"Give it back!" Percussive, savage, desperate. My limbs were sticky from sleeping in clothes. The shouter had been quiet for a few nights. I thought he'd left. "Give it back!" I called back, "Who are you? Are you okay?" No answer. I listened, I listened, I listened. I got up, crept outside and pressed my ear against 403. Silence. Against 405. Silence. Lights off in both rooms. On not quite a whim, I crept up to Wei's room and pressed my ear against her room. Her breathing? Or my own? Why did I feel that sense of being watched? Hotel Aloha has no CCTV A black moth hinged its wings. Uneasy, I went back to my room and turned on the TV with the sound right down.
Saturday evening's Runaway Horses was fuggy with laughter, booming reggae and Asian-American youth in bloom. In my last clean Gucci shirt I took the very last seat at the bar and Shingo slid me my nearly last Sapporo in Waikiki. This time tomorrow, I'd be back in Yerbas Buenas with a business to try to rebuild. The Yukio Mishima Knife Book would be a bad passage in a disastrous chapter, but the main narrative would go on. A woman right by me cleared her throat and said, "I never thought you were marine. You're too stick-insect. They'd throw you out." Well, thank you very much, I smiled at the Filipina from Bar Wardrobe. She stepped over my irony. "I drank too many the other day, okay? Spoke too many too. What you learned, shush, is secret, please." Therapeutic to spill your guts occasionally, I assured her, and promised I'd never repeat a word. But my silence could be bought only by her name. Grace, she told me, and Grace took my Sapporo Black so I ordered another. Some loud Aussies across the bar shot me looks: rebuttees, I guessed. "So you live on Oahu?, asked Grace. "You a businessman or a tourist or what?" I surrendered to the seductive quasi-truth and told her I run a special business, one that never advertises, which obtains singular artifacts that are otherwise unobtainable. Grace was sharp. She asked how we got clients. Introduction only, I told her, unable to resist giving her a business card. She read, "'What You Do Not Know You Want.' That all?" I nodded, and told her I was on Oahu trying to locate a historic weapon for a wealthy client. Grace was fascinated. "Is all legal, your business?" I told her, "If we exercise discretion, the question doesn't apply." My codealer, I explained, had apparently entrusted this item to the exowner of Runaway Horses… Who," Grace filled in the blank, "is Runaway Barman now. Is hilarious joke, yes?" Hilarious, yes.
"Death isn't some faraway land, okay, at the end of time," Grace insisted several bottles later. I had no inkling how we got onto the subject. "Death is the white lines down the highway, okay, in your cutlery drawer, okay, in bottles in bathroom cabinets, inside cells of your body. Death, hey, we're made of the stuff. Death is the pond; we the living are the fish. So to answer your question, yes, of course, the dead are everywhere, and yes, they watch us. Like TV. When we interest them." Women love being asked if they are clairvoyant, so I did so. "Men uluuy.r ask that," frowned Grace, "but intuition is just seeing and listening, is not being blind because it does not agree with culture or fashion or desires. Intuition is not mystical." Believing that the dead swarm around the living sounded pretty mystical to me, I suggested, if not morbid. "Buying and selling suicide weapons of your Japanese writer is not morbid?" Yes, Vulture, loose lips sink ships, but I haven't wanted a woman as much as I wanted Grace since you-know-when. "Such a knife will only attract devil's eye, no? Is obvious!" I said, Would she consider continuing our discussion in a less public venue? "Okay, sure, I consider." But when I got back from the bathroom, Jesus Mary Poppins Christ, her bar stool was straining under a German as big as a grizzly. Gone, shrugged Shingo. Sorry. I ordered a last beer to show those smirking Australians but dealt the bur a series of vicious toe pokes and hoped that Grace intuited each one.