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“Oh honey.” Anita’s legs suddenly unhinged. At first, Rima thought her mother might be falling, but then she saw Anita awkwardly catch herself with the nearly empty wine bottle, the glass letting out a dull chuk as Anita knelt. “Honey,” Anita said, boozily, “you don’t know how mush I’ve wanted that. But what could I do? The stain on your soul was shhho black, I wuss always afraid you’d drag me down.”

Of all the things her mother could have said, that actually stroked a bright flare of anger. Keep it together; only got one shot at this, or it’s over. “That’s past now, Mom,” she said, not bothering to try to control the shudder in her voice. Anita was so wasted, she would hear it as fear—and oh God, yes, Rima was afraid.

“Girl lies,” the priestess said.

So did a lot of adults, mainly to themselves. With an effort, Rima kept that thought from reaching her face. Her eyes never wandered from her mother. “I know how hard it’s been,” she said to Anita. “And I’ve been so afraid.” It helped that this was true. I don’t want to die down here. Please, God, don’t let me die here. She had never been more frightened of her mother than at this very instant. But then again, this wasn’t her mother, not really. This was the mother her nightmare had made. To hell with McDermott and his stories; this is my life; I’m real. I’ve written my own mistakes, my private nightmares. What power she had was in her. If this came out of her mind, then the way out must already be inside her, too. She had to remember that. “Mom, if you’re going to do this, I think you better.”

The knife was already moving, and too late, Rima wondered if her mother understood. The blade flashed down, and then Anita was sawing at the rope tethering Rima’s right hand. At that, her heart tried to fail. I’m left-handed. It knows that’s my weaker hand. So she would have to be very quick. She watched the knife eating the rope; the tension around her wrist eased, and a second later, her hand was free.

A sudden, fierce urgency flared to snatch at her mother, made a grab, do something, and Rima had to work hard to muscle back the impulse to knot her fist in Anita’s hair. Wait, be patient. Don’t spook her, because you won’t get another chance. Wait for it.

As if sensing some danger, her mother rocked back on her heels. The muzzy look on her face sharpened a moment, and the knife she still clutched twitched, the point moving to hover over Rima’s throat.

“Careful of the knife.” Rima licked her lips. “You don’t want to cut yourself.”

For a shuddering moment, nothing happened. The bright spark that was the point of the knife ticked back and forth ever so slightly with each beat of Anita’s heart. Rima said nothing, held her breath. Then she heard the knife clatter to the rock, and Anita was leaning forward, practically falling on top of her—and Rima thought, One chance.

“Oh, my poor baby, come here,” Anita sighed, snaking her arms around Rima’s neck and shoulders. “Come to Momma, baby.”

“Oh, Mom.” Her voice broke as she carefully wound her arm around Anita’s thin shoulders. “I forgive you,” she whispered—and then she clamped down and felt for the center of her mother with all her might.

In the next instant, when Anita began to scream—when it was much too late—Rima understood: she had just made the worst and last mistake of her life.

Too late, Rima understood everything.

<p>BODE</p><p>The Shape of His Future</p>

“NO, NO, NO, no, no!” Bode swung his torch right and left, but there were no chinks in the rock, no breaks. The rock was as smooth as a black mirror; his reflection so perfect, it was like staring through a window to a moonless night. “This can’t be right!”

“That doesn’t make sense,” Eric said. The high scream of the scorpions swelled from the mouth of the tunnel. “If the other tunnel ended, how can this be a dead end, too?”

“Because this is where we’re supposed to end up.” Casey reached for the glassy rock, and his hand’s ghostly twin floated to meet him. “This is the way it wants us to go.”

“Kid, we’re not talking fog now. This is solid rock,” Bode said. He saw the margins of Casey’s reflection smudge and blur—and then the ruddy glimmer of a face suddenly seemed to ooze from Casey’s body to appear on the rock’s mirrored surface.

Holy smoke. He knew the others couldn’t see this. The kid—

“But it’s the wrong rock.” Emma’s expression was tight, intense. “Look at it. This is almost like obsidian, volcanic glass.”

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White Space
White Space

In the tradition ofMementoandInceptioncomes a thrilling and scary young adult novel about blurred reality where characters in a story find that a deadly and horrifying world exists in the space between the written lines.Seventeen-year-old Emma Lindsay has problems: a head full of metal, no parents, a crazy artist for a guardian whom a stroke has turned into a vegetable, and all those times when she blinks away, dropping into other lives so ghostly and surreal it's as if the story of her life bleeds into theirs. But one thing Emma has never doubted is that she's real.Then she writes "White Space," a story about these kids stranded in a spooky house during a blizzard.Unfortunately, "White Space" turns out to be a dead ringer for part of an unfinished novel by a long-dead writer. The manuscript, which she's never seen, is a loopyMatrixmeetsInkheartstory in which characters fall out of different books and jump off the page. Thing is, when Emma blinks, she might be doing the same and, before long, she's dropped into the very story she thought she'd written. Trapped in a weird, snow-choked valley, Emma meets other kids with dark secrets and strange abilities: Eric, Casey, Bode, Rima, and a very special little girl, Lizzie. What they discover is that they--and Emma--may be nothing more than characters written into being from an alternative universe for a very specific purpose.Now what they must uncover is why they've been brought to this place--a world between the lines where parallel realities are created and destroyed and nightmares are written--before someone pens their end.

Ильза Джей Бик

Любовное фэнтези, любовно-фантастические романы

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