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She tried. He felt her fingers brush his, and he grabbed, fumbled to hang on—and for an instant, he had her, he had her …

Then the van tilted. The front fender chopped air … and Eric slipped. Blame the snow; blame that he was off-balance or the sudden list of the van. Whatever. He just couldn’t hold on. His hand slid away and he thudded to the snow in a heap.

No, no, no, don’t you screw this up! Rolling, he got his boots planted, swarmed back to his feet. Save her, save her, save—

3

THE VAN BELLOWED, loud and long, in a tired, grinding groan. Held up by nothing more than twisted metal hooked under the rear axle, the overbalanced undercarriage hitched, skipping out another sudden, violent half-foot before the rear axle finally snapped.

The van slid away: there one moment and then not. It plunged into the dark, and Emma vanished.

But he heard Lily—all the way down.

<p>RIMA</p><p>So Never Digging Around a Goodwill Ghost-Bin</p>

1

IN THE HOUR before dark, the storm came on fast. They spotted just one other vehicle: a truck, judging by those taillights. The truck was perhaps an eighth of a mile ahead, visible only as an intermittent flicker of red, although every now and again, Rima spotted a faint drift of black. Truck was burning oil, probably.

“Man,” Tony said, “I hope this guy knows where he’s going. Otherwise, we are completely screwed.”

“Why?” Rima asked.

“Well, we ought’ve gotten to Merit by now.” Tony said Merit was a dinky little town, which had to be right, because she couldn’t find it, not even in the road atlas. “But the valley’s wrong. This part of Wisconsin’s pretty flat. And those mountains we saw just before dark? They’re not right either.”

Oh, perfect. Rima didn’t want to say, You got us lost? All the umpteen trillion counselors she and Anita had seen said that negative statements weren’t helpful. The problem was the only positive things Rima could think of were along the lines of, Wow, Anita, you only sucked down three pipes instead of four? You go, girl! So she said, “Have we passed any place you recognize?”

“No,” Tony said, after a long moment. “Can’t say we have.”

So they were lost. The thought made her hug herself tighter—and oh boy, big mistake. A jag of bright, splintery pain radiated to her right jaw, and then her cheek exploded: ker-POW! Grimacing, Rima trapped the moan behind her teeth, thought to the kid’s whisper: Calm down, honey, it’ll be okay. In a few seconds, the pain’s grip loosened and she could breathe again.

Idiot. The parka was her fault, a Goodwill refugee with duct tape slapped here and there to mend the holes. The parka’s previous owner had been a little girl, barely twelve, named Taylor. You wouldn’t think that would be a problem, except Taylor’s final moments were a jumble of glassy pain and a single clear thought: Daddy, don’t hurt me; I’ll be good, I promise! The asshole killed her anyway, pitching the kid over a fourth-floor balcony to break on the sidewalk like a raw egg.

To be honest, Rima had nearly tossed the parka back with the other whispers: drug addicts, an old lady murdered by her son, a guy with high blood pressure whose last, very bad decision was to mow the grass on a hundred-degree day. Leaving behind poor little Taylor felt wrong, though; no one but a screwed-up parent could so completely mess with your head. So she took the poor kid.

Swear to God, though, when she grew up and actually had some money? Rima was so never digging around a Goodwill ghost-bin. Like, ever.

2

FATHER PRESTON, THE headmaster at All Souls, called it a gift. Her drug-fogged mother thought she was possessed. Rima just called them whispers, the bloodstains of the dead. Once Rima touched something for long enough—soothing, drawing—the whispers eventually dissipated, like morning mist under a hot sun. Whispers such as Taylor’s, whose death had been violent, took longest and were acid in her veins.

Of course, Rima was to blame for her mother’s drug habit because, oh, the strain of living with a possessed kid. There had been spiritualists, psychics, and so much incense you needed a gas mask. A hatchet-faced voodoo priestess was the worst, graduating from a raw egg squirreled under Rima’s bed to catch the departing demon—Rima’s room stank like an old fart for a week—to a noxious stew of ammonia, vinegar, and olive oil Rima was supposed to toss back with a smile. Uh … wrong. That voodoo chick was always trying to spill Rima’s blood, too. The crazy bitch never said cut; she always said spill, like Rima was this big glass and whoopsie-daisy, look at that mess. Not a lot of blood, Anita explained: Just a half-cup to feed the spirits.

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White Space
White Space

In the tradition ofMementoandInceptioncomes a thrilling and scary young adult novel about blurred reality where characters in a story find that a deadly and horrifying world exists in the space between the written lines.Seventeen-year-old Emma Lindsay has problems: a head full of metal, no parents, a crazy artist for a guardian whom a stroke has turned into a vegetable, and all those times when she blinks away, dropping into other lives so ghostly and surreal it's as if the story of her life bleeds into theirs. But one thing Emma has never doubted is that she's real.Then she writes "White Space," a story about these kids stranded in a spooky house during a blizzard.Unfortunately, "White Space" turns out to be a dead ringer for part of an unfinished novel by a long-dead writer. The manuscript, which she's never seen, is a loopyMatrixmeetsInkheartstory in which characters fall out of different books and jump off the page. Thing is, when Emma blinks, she might be doing the same and, before long, she's dropped into the very story she thought she'd written. Trapped in a weird, snow-choked valley, Emma meets other kids with dark secrets and strange abilities: Eric, Casey, Bode, Rima, and a very special little girl, Lizzie. What they discover is that they--and Emma--may be nothing more than characters written into being from an alternative universe for a very specific purpose.Now what they must uncover is why they've been brought to this place--a world between the lines where parallel realities are created and destroyed and nightmares are written--before someone pens their end.

Ильза Джей Бик

Любовное фэнтези, любовно-фантастические романы

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