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Oh my God. She felt a bubble of hysterical laughter pushing against her teeth. Tania was Anita: one and the same. Like Lizzie’s crazy quilt, names made out of letters rearranged to be both different and yet parts of a whole. Her mother was the monster. She was every monster Rima would ever fight, and always had been.

She thought of poor little Taylor—where was her parka now, anyway?—and how shocked that little girl had been when her father morphed into a monster capable of hurling his child from a balcony. Taylor blamed herself, but what had happened wasn’t her fault.

And this isn’t mine. Rima felt the sting of tears and then the slow trickle as they rolled down her temples and soaked into her hair. The real poison is if I let my mother convince me that it is.

She watched as the priestess began to dance: a slow, rhythmic shuffle. Her mother followed in a drunk-stumble, slashing the air with that knife. Have to do something. Rima’s heart battered her ribs. Can’t just lie here until Anita decides she can’t wait. But what did she have to fight with? She wasn’t stupid enough to think she could will this away; this wasn’t like the fight on the snow, and even then, once set in motion, that story would unravel to its conclusion. She suspected only Emma had the power to jump through one space and Now to another. So what could she do? All she had was a touch that soothed and took away whispers.

Wait a minute. She felt everything inside, even her breath, grow still. I take.

She had to call twice because Anita was that lost, that out of it. “What?” Anita said. Her mother’s words were mushy, and that anger, fiery and a bit insane, had died a little, but Rima knew the embers of her mother’s resentment wouldn’t need much coaxing.

So she chose her words very, very carefully. “Mom, I won’t fight you anymore. I can’t. You’re my mom, and I know you’re only trying to help.”

“Thass righhh, baby.” Anita’s slushy voice went maudlin. A rill of shiny snot slicked her upper lip. “Thass righhh.”

“I know, and I love you, and I’m scared.” She was aware of the priestess’s coin-bright eyes, and somewhere, overhead, the ceaseless churn of the birds, but Rima fixed her gaze on Anita and did not look away. “I’m scared, and I need you. So, please, would you hold me? Would you please hug me just this one last time?”

<p>BODE</p><p>Either Way, You Lose</p>

1

BATTLE WAS GONE—and what the hell was that about?

It had happened back at the house, right before Emma did her crazy … well, whatever that was. Soon as Casey touched him, Bode felt the sergeant go, just whoosh away like Bode’d gotten a sucker punch to the gut.

That tripped him out. After, Bode had been distracted, worried about what the sudden silence in his head meant. So when they’d materialized in the dark, Bode hadn’t been on top of his game. Just said the first damn thing that came to mind. Stupid. Like popping out of a spidey hole without tossing out a rock first, seeing if anything up there took the bait and blasted that rock to itty-bitty ones. You never made that mistake twice, because after the first time, you were dead.

Emma’s shout still rang in his ears, but Bode felt the change happening a split second later. The darkness collapsed in a rush, the black slamming down, flattening the space above and all around as if the barn were being squeezed by four giant palms: above and below, right and left.

“Down, get down!” he shouted, dropping to his knees. The darkness heaved, the floor’s texture changing from something smooth—poured concrete—to the unmistakable grit of earth over rock.

No, no, no. Can I think it away? He was gasping, his chest heaving like bellows, trying to pull in air that dwindled by the second. Forests; I like trees and open sky and water.

But that’s not where his nightmares lived, and it was too late anyway. The blackness was hardening, his monsters taking their shape. He heard the others thudding to the dirt as the darkness rushed in, growing close and tight, cinching down, clenching and knotting to a fist. For a split second, Bode thought the black space meant to flatten them. Then, the sense of pressure eased as the ink of this new space stopped flowing.

Casey: “Has it … it’s over, right?”

“I think so.” Emma sounded as out of breath as Bode. “It was like the roof collapsed.”

“It’s not a roof.” Bode raised himself to a squat, relieved that his head and shoulders didn’t meet up with anything solid. Fumbling out a flashlight, he thumbed it to life. A spear of blue light pierced the black, and he saw exactly what he expected. Of course he would.

This was a nightmare he knew by heart.

2

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White Space
White Space

In the tradition ofMementoandInceptioncomes a thrilling and scary young adult novel about blurred reality where characters in a story find that a deadly and horrifying world exists in the space between the written lines.Seventeen-year-old Emma Lindsay has problems: a head full of metal, no parents, a crazy artist for a guardian whom a stroke has turned into a vegetable, and all those times when she blinks away, dropping into other lives so ghostly and surreal it's as if the story of her life bleeds into theirs. But one thing Emma has never doubted is that she's real.Then she writes "White Space," a story about these kids stranded in a spooky house during a blizzard.Unfortunately, "White Space" turns out to be a dead ringer for part of an unfinished novel by a long-dead writer. The manuscript, which she's never seen, is a loopyMatrixmeetsInkheartstory in which characters fall out of different books and jump off the page. Thing is, when Emma blinks, she might be doing the same and, before long, she's dropped into the very story she thought she'd written. Trapped in a weird, snow-choked valley, Emma meets other kids with dark secrets and strange abilities: Eric, Casey, Bode, Rima, and a very special little girl, Lizzie. What they discover is that they--and Emma--may be nothing more than characters written into being from an alternative universe for a very specific purpose.Now what they must uncover is why they've been brought to this place--a world between the lines where parallel realities are created and destroyed and nightmares are written--before someone pens their end.

Ильза Джей Бик

Любовное фэнтези, любовно-фантастические романы

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