“Some as didn’t go to the Dagon Hall he sold—an’ fer a good price, a real good price they fetched. But they’re all gone naow, all gone—an’ the Order of Dagon’s all done an’ the Marshes ain’t been seen hereabaouts ever since they dynamited the warehaouses. An’ they wan’t all arrested, neither—no, sir, they do say what was left o’ them Marshes jist walked daown’t the shore an’ aout into the water an’ kilt themselves.” At this point he cackled mirthlessly. “But nobuddy ain’t seen a one o’ them Marsh bodies, thar ain’t been no corp’ seen all up an’ daown the shore.”
He had reached this point in his narrative when something extremely odd took place. He suddenly fixed widening eyes on my companion, his jaw dropped, his hands began to shake; for a moment or two he was frozen in that position; then he shrugged himself up and off the barstool, turned, and in a stumbling run burst out of the building into the street, a long, despairing cry shuddering back through the wintry air.
To say that we were astonished is to put it mildly. Seth Akins’ sudden turning from Corey was so totally unexpected that we gazed at each other in astonishment. It was not until later that it occurred to me that Akins’ superstition-ridden mind must have been shaken by the sight of the curious corrugations on Corey’s neck below his ears—for in the course of our conversation with the old man, Corey’s thick scarf, which had protected his neck from the still cold March air, had loosened and fallen to drape over his chest in a short loop, disclosing the indentations and rough skin which had always been a part of Jeffrey Corey’s neck, that wattled area so suggestive of age and wear.
No other explanation offered itself, and I made no mention of it to Corey, lest I disturb him further, for he was visibly upset, and there was nothing to be gained by upsetting him further.
“What a rigmarole!” I cried, once we were again on Washington Street.
He nodded abstractedly, but I could see plainly that some aspects of the old fellow’s account had made an impression of sorts—and a not entirely pleasant one—on my companion. He could smile, but ruefully, and at my further comments he only shrugged, as if he did not wish to speak of the things we had heard from Akins.
He was remarkably silent throughout that evening, and rather noticeably preoccupied, even more so than he had been previously. I recall resenting somewhat his unwillingness to share whatever burdened his thoughts, but of course this was his decision to make, not mine, and I suspect that what churned through his mind that evening must have seemed to him far-fetched and outlandish enough to make him want to spare himself the ridicule he evidently expected from me. Therefore, after several probing questions which he turned off, I did not again return to the subject of Seth Akins and the Innsmouth legends.
I returned to New York in the morning.
Further excerpts from Jeffrey Corey’s
Under this same date—March 21—Corey’s last letter to me was written. He said nothing in it of his dreams, but he did write about the soreness of his neck.
It isn’t my throat—that’s clear. No difficulty swallowing. The pain seems to be in that disfigured area of skin—wattled or wart-like or fissured, whatever you prefer to call it—beneath my ears. I cannot describe it; it isn’t the pain one associates with stiffness or friction or a bruise. It’s as if the skin were about to break outward, and it goes deep. And at the same time I cannot rid myself of the conviction that something is about to happen—something I both dread and look forward to, and all manner of
I replied, advising him to see a doctor, and promising to visit him early in April.