное по законам фабульной беллетристики…

Яцек Дукай

Фантастика / Попаданцы / Эпическая фантастика / Альтернативная история / Мистика