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HE WON’T LET Case come along, but tells his brother to find something to replace his ruined clothes—even one of Big Earl’s shirts, if it comes down to it—and be ready to go just as soon as he gets back. Where they would go, how far they ought to run … Eric hopes that works itself out.

The drifts are high. Big Earl is 250 pounds of dead meat, so the ride out on the sled takes time. Four miles from the cabin, Eric squeezes the brake and cuts the engine. He sits a moment, listening to the howl of the wind, the rasp of ice crystals spinning over snow, the dull whump of heavy snow sliding off a drooping evergreen. A hard winter. A lot of animals starving, he bets.

He has to peel out of his gloves to untie Big Earl. His fingers shake and he can’t make them work right, but he finally gets the job done. Then he stands a moment, staring down at the body slumped in the Skandic’s rumble seat. Except for the blood and that dent, Big Earl looks almost normal. Well, for a drunk sleeping it off.

Parents are supposed to take care of their kids. A kid shouldn’t have to join the Marines and risk ending up as roadkill or minus a couple body parts, all so he can scrape together enough money for college and not get the crap beaten out of him by his own dad.

Planting a booted foot, he gives the body a shove. For a long moment, nothing happens. Then his father’s body shifts and slews sideways in a languid swoon, settling to the snow like a sack of dirty laundry.

“I’m not sorry you’re dead,” Eric says as he throttles up the Skandic. He pulls away without a backward glance. “I don’t care.”

Yet when he reaches the cabin and puts a hand to his face, he feels tears there: frozen to his cheeks, hard as diamonds.

4

NOW, BIG EARL was back. Big Earl was right there; had hitched a ride on this lost road to nowhere. His father’s head was lopsided, caved in where the bottle had crushed bone and brain. His wifebeater was a bib of gore, and Big Earl’s brains slopped in a grotesque tangle of moist pink worms.

“NO!” Eric shrieked. His hands clamped down hard on the Skandic’s handlebars, sending him into a sharp turn he didn’t want. The Skandic canted in a scream of snow, first right and then a grinding left as he carved deep, trying to compensate. Casey was yelling something, but Eric didn’t answer, couldn’t. Was that thing still on the sled? No, no, the weight wasn’t right; the weight had never been right; it was never there to begin with. Get control, get control! He felt the sled hit something—a chunk of ice, maybe; a rock; it didn’t matter. The Skandic bounced, and then the runners stuttered as the sled spun.

“Eric!” Casey’s voice now, spiking through Eric’s helmet speaker: “Eric, look out look out look out!”

A sudden wash of silver-blue swept around the curve fifty feet ahead, and then twin shafts of light pinned him like a bug. Above the roar of the storm, he heard the churn of the car’s engine coming on way too fast.

Frantic, Eric jerked the sled hard left. The sled skated, skipped, drifted sideways, the runners skittering, and he felt the machine buck and jump between his thighs. At the same moment, he realized that the car—no, it was a van, big and blocky and still coming—was shrieking into a drunken skid, out of control, grinding right for him.

For one long, nightmarish second, the world slowed down. Eric saw the right rear fender swinging in a wide arc, heard Casey screaming in his helmet, felt the stutter of the Skandic’s engine in his legs, even saw the white blur of a face—a girl—swimming behind frosted glass.

He was going to die. This was what Big Earl wanted; this was his revenge. The van would kill Eric when it hit, or the Skandic would rocket off the road and smash into the guardrail. The snowmobile would stop, but he would not. He would keep going, catapulted like a stone into the black void of the valley, and he would fall a long, long way down to where Big Earl waited.

Only one chance.

He took it.

<p>ERIC</p><p>A Gasp in Time</p>

1

ERIC JUMPED—A WILD, desperate leap—hurtling left as the van slewed right. For a second, it felt as if he simply hung there, suspended in midair, like Keanu Reeves dodging a bullet. Through the spume of snow splattered on his faceplate, he saw the massive bulk of the van growing larger and larger, darker than the night. The red eye of the van’s taillight, hot and angry, loomed and became the world, and he thought, I’m dead.

The van sliced by, shaving air less than six inches away: so close he felt the suck as it swept through space. He thudded face-first into the snow, the stiff plastic of his breakaway faceplate jamming hard enough to flip up and click free of its tabs. A bright white pain shot through as his teeth sank into his tongue, and then he was choking, his mouth filling with blood.

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White Space
White Space

In the tradition ofMementoandInceptioncomes a thrilling and scary young adult novel about blurred reality where characters in a story find that a deadly and horrifying world exists in the space between the written lines.Seventeen-year-old Emma Lindsay has problems: a head full of metal, no parents, a crazy artist for a guardian whom a stroke has turned into a vegetable, and all those times when she blinks away, dropping into other lives so ghostly and surreal it's as if the story of her life bleeds into theirs. But one thing Emma has never doubted is that she's real.Then she writes "White Space," a story about these kids stranded in a spooky house during a blizzard.Unfortunately, "White Space" turns out to be a dead ringer for part of an unfinished novel by a long-dead writer. The manuscript, which she's never seen, is a loopyMatrixmeetsInkheartstory in which characters fall out of different books and jump off the page. Thing is, when Emma blinks, she might be doing the same and, before long, she's dropped into the very story she thought she'd written. Trapped in a weird, snow-choked valley, Emma meets other kids with dark secrets and strange abilities: Eric, Casey, Bode, Rima, and a very special little girl, Lizzie. What they discover is that they--and Emma--may be nothing more than characters written into being from an alternative universe for a very specific purpose.Now what they must uncover is why they've been brought to this place--a world between the lines where parallel realities are created and destroyed and nightmares are written--before someone pens their end.

Ильза Джей Бик

Любовное фэнтези, любовно-фантастические романы

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