What are we …? Now Mom looks a little scared, as if she’s being asked to play a silly little piano piece that she never practiced because she thought it was so easy and only now realizes this was a big mistake. What are we talking about? The beginning of what? Do you mean when you couldn’t sell anything? Is that it? When the publisher canceled your contract for the second book because the first one didn’t do well? Or … or … Mom’s eyes drop as if the answer’s fallen out of her brain and gone boinka-boinka-boinka onto the floor. Or when we lived in that miserable little trailer and you taught grade school English and we had to live on food stamps …
No, Meredith. Dad captures her hands in his. That’s all stuff in any article or bio or on the back of a book jacket, for God’s sake. I mean … do you remember what I was back then? Do you remember how much I loved you? How I would do anything to keep you from … Turning Mom’s hands, Dad kisses each palm and both wrists—and the long, stripy scars from where Mom hurt herself way before Lizzie. Oh, Meredith … Love, that man is still here. I’m right in front of you.
Of course. Mom’s eyes are shiny and wet. Of course I know that. But that … Taking back her hands, she blows out, getting rid of the bad. That’s not what we’re talking about. Don’t try to change the subject, Frank. We’re talking about you, not me. Don’t you realize we almost lost you in London? Do you know how hard it was to put that thing back into the Dark Passages because you didn’t want to let go?
Yes. At that, Dad’s face crumples, caving in on itself as a sand castle collapses beneath waves that just won’t stop. But that wasn’t the only reason.
Because it’s an addiction, Frank. Mom grips Dad’s arm so hard her fingers star to a claw. You let it trick you into believing you were in control; that what you wrote was your idea. That what’s on the page stays on the page. Dad mumbles something Lizzie can’t catch, and Mom says, Excuse me?
I said, you should know.
What does that mean? Don’t try to put London on me. That was not my fault. The skin around Mom’s mouth is as white as the special skin-scrolls onto which Dad pulls his stories. You were the one who put together that letter by Collins and then his story about Dee’s Black Mirror with what Mary Dickens wrote about her father. It was you who realized all the mirrors Dickens installed in the chalet weren’t even listed when Gad’s Hill went up for auction.