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Berthold Ernst was the nurses’ dreamboat. A talented surgeon with a warm bedside manner, he was tall, handsome and single. He had romanced most of the attractive nurses, and had slept with many of them, if hospital gossip could be credited.

She nodded to him and went briskly past.

She pushed the trolley out of the ward then suddenly turned into the nurses’ cloakroom.

Her outdoor coat was on a hook. Beneath it was a basketwork shopping bag containing an old silk scarf, a cabbage and a box of sanitary towels in a brown paper bag. Carla removed the contents, then swiftly transferred the medical supplies from the trolley to the bag. She covered the supplies with the scarf, a blue and gold geometric design that her mother must have bought in the twenties. Then she put the cabbage and the sanitary towels on top, hung the bag on a hook, and arranged her coat to cover it.

I got away with it, she thought. She realized she was trembling a little. She took a deep breath, got herself under control, opened the door – and saw Dr Ernst standing just outside.

Had he been following her? Was he about to accuse her of stealing? His manner was not hostile; in fact, he looked friendly. Perhaps she had got away with it.

She said: ‘Good afternoon, Doctor. Can I help you with something?’

He smiled. ‘How are you, Sister? Is everything going well?’

‘Perfectly, I think.’ Guilt made her add ingratiatingly: ‘But it is you, Doctor, who must say whether things are going well.’

‘Oh, I have no complaints,’ he said dismissively.

Carla thought: So what is this about? Is he toying with me, sadistically delaying the moment when he makes his accusation?

She said nothing, but stood waiting, trying not to shake with anxiety.

He looked down at the cart. ‘Why did you take that into the cloakroom?’

‘I wanted something,’ she said, improvising desperately. ‘Something from my raincoat.’ She tried to suppress the frightened tremor in her voice. ‘A handkerchief, from my pocket.’ Stop gabbling, she told herself. He’s a doctor, not a Gestapo agent. But he scared her all the same.

He looked amused, as if he enjoyed her nervousness. ‘And the trolley?’

‘I’m returning it to its place.’

‘Tidiness is essential. You’re a very good nurse . . . Fräulein von Ulrich . . . or is it Frau?’

‘Fräulein.’

‘We should talk some more.’

The way he smiled told her this was not about stealing medical supplies. He was about to ask her to go out with him. She would be the envy of dozens of nurses if she said yes.

But she had no interest in him. Perhaps it was because she had loved one dashing Lothario, Werner Franck, and he had turned out to be a self-centred coward. She guessed that Berthold Ernst was similar.

However, she did not want to risk annoying him, so she just smiled and said nothing.

‘Do you like Wagner?’ he said.

She could see where this was going. ‘I have no time for music,’ she said firmly. ‘I take care of my elderly mother.’ In fact Maud was fifty-one and enjoyed robust good health.

‘I have two tickets for a recital tomorrow evening. They’re playing the Siegfried Idyll.’

‘A chamber piece!’ she said. ‘Unusual.’ Most of Wagner’s work was on a grand scale.

He looked pleased. ‘You know about music, I see.’

She wished she had not said it. She had just encouraged him. ‘My family is musical – my mother gives piano lessons.’

‘Then you must come. I’m sure someone else could take care of your mother for an evening.’

‘It’s really not possible,’ Carla said. ‘But thank you very much for the invitation.’ She saw anger in his eyes: he was not used to rejection. She turned and started to push the cart away.

‘Another time, perhaps?’ he called after her.

‘You’re very kind,’ she replied, without slowing her pace.

She was afraid he would come after her, but her ambiguous reply to his last question seemed to have mollified him. When she looked back over her shoulder he had gone.

She stowed the trolley and breathed more easily.

She returned to her duties. She checked on all the patients in her ward and wrote her reports. Then it was time to hand over to the evening shift.

She put on her raincoat and slung her bag over her arm. Now she had to walk out of the building with stolen property, and her fear mounted again.

Frieda Franck was going at the same time, and they left together. Frieda had no idea Carla was carrying contraband. They walked in June sunshine to the tram stop. Carla wore a coat mainly to keep her uniform clean.

She thought she was giving a convincing impression of normality until Frieda said: ‘Are you worried about something?’

‘No, why?’

‘You seem nervous.’

‘I’m fine.’ To change the subject, she pointed at a poster. ‘Look at that.’

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Fall of Giants
Fall of Giants

Follett takes you to a time long past with brio and razor-sharp storytelling. An epic tale in which you will lose yourself."– The Denver Post on World Without EndKen Follett's World Without End was a global phenomenon, a work of grand historical sweep, beloved by millions of readers and acclaimed by critics as "well-researched, beautifully detailed [with] a terrifically compelling plot" (The Washington Post) and "wonderful history wrapped around a gripping story" (St. Louis Post- Dispatch)Fall of Giants is his magnificent new historical epic. The first novel in The Century Trilogy, it follows the fates of five interrelated families-American, German, Russian, English, and Welsh-as they move through the world-shaking dramas of the First World War, the Russian Revolution, and the struggle for women's suffrage.Thirteen-year-old Billy Williams enters a man's world in the Welsh mining pits…Gus Dewar, an American law student rejected in love, finds a surprising new career in Woodrow Wilson's White House…two orphaned Russian brothers, Grigori and Lev Peshkov, embark on radically different paths half a world apart when their plan to emigrate to America falls afoul of war, conscription, and revolution…Billy's sister, Ethel, a housekeeper for the aristocratic Fitzherberts, takes a fateful step above her station, while Lady Maud Fitzherbert herself crosses deep into forbidden territory when she falls in love with Walter von Ulrich, a spy at the German embassy in London…These characters and many others find their lives inextricably entangled as, in a saga of unfolding drama and intriguing complexity, Fall of Giants moves seamlessly from Washington to St. Petersburg, from the dirt and danger of a coal mine to the glittering chandeliers of a palace, from the corridors of power to the bedrooms of the mighty. As always with Ken Follett, the historical background is brilliantly researched and rendered, the action fast-moving, the characters rich in nuance and emotion. It is destined to be a new classic.In future volumes of The Century Trilogy, subsequent generations of the same families will travel through the great events of the rest of the twentieth century, changing themselves-and the century itself. With passion and the hand of a master, Follett brings us into a world we thought we knew, but now will never seem the same again.

Кен Фоллетт

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