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But the draft is really strange. It doesn’t belong at all. Inching on hands and knees, she follows the chill behind a tower of boxes butted against the south wall. There, etched on the wall and along the floor, is a perfect two-foot square. Instead of the gray wash used on the rest of the cellar’s cinderblock, however, this square is a blinding, featureless, bone-bright white.

She rocks back on her heels, the better to study that blank. There is no doubt in her mind that Jasper has slathered the same paint here that he does on his canvases, but why? Is something beneath this? A painting on the cinderblock? She wouldn’t put it past him. But the idea doesn’t feel quite right.

Then her eyes catch a slight wink of brass, and she sees a pull-ring on the right, about midway down. The pull-ring is Emma-sized, just right for her hand. Had that been there a moment ago? She isn’t sure. But there’s no doubt now.

Wow. A little mouse of excitement scurries up her spine. A door? Another room? She laces her fingers through the pull-ring—and hesitates. She’s not an idiot. There might be spiders, or bats, or dead things with gooshy innards waiting in the dark. Maybe Jasper’s hidden this door for a good reason. Nightmares live under the white paint on his canvases, for heaven’s sake.

Still, she can’t resist, and pulls. At first, nothing happens, and she is about to pull harder when small flakes of white paint begin to snow in a fine flurry to the cool concrete. She feels the door gasp and shudder, as if suddenly waking from a deep sleep. Then the door gives; it yawwwns open on a silent, rushing exhalation of pent-up breath, the way she porpoises out of Superior’s blue-black waters on a hot summer’s day.

But behind the door, there is nothing. It is Pitch. Black. Just an inky square. The darkness almost doesn’t look real. She can’t see an inch into all that nothingness, and it smells funny: like when she scraped both her knees bloody the day she took a header off her bike.

Light. She races back upstairs, then pulls up and tiptoes into the front parlor. In the kitchen, the radio is yammering to itself, the reporter excitedly talking about police and victims and murder, but she doesn’t care. Jasper is gone; probably sketching but mainly boozing before heading off to make arrangements for a kayak trip they’ll take in a week’s time to Devils Island. Sal’s taken the truck to town for groceries. So Emma’s safe, at least for the rest of the afternoon. Perfect. Stretching up on her toes, she filches a pack of matches from the fireplace mantel. In the kitchen pantry, she finds a plastic bag of used candles—Sal’s such a cheapskate—and fishes out three blue stubs left over from her and Jasper’s birthday cakes the week before.

Back downstairs again, lickety-split. She strikes a match: psssttt! The match head splutters to life, and then she raises her tiny torch to the dark. The blackness does not give. Inky shadows flee from her, splaying over the cement behind, but no light penetrates this third room. At. All.

Okay, that’s even stranger. That’s not the way light works. Or darkness, for that matter: if the room is empty, then nothing should prevent light from penetrating.

She reaches a tentative palm, like a mime tracing an invisible door, and instantly snatches it back. Whoa, cold. She haahs warm air onto her fingers, shaking her hand until the feeling needles back in darts and tingles. What she’s felt is so frigid it burns—and hard, like a pane of black glass. Yet in that brief contact she felt the darkness, well … seem to give a teeny, tiny bit: as if the glass, smooth as a sheet of quartz crystal, morphed to a dense yet pliable cellophane.

But there is something else: a sound, scratchy with distance, seeping from that gloaming. What is that? She cocks her head, straining to tease out the components. The sound is as crackly as the weather band radio Jasper listens to whenever there’s a big blow and Superior gets wild. So someone left on a radio? Like Sal has done upstairs? That doesn’t make any sense, not even for Jasper. Probably just hearing a weird echo. And yet there is something making noise in there. No matter how hard she tries to pull the sound to her, however, all she gets are static-filled whispers, like the hiss of sand spun into a dust devil.

Whoa, wait just a second. The hairs on her neck suddenly spike with alarm as another thought occurs to her. What if there’s someone living under Jasper’s house? That stuff can happen. Over on the mainland, down around Ashland, bums hole up in broken-down shacks all the time. The news says so.

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White Space
White Space

In the tradition ofMementoandInceptioncomes a thrilling and scary young adult novel about blurred reality where characters in a story find that a deadly and horrifying world exists in the space between the written lines.Seventeen-year-old Emma Lindsay has problems: a head full of metal, no parents, a crazy artist for a guardian whom a stroke has turned into a vegetable, and all those times when she blinks away, dropping into other lives so ghostly and surreal it's as if the story of her life bleeds into theirs. But one thing Emma has never doubted is that she's real.Then she writes "White Space," a story about these kids stranded in a spooky house during a blizzard.Unfortunately, "White Space" turns out to be a dead ringer for part of an unfinished novel by a long-dead writer. The manuscript, which she's never seen, is a loopyMatrixmeetsInkheartstory in which characters fall out of different books and jump off the page. Thing is, when Emma blinks, she might be doing the same and, before long, she's dropped into the very story she thought she'd written. Trapped in a weird, snow-choked valley, Emma meets other kids with dark secrets and strange abilities: Eric, Casey, Bode, Rima, and a very special little girl, Lizzie. What they discover is that they--and Emma--may be nothing more than characters written into being from an alternative universe for a very specific purpose.Now what they must uncover is why they've been brought to this place--a world between the lines where parallel realities are created and destroyed and nightmares are written--before someone pens their end.

Ильза Джей Бик

Любовное фэнтези, любовно-фантастические романы

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