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We’re never coming back. She clutches her memory quilt in both hands. The glass might be magic, and those stitches as strong as her mother, but Lizzie’s life is unraveling. I’ll never see my house again. I’ll never find Marmalade.

She cranes over her shoulder. Peering through the rear window is like seeing a movie through the wrong end of a telescope. She watches as their farmhouse, Wisconsin-sturdy and built to last until the end of time, recedes. To the left and across the drive, the big prairie barn hulks in the gloom, and that is when her sharp eyes pick out the pulse of a weird orange glow that is very, very wrong.

“Mom!” she says, urgently. “Mom, the barn’s on fire!”

“I know,” her mother says. “I set it.”

“Mom!” A blast of horror rips through her body. “We’ve got to go back! We’ve got to get Marmalade! We’ve got to find Daddy; we have to save him!”

“We can’t save your dad.”

“But Mom!” Lizzie’s frantic. Why doesn’t her mother understand? “Daddy needs us!”

“No, he needs it, Lizzie. He hangs on, takes it inside, and the horrible, awful things it asks in return …” Her mother’s voice falters, then firms. “Lizzie, why do you think we came here after London? Why do you think we live so far away from other people?”

So no one gets hurt. She thinks of the terrible things in her father’s books: squiggle-monsters and spider-things growing in people’s chests and crawly things in tunnels and parents eating their kids. What Mom says is true.

Because when her father turned from that mirror … his face was gone. No eyes, no nose, no mouth. Nothing but a shuddering, churning blank.

Then this thing with no face raised her dad’s hands like a policeman stopping traffic. The cuts were gone. Her father’s palms were smooth—until the skin split and lids peeled back and there were eyes, one on each palm. They were not her father’s eyes, because they were not hers. Like father, like daughter, their eyes are identical: a deep indigo with a tiny fleck of gold on one iris. Lizzie’s birthmark floats in her right eye and is the mirror image to her father’s on his left.

But the eyes that stared from her father’s palms were whisper-man black. The whisper-man was in there, and her dad was the glove, just as Mom said he’d been, years back and before Lizzie, in the other London.

But what if I can make the whisper-man want me instead? This is a new thought, and so stunning Lizzie’s chest empties of air. If I can get it to leave Dad and slip into me—

There is a sudden, massive flash. The light is so bright the inside of the car fires the color of hot gold. A split second later, Lizzie hears the rolling thunder of an explosion.

“Oh God,” Mom says. In that molten glow, Lizzie sees the shine of her mother’s tears. “Oh God, forgive me.”

“No, Momma, no!” She could’ve fixed it; she could’ve made it better. “Why did you do that?”

“You don’t understand.” He mother drags a hand across her eyes like a weary child. “It was the only thing left.”

“No, it wasn’t! I could’ve fixed things, I could’ve helped—

From the backseat comes a flat, mechanical beep. Her mother gasps. The sound is so jarring and out of place it seems to come from the deep, dark valley of a dream.

“It’s your phone,” Lizzie says.

“I know that,” Mom says.

Beep.

“Should I answer?” Lizzie asks.

Beep.

“No,” her mother says.

“But what if …” Like a birthday wish, Lizzie’s afraid to say it out loud. “Mom, what if it’s Dad?”

Beep.

“It might be his voice, but it wouldn’t be him, Lizzie. Your father’s gone.”

Beep.

“But what if—

“I said no!” her mother snapped. “Sit down and—”

No, Lizzie thinks, furiously. Against her palms, she feels the sudden tingling surge as the Sign of Sure, sewn on her memory quilt, feeds on her thoughts: all that energy stored up in her brain that wants to whisk her through the Dark Passages, that must find a way out. No, Momma’s wrong; I can fix this. I’ll make it want me. I’ll build a forever-Now and swoosh the whisper-man there with the Sign of Sure.

She unbuckles her belt.

“What are you doing?” her mother raps. “Sit down, young lady.”

“I don’t have to listen to you,” Lizzie spits, and then she is scrambling up, twisting around in her seat, reaching for her mother’s purse. Through the rear window, she can see the forest’s black walls squeezing the road, as if her past is a book whose covers are slowly, inexorably closing. Then, in the sky, she sees something else, and for a second, her heart forgets how to beat.

“M-Mom?” The word comes out in a rusty whisper. Her throat clenches as tight as a fist. “M-Mom, the s-sky … i-it’s …”

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White Space
White Space

In the tradition ofMementoandInceptioncomes a thrilling and scary young adult novel about blurred reality where characters in a story find that a deadly and horrifying world exists in the space between the written lines.Seventeen-year-old Emma Lindsay has problems: a head full of metal, no parents, a crazy artist for a guardian whom a stroke has turned into a vegetable, and all those times when she blinks away, dropping into other lives so ghostly and surreal it's as if the story of her life bleeds into theirs. But one thing Emma has never doubted is that she's real.Then she writes "White Space," a story about these kids stranded in a spooky house during a blizzard.Unfortunately, "White Space" turns out to be a dead ringer for part of an unfinished novel by a long-dead writer. The manuscript, which she's never seen, is a loopyMatrixmeetsInkheartstory in which characters fall out of different books and jump off the page. Thing is, when Emma blinks, she might be doing the same and, before long, she's dropped into the very story she thought she'd written. Trapped in a weird, snow-choked valley, Emma meets other kids with dark secrets and strange abilities: Eric, Casey, Bode, Rima, and a very special little girl, Lizzie. What they discover is that they--and Emma--may be nothing more than characters written into being from an alternative universe for a very specific purpose.Now what they must uncover is why they've been brought to this place--a world between the lines where parallel realities are created and destroyed and nightmares are written--before someone pens their end.

Ильза Джей Бик

Любовное фэнтези, любовно-фантастические романы

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