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No one answered—mostly, Bode thought, because, yes or no, either way, you lose. Although he agreed with Eric. This had the feel of a trial by fire of some sort. He wished Battle would tell him what. For a dead guy, Battle knew a great deal about life. But the sarge, who had lived inside Bode’s head for so long, was silent and had been for quite some time now, even before the barn. Yet he’d been here; Bode could always feel him, this quiet burn in his head like the flicker of a pilot light. After the fight on the snow, though, Battle had only … listened? Maybe not even that; Bode just couldn’t tell.

And then Casey touches me—and Battle’s gone. I felt him go. Bode armed sweat from his forehead. So where is he? Why did he leave? His stomach pulled to a knot of anxiety. Sarge, I need you. Please, talk to me. If he was hovering somewhere around, however, Battle remained mute.

Ahead, Bode saw that the tunnel was now very wide and much higher, enough so he had clearance for a good roundhouse swing. He’d be able to take a pretty good shot at whatever might hurl itself from the dark.

That’s all wrong. It shouldn’t be this way. This isn’t like any tunnel I’ve ever seen, or worried about.

A soft sound drifted out of the dark: a whispery rustle that was not the sharp scrape of a boot. He pulled up so suddenly that Casey smacked into him. “Hey,” Casey said.

“Quiet!” Bode held his breath, trying to listen above the boom of his heart. He probed the darkness with his light, but there was nothing in front, on the floor, or behind. Yet the sound kept on, papery and dry and somehow not only louder but larger: a scurrying, rhythmic shush that grew and grew and …

“What is that?” Emma whispered. “Where is it coming from?”

“I don’t know.” He didn’t want to think about rats or snakes or …

Then his heart stuttered as he heard something new: the spatter of pebbles raining like fine hail onto rock.

Oh shit.

He aimed his light straight up.

<p>BODE</p><p>Dead End</p>

THE ROCK DIRECTLY overhead was alive—with scorpions.

Big as rats, with bulbous black bodies and pincer-claws long as fishhooks, they seethed over the stone. Diamond teardrops of glittering poison dripped from enormous barbs at the tip of shiny, curled tails. But instead of mandibles, these scorpions’ heads were unformed and smooth as mirrors. Then, in the next instant, gashes appeared and split to become mouths.

Jesus. Bode felt the cracks in his mind widening, his thoughts splintering. The glassy surfaces peeled back to reveal eyes: dead eyes, black eyes, the eyes of cobras, the eyes of nightmares. Faces, they have faces.

“RUN!” he screamed, much too late.

As one, the scorpions dropped from the ceiling. Bode felt the hard bodies bouncing off the padded arms and shoulders and chest of his jacket. They bulleted off his scalp, then slithered over his face. One landed on his left shoulder, hooked, and held on. With a wordless screech, Bode swung the flashlight like a club. The heavy stock batted the thing from his shoulder, and it tumbled, pincers flailing. These just managed to snag his pants, and then the thing’s tail was stabbing him again and again, the pointed barb working to pierce the tough olive canvas of his fatigues. Still shouting, Bode battered at the thing with the butt of his flashlight. Losing its grip, the thing did a flip and landed on its back. Its spindly legs churned, the pincers snapping uselessly at air. Its many eyes glared up at Bode, and it let out a rasping, almost mechanical chitter that sounded eerily like an M16 cycling on full auto.

“Die!” Bode brought the sole of his boot smashing down. He felt the soft belly give as the scorpion’s body burst in a viscous spray of thick, yellow fluid. Cursing, he ground the thing into paste. The others were screaming and flailing and stamping; the floor was turning sludgy with slick, gooey, foul ichor. The only reason they weren’t dead—not yet, anyway—was their clothing. But their faces were exposed, and their hands.

“Get them off!” Emma shrieked. Her hair was a living tangle. “Get them off, get them off, get them off!

“Emma!” Spinning her close, Eric swatted scorpions with his bare hands, crushing them like overripe grapes beneath his boots.

“Bode, we got to go!” Casey bawled. “We got to get out, we got to go, we got to go!

Bode didn’t need convincing. “Go back, go back the way we came!”

“We can’t!” Still hugging Emma close, Eric aimed his flashlight back down the tunnel. “Look!”

Whirling round, Bode followed the light—and what he saw made his guts clench.

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White Space
White Space

In the tradition ofMementoandInceptioncomes a thrilling and scary young adult novel about blurred reality where characters in a story find that a deadly and horrifying world exists in the space between the written lines.Seventeen-year-old Emma Lindsay has problems: a head full of metal, no parents, a crazy artist for a guardian whom a stroke has turned into a vegetable, and all those times when she blinks away, dropping into other lives so ghostly and surreal it's as if the story of her life bleeds into theirs. But one thing Emma has never doubted is that she's real.Then she writes "White Space," a story about these kids stranded in a spooky house during a blizzard.Unfortunately, "White Space" turns out to be a dead ringer for part of an unfinished novel by a long-dead writer. The manuscript, which she's never seen, is a loopyMatrixmeetsInkheartstory in which characters fall out of different books and jump off the page. Thing is, when Emma blinks, she might be doing the same and, before long, she's dropped into the very story she thought she'd written. Trapped in a weird, snow-choked valley, Emma meets other kids with dark secrets and strange abilities: Eric, Casey, Bode, Rima, and a very special little girl, Lizzie. What they discover is that they--and Emma--may be nothing more than characters written into being from an alternative universe for a very specific purpose.Now what they must uncover is why they've been brought to this place--a world between the lines where parallel realities are created and destroyed and nightmares are written--before someone pens their end.

Ильза Джей Бик

Любовное фэнтези, любовно-фантастические романы

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