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“He’s right.” When she turned to look, Eric shrugged. “Well, he is. Why can’t someone have written about us in one timeline and painted us onto canvases in another, or … I don’t know … made us into toys, or something? I can buy multiverses. The theory’s there. I’ve read enough science fiction. For all we know, this could be a simulation, too, right? Like The Matrix?”

Yet one more echo, but Eric, she almost understood. Didn’t like that she did either. “Yes, but …”

“So leaving aside the how of getting here for a second, Lizzie finds and then brings us”—Eric looked over to Lizzie—“through these, ah, Dark Passages?”

“No, Eric, I told you,” Lizzie said. “Except for Emma, you guys came from book-worlds. The Dark Passages are what’s between the Nows.”

“See?” Bode threw up his hands. “This is exactly what I’m saying. The Dark Passages are between Nows, and what’s between Nows are the Dark Passages … That’s like saying something’s a cat because it’s a cat, but it doesn’t tell you anything about what a cat really is.”

“Tautology,” Eric said, then waved that away. To Emma: “My point is that there are a lot of possibilities, but let’s just go with what you’re proposing, okay? In that case, what Bode said could be true. Why couldn’t we be ideas in one alternative universe or timeline and real people in another?”

“Like the soldiers in one of Tony’s comics.” At Eric’s puzzled look, Casey said, “They were in his car. There was this Twisted Tales about soldiers fighting giant rats. The soldiers turn out to be toys, but they think they’re real.” When Bode opened his mouth, Case said, “Yes, I know. You’re real. I got that, but get this. The comic was new, like he’d just pulled it off the rack, only the date was April. Last time I looked, it was December.”

“So? Big deal.” Bode blew a raspberry. “It’s a real nice drugstore. They take good care of their merchandise. April was only a couple months ago.”

“Only if this is 1983. I read the date.” Casey frowned. “Come to think of it, Tony’s car was really old, and he played cassette tapes, not CDs.”

“CDs?” Bode asked.

“A compact disc, for digital data … You can put music … Never mind.” Emma waved the explanation away. “It’s not important. What he’s saying is, Tony was from the past.” She paused. “Well, okay, our past, same as you.”

“Or you’re all from my future.”

“Whatever. I’m not sold we’re in a specific time,” Eric said.

“He’s right. You’re not.” Lizzie laid her cheek on her knees with a sigh. “You’re outside of a regular Now. You know, where there are things you guys call today and tomorrow and next week.” It might have been the dance of shadow from the fire, but for a brief moment, the little girl’s eyes did their odd glimmering shift again. Emma couldn’t tell if Lizzie was only tired, or depressed. Or—here was a crazy thought—bored and a little exasperated, as if she’d seen this play a thousand times before and was simply waiting for the characters of this particular drama to get it out of their systems, think it through, and catch up already.

“There’s just this special forever-Now,” Lizzie said. “And it’s like this big house, with a lot of rooms and no hallways in between.”

“Separate … rooms?” Rima said. “You mean, where things happen depending on who’s there?”

Lizzie nodded. “That’s the way it is here because of all the thought-magic. And it’s always night and really cold.”

“Hell is cold,” Eric muttered, and when Bode gave him a look, he added: “Dante. We read Inferno in school. The ninth circle of hell is a frozen lake.”

“I remember that,” Emma said. “Lucifer’s trapped in ice up to his waist.”

“And shrouded in a thick fog.” After a pause, Rima continued, faintly, “We read it, too.”

“Dad liked that book,” Lizzie said. “Not the God stuff, but he and Mom said the ice was close to what it was like in a Peculiar: really, really, really cold.”

“Yeah, that explains a lot.” Grunting, Bode scraped another match to life. “Thought-magic.”

“Bode, all she’s talking about is energy,” Eric said. “You took high school science, right? Heat is energy. Those matches? Friction on red phosphorus is enough to turn it, chemically, into white phosphorus, which ignites in air and releases heat. Take away heat, you bleed energy, which means that things cool down. You ever seen ice?”

“Of course. So?”

“Ice is solid because it’s been cooled,” Casey said. “Energy’s been taken away. Add energy, heat, the molecules speed up and ice melts. It becomes liquid. Heat it enough, it turns to steam. It just depends on how much energy you add. If I know that much science, Bode, so do you. I think what Lizzie’s saying is that the inside of a … a Peculiar? This kind of special container? It’s cold for a reason.”

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White Space
White Space

In the tradition ofMementoandInceptioncomes a thrilling and scary young adult novel about blurred reality where characters in a story find that a deadly and horrifying world exists in the space between the written lines.Seventeen-year-old Emma Lindsay has problems: a head full of metal, no parents, a crazy artist for a guardian whom a stroke has turned into a vegetable, and all those times when she blinks away, dropping into other lives so ghostly and surreal it's as if the story of her life bleeds into theirs. But one thing Emma has never doubted is that she's real.Then she writes "White Space," a story about these kids stranded in a spooky house during a blizzard.Unfortunately, "White Space" turns out to be a dead ringer for part of an unfinished novel by a long-dead writer. The manuscript, which she's never seen, is a loopyMatrixmeetsInkheartstory in which characters fall out of different books and jump off the page. Thing is, when Emma blinks, she might be doing the same and, before long, she's dropped into the very story she thought she'd written. Trapped in a weird, snow-choked valley, Emma meets other kids with dark secrets and strange abilities: Eric, Casey, Bode, Rima, and a very special little girl, Lizzie. What they discover is that they--and Emma--may be nothing more than characters written into being from an alternative universe for a very specific purpose.Now what they must uncover is why they've been brought to this place--a world between the lines where parallel realities are created and destroyed and nightmares are written--before someone pens their end.

Ильза Джей Бик

Любовное фэнтези, любовно-фантастические романы

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