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“Eric.” She swallowed back against another tidal surge of nausea. “Where’s Lily?” When he hesitated, she thought, Oh God. “Lily … she … she’s dead, isn’t she? I got her killed, didn’t I? Where is she? Is she”—ignoring the knifing pain in her neck and shoulders, Emma tried to turn her head—“was she thrown or is she still …”

“Emma, does it really matter? Seeing won’t change anything.”

No. She used her eyes the way she might her fingers, tracing the shape of his nose, that line of jaw, tangling in hair that was wavy, black, and thick. Even in the gloom, she could see the deep blue of his eyes. You don’t understand, Eric. Seeing is believing. Seeing changes everything. Aloud, she said, “Thank you for not leaving us.”

“Not the way I’m made.” He cupped her cheek. “Come on,” he said, gently. “Let’s get you out of here.”

CASEY

Dead Man’s Shirt

“OH BOY.” TONY was kneeling in deep snow by the Camry’s rear tire. “This is not good.”

“No shit, Sherlock,” said Casey, smearing ice from his cheeks. He grimaced as snowmelt trickled down his neck to soak the collar of Big Earl’s shirt. Casey hadn’t wanted the thing, but his was shredded, cut to ribbons by Big Earl’s switch, and blood-soaked to boot. At first, shrugging into Big Earl’s oversize flannel had been like slipping on the slack, discarded husk of a gigantic python, and just about as pleasant. The thing was a little better now, but that wasn’t saying much, all things considered. The shirt felt … squirmy. Not alive, exactly, but every now and again, he thought he could feel it actually moving in tiny creeps, as if trying to worm into and wrap itself around the muscles and bones of his much smaller, slighter frame. Which, of course, was crazy; the thing was just a dead man’s shirt. Still … he could feel his skin flinch and cringe, withdrawing the way cats slithered low to the ground when they just didn’t want to be touched. He shrugged, wincing as old flannel raked raw flesh and clotted blood. “Man, that tire’s flatter than a pancake.”

“Wh-what happened?” said Rima, doing the freezing person two-step. “I thought you were being c-careful.”

“I was, but …” Tony sighed, his breath huffing in white steam the wind grabbed and tore apart. “If I had to guess, I’d say one of these downed spruces. Branches are sharp as spears. Probably drove over one buried under the snow.”

“Do you have a spare?” asked Emma, shivering. Gasoline didn’t freeze, and she and Eric were drenched, the stink hanging over them in a noxious cloud. Tony had dredged up a space blanket for her, but it didn’t seem to be doing much—not that this broke Casey’s heart or anything. “Or maybe a pump you could run off the battery?”

“The car’s buried,” Casey said, impatiently. Idiot. She looked like hell, too. In the flashlights, the shock-hollows beneath her eyes were purple smudges. Wouldn’t let Eric touch the gash on her forehead, but had bandaged it herself. Not such a hot job either. She also seemed kind of out of it: like she zoned every so often.

She’s probably high. Big Earl’s voice misted over his mind. Or drunk. Probably why she crashed.

Now, he’d had Big Earl in his head about as many times as he’d slid into the old fart’s clothes. Like never. The fact that he did hear Big Earl now should’ve freaked him out, but Casey was surprised to find that he was more … interested.

“Look,” Casey said to Emma, “you can change the tire five times, if that’ll make you happy. Even if you manage to get the tire to reinflate, take a look around. Snow’s way too deep. There’s no way this car’s going anywhere.”

“Wow,” Rima said. “N-n-negative often?”

“No.” He wanted to smack her, and this was also a new impulse. Big Earl had been the one to hit first and never ask questions later. “I’m just saying.”

“But if he’s got a spare or a pump, it’s worth a try,” Eric said. “We can’t be any worse off than we are now.”

Oh, wanna bet? Casey wasn’t sure if that was his voice or his dad’s—not that it mattered, because he agreed. But he kept his mouth shut. None of these people had a clue, but he knew: This valley is wrong. It doesn’t belong. The valley was a big black mouth and that road was its throat, and they were at the bottom, in the dark and the cold and the snow that just kept coming, like dirt filling a grave.

Which they could use, come to think of it. Casey’s eyes slid to the van. Through the window, he could make out a fur-trimmed parka that had once been white but was now oozy with blood and lumpy-bumpy from the body underneath.

“Well …” Tony looked uncomfortable. “I think we’re already worse off. I don’t have a pump, and my spare’s leaning against the wall of our garage. I did lawns this summer, so I took it out to make room for the mower. Just never got around to putting it back.”

“So what do we do?” Emma asked.

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White Space
White Space

In the tradition ofMementoandInceptioncomes a thrilling and scary young adult novel about blurred reality where characters in a story find that a deadly and horrifying world exists in the space between the written lines.Seventeen-year-old Emma Lindsay has problems: a head full of metal, no parents, a crazy artist for a guardian whom a stroke has turned into a vegetable, and all those times when she blinks away, dropping into other lives so ghostly and surreal it's as if the story of her life bleeds into theirs. But one thing Emma has never doubted is that she's real.Then she writes "White Space," a story about these kids stranded in a spooky house during a blizzard.Unfortunately, "White Space" turns out to be a dead ringer for part of an unfinished novel by a long-dead writer. The manuscript, which she's never seen, is a loopyMatrixmeetsInkheartstory in which characters fall out of different books and jump off the page. Thing is, when Emma blinks, she might be doing the same and, before long, she's dropped into the very story she thought she'd written. Trapped in a weird, snow-choked valley, Emma meets other kids with dark secrets and strange abilities: Eric, Casey, Bode, Rima, and a very special little girl, Lizzie. What they discover is that they--and Emma--may be nothing more than characters written into being from an alternative universe for a very specific purpose.Now what they must uncover is why they've been brought to this place--a world between the lines where parallel realities are created and destroyed and nightmares are written--before someone pens their end.

Ильза Джей Бик

Любовное фэнтези, любовно-фантастические романы

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