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She chatted idly to Ada for a few minutes. Ada had once been plump, but now she was thin. Few people were fat in today’s Germany, but there was something wrong with Ada. The death of her handicapped son, Kurt, had hit her hard. She had a lethargic air. She did her job competently, but then she sat staring out of the window for hours, her expression blank. Carla was fond of her, and felt her anguish, but did not know what to do to help her.

The sound of the piano ceased and, a little later, Carla heard two voices in the hallway, her mother’s and a man’s. She assumed Maud was seeing Herr Koch out, and she was horrified, a moment later, when her mother entered the kitchen, closely followed by a man in an immaculate lieutenant’s uniform.

‘This is my daughter,’ Maud said cheerfully. ‘Carla, this is Lieutenant Koch, a new pupil.’

Koch was an attractive, shy-looking man in his twenties. He had a fair moustache, and reminded Carla of pictures of her father when young.

Carla’s heart raced with fear. The basket containing the stolen medical supplies was on the kitchen chair next to her. Would she accidentally betray herself to Lieutenant Koch, as she had to Frieda?

She could hardly speak. ‘I–I–I am pleased to make your acquaintance,’ she said.

Maud looked at her with curiosity, surprised at her nervousness. All Maud wanted was for Carla to be nice to the new pupil in the hope that he would continue his studies. She saw no harm in bringing an army officer into the kitchen. She had no idea that Carla had stolen medicines in her shopping basket.

Koch made a formal bow and said: ‘The pleasure is mine.’

‘And Ada is our maid.’

Ada shot him a hostile look, but he did not see it: maids were beneath his notice. He put his weight on one leg and stood lopsided, trying to seem at ease but giving the opposite impression.

He acted younger than he looked. There was an innocence about him that suggested an over-protected child. All the same he was a danger.

Changing his stance, he rested his hands on the back of the chair on which Carla had put her basket. ‘I see you are a nurse,’ he said to her.

‘Yes.’ Carla tried to think calmly. Did Koch have any idea who the von Ulrichs were? He might be too young to know what a social democrat was. The party had been illegal for nine years. Perhaps the infamy of the von Ulrich family had faded away with the death of Walter. At any rate, Koch seemed to take them for a respectable German family who were poor simply because they had lost the man who had supported them, a situation in which many well-bred women found themselves.

There was no reason he should look in the basket.

Carla made herself speak pleasantly to him. ‘How are you getting on with the piano?’

‘I believe I am making rapid progress!’ He glanced at Maud. ‘So my teacher tells me.’

Maud said: ‘He shows evidence of talent, even at this early stage.’ She always said that, to encourage them to pay for a second lesson; but it seemed to Carla that she was being more charming than usual. She was entitled to flirt, of course; she had been a widow for more than a year. But she could not possibly have romantic feelings for someone half her age.

‘However, I have decided not to tell my friends until I have mastered the instrument,’ Koch added. ‘Then I will astonish them with my skill.’

‘Won’t that be fun?’ said Maud. ‘Please sit down, Lieutenant, if you have a few minutes to spare.’ She pointed to the chair on which Carla’s basket stood.

Carla reached out to grab the basket, but Koch beat her to it. He picked it up, saying: ‘Allow me.’ He glanced inside. Seeing the cabbage, he said: ‘Your supper, I presume?’

Carla said: ‘Yes.’ Her voice came out as a squeak.

He sat on the chair and placed the basket on the floor by his feet, on the side away from Carla. ‘I always fancied I might be musical. Now I have decided it is time to find out.’ He crossed his legs, then uncrossed them.

Carla wondered why he was so fidgety. He had nothing to fear. The thought crossed her mind that his unease might be sexual. He was alone with three single women. What was going through his mind?

Ada put a cup of coffee in front of him. He took out cigarettes. He smoked like a teenager, as if he was trying it out. Ada gave him an ashtray.

Maud said: ‘Lieutenant Koch works at the Ministry of War on Bendler Strasse.’

‘Indeed!’ That was the headquarters of the Supreme Staff. It was just as well Koch was telling no one there about learning the piano. All the greatest secrets of the German military were in that building. Even if Koch himself was ignorant, some of his colleagues might remember that Walter von Ulrich had been an anti-Nazi. And that would be the end of his lessons with Frau von Ulrich.

‘It is a great privilege to work there,’ said Koch.

Maud said: ‘My son is in Russia. We’re terribly worried about him.’

‘That is natural in a mother, of course,’ Koch said. ‘But please do not be pessimistic! The recent Russian counter-offensive has been decisively beaten back.’

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Fall of Giants
Fall of Giants

Follett takes you to a time long past with brio and razor-sharp storytelling. An epic tale in which you will lose yourself."– The Denver Post on World Without EndKen Follett's World Without End was a global phenomenon, a work of grand historical sweep, beloved by millions of readers and acclaimed by critics as "well-researched, beautifully detailed [with] a terrifically compelling plot" (The Washington Post) and "wonderful history wrapped around a gripping story" (St. Louis Post- Dispatch)Fall of Giants is his magnificent new historical epic. The first novel in The Century Trilogy, it follows the fates of five interrelated families-American, German, Russian, English, and Welsh-as they move through the world-shaking dramas of the First World War, the Russian Revolution, and the struggle for women's suffrage.Thirteen-year-old Billy Williams enters a man's world in the Welsh mining pits…Gus Dewar, an American law student rejected in love, finds a surprising new career in Woodrow Wilson's White House…two orphaned Russian brothers, Grigori and Lev Peshkov, embark on radically different paths half a world apart when their plan to emigrate to America falls afoul of war, conscription, and revolution…Billy's sister, Ethel, a housekeeper for the aristocratic Fitzherberts, takes a fateful step above her station, while Lady Maud Fitzherbert herself crosses deep into forbidden territory when she falls in love with Walter von Ulrich, a spy at the German embassy in London…These characters and many others find their lives inextricably entangled as, in a saga of unfolding drama and intriguing complexity, Fall of Giants moves seamlessly from Washington to St. Petersburg, from the dirt and danger of a coal mine to the glittering chandeliers of a palace, from the corridors of power to the bedrooms of the mighty. As always with Ken Follett, the historical background is brilliantly researched and rendered, the action fast-moving, the characters rich in nuance and emotion. It is destined to be a new classic.In future volumes of The Century Trilogy, subsequent generations of the same families will travel through the great events of the rest of the twentieth century, changing themselves-and the century itself. With passion and the hand of a master, Follett brings us into a world we thought we knew, but now will never seem the same again.

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