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The door is pissed. Doesn’t want to close at all, nosirreebob. She can feel it protesting, or maybe that’s only what lives inside the dark exerting some force to keep her from closing it off again. From deep within, the whispers seethe, but there are so many she can’t make out the words, which she thinks is probably good. She doesn’t hear them; she’s not listening, la-la-la-la …

Finally, grudgingly, the door grumbles shut. She doesn’t dare look at that white blank too long either. If she does, she might see the ring again, and then the urge to pull open the door and push against the dark would be too strong.

Nope, no way, not going there. She works fast, wedging all those boxes tight-tight-tight against the white cinderblock. She covers that door and blots it from view. Hours later, when Jasper stumps back in, reeking of fish slime, bourbon, and the turp he uses to clean his brushes, she’s at the kitchen table, an untouched glass of chocolate milk she doesn’t want in her hands, as the radio yammers on and on about death and murder and blood, so much blood. Lost in a boozy fog, Jasper doesn’t spare her a glance, and she’s not telling. In fact, she decides right then and there not to …

EMMA

All Me

“… THINK ABOUT IT,” she said. “Until today I was doing a pretty good job, too. But some of what’s happened echoes and circles back to that, even down to that little click. I heard the same thing at the library door.” And in the vision of that insane asylum, come to think of it, when she’d locked the door in that iron grille.

“What if what you found was a force field put up by some machine?” Eric asked. “Like a … a device or tool or something?”

“That’s what Dad called the Mirror,” Lizzie said. “Same with the panops and Sign of Sure. He said they were all tools from a long time ago and another Now. I never thought of it before, but the time I saw my dad at the Mirror? When he … when he c-cut himself?” She knuckled her eyes, but Emma saw the tears starting again. “When he t-touched the M-Mirror, it made a c-click.”

“But I didn’t cut myself,” Emma said. “It just happened.” Then thought: Force field or barrier might be right, too. I keep thinking about where the barriers are thinnest. What would happen if those went away or sprang a leak?

“Might work like a fingerprint ID for a computer,” Eric said.

“You’re saying the machine recognized me?”

“It kind of fits, doesn’t it? Whatever was down cellar let you … well, log on.”

“What?” Bode asked. “What a log got to do with anything? A log’s just wood.”

“It’s just another word for a special kind of key,” Casey said. “Only this key unlocks a machine.”

Key. Emma felt the word hook her attention. Lizzie said … or was it her dad … one of them mentioned a key. But hadn’t Frank McDermott also said that this key was something they’d read? Yes, he said manuscript, and they found it in London.

“But log on to a machine that can do what?” Rima asked. “Draw out energy that you can use to make a book? Or glass?”

“Or anything.” Eric ran a hand over the hard edge of the coffee table. “Even something as simple as this. In the real world, the one we all think of as real, the only reason this wood table stays a table is because the energy required for wood and iron to hold their shapes is exactly right—for that reality. Add more energy—say, touch a match, start a fire—you destroy the wood’s ability to hold that shape. You’ve added too much energy to the system and initiated a different reaction.”

“Like the phase transition of ice to water, or water to steam,” Emma said. “To fog.”

Eric nodded. “So I guess this … this Dark Passages energy stays put in our reality only if you use a certain amount and no more.”

“You know … what happened out on the snow—those creatures just appearing, the church, Tania?” Sliding a copy of Whispers from the pile of books, Rima studied the cover art: the portrait of a girl with wild, staring eyes as black as oil and a frill of spider’s legs blooming from her mouth. “If I let myself just accept the idea for a second that my story’s already been written and the fog is energy waiting to be used and molded and fixed … it kind of explains a lot.”

Bode barked a laugh. “How?”

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White Space
White Space

In the tradition ofMementoandInceptioncomes a thrilling and scary young adult novel about blurred reality where characters in a story find that a deadly and horrifying world exists in the space between the written lines.Seventeen-year-old Emma Lindsay has problems: a head full of metal, no parents, a crazy artist for a guardian whom a stroke has turned into a vegetable, and all those times when she blinks away, dropping into other lives so ghostly and surreal it's as if the story of her life bleeds into theirs. But one thing Emma has never doubted is that she's real.Then she writes "White Space," a story about these kids stranded in a spooky house during a blizzard.Unfortunately, "White Space" turns out to be a dead ringer for part of an unfinished novel by a long-dead writer. The manuscript, which she's never seen, is a loopyMatrixmeetsInkheartstory in which characters fall out of different books and jump off the page. Thing is, when Emma blinks, she might be doing the same and, before long, she's dropped into the very story she thought she'd written. Trapped in a weird, snow-choked valley, Emma meets other kids with dark secrets and strange abilities: Eric, Casey, Bode, Rima, and a very special little girl, Lizzie. What they discover is that they--and Emma--may be nothing more than characters written into being from an alternative universe for a very specific purpose.Now what they must uncover is why they've been brought to this place--a world between the lines where parallel realities are created and destroyed and nightmares are written--before someone pens their end.

Ильза Джей Бик

Любовное фэнтези, любовно-фантастические романы

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