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After all, he and Jörg had been living together since the war.

Looking around at their theatrical friends, Lloyd noticed that they were all men in pairs, except for two women with short hair . . .

Lloyd felt bewildered. He knew that queers existed, and as a broad-minded person he believed that they should not be persecuted but helped. However, he thought of them as perverts and creeps. Robert and Jörg seemed like normal men, running a business and living quietly – almost like a married couple!

He turned to his mother and said quietly: ‘Are Robert and Jörg really . . . ?’

‘Yes, dear,’ she said.

Maud, sitting next to her, said: ‘Robert in his youth was a menace to footmen.’

Both women giggled.

Lloyd was doubly shocked: not only was Robert queer, but Ethel and Maud thought it a matter for light-hearted banter.

Macke said: ‘This establishment is now closed!’

Robert said: ‘You have no right!’

Macke could not close the place on his own, Lloyd thought; then he remembered how the Brownshirts had crowded on to the stage at the People’s Theatre. He looked towards the entrance – and was aghast to see Brownshirts pushing through the door.

They went around the tables knocking over bottles and glasses. Some customers sat motionless and watched; others got to their feet. Several men shouted and a woman screamed.

Walter stood up and spoke loudly but calmly. ‘We should all leave quietly,’ he said. ‘There’s no need for any rough stuff. Everybody just get your coats and hats and go home.’

The customers began to leave, some trying to get their coats, others just fleeing. Walter and Lloyd ushered Maud and Ethel towards the door. The till was near the exit, and Lloyd saw a Brownshirt open it and begin stuffing money into his pockets.

Until then Robert had been standing still, watching miserably as a night’s business hurried out of the door; but this was too much. He gave a shout of protest and shoved the Brownshirt away from the till.

The Brownshirt punched him, knocking him to the floor, and began to kick him as he lay there. Another Brownshirt joined in.

Lloyd leaped to Robert’s rescue. He heard his mother shout ‘No!’ as he shoved the Brownshirts aside. Jörg was almost as quick, and the two of them bent to help Robert up.

They were immediately attacked by several more Brownshirts. Lloyd was punched and kicked, and something heavy hit him over the head. As he cried out in pain he thought: No, not again.

He turned on his attackers, punching with his left and right, making every blow connect hard, trying to punch through the target as he had been taught. He knocked two men down, then he was grabbed from behind and thrown off balance. A moment later he was on the floor with two men holding him down while a third kicked him.

Then he was rolled over on to his front, his arms were pulled behind his back, and he felt metal on his wrists. He had been handcuffed for the first time in his life. He felt a new kind of fear. This was not just another rough-house. He had been beaten and kicked, but worse was in store.

‘Get up,’ someone told him in German.

He struggled to his feet. His head hurt. Robert and Jörg were also in handcuffs, he saw. Robert’s mouth was bleeding and Jörg had one closed eye. Half a dozen Brownshirts were guarding them. The rest were drinking from the glasses and bottles left on the tables, or standing at the dessert cart stuffing their faces with pastries.

All the customers seemed to have gone. Lloyd felt relieved that his mother had got away.

The restaurant door opened and Walter came back in. ‘Commissar Macke,’ he said, displaying a typical politician’s facility for remembering names. With as much authority as he could muster he said: ‘What is the meaning of this outrage?’

Macke pointed to Robert and Jörg. ‘These two men are homosexuals,’ he said. ‘And that boy attacked an auxiliary policeman who was arresting them.’

Walter pointed to the till, which was open, its drawer sticking out and empty except for a few small coins. ‘Do police officers commit robbery nowadays?’

‘A customer must have taken advantage of the confusion created by those resisting arrest.’

Some of the Brownshirts laughed knowingly.

Walter said: ‘You used to be a law enforcement officer, didn’ you, Macke? You might have been proud of yourself, once. But what are you now?’

Macke was stung. ‘We enforce order, to protect the Fatherland.’

‘Where are you planning to take your prisoners, I wonder?’ Walter persisted. ‘Will it be a properly constituted place of detention? Or some half-hidden unofficial basement?’

‘They will be taken to the Friedrich Strasse Barracks,’ Macke said indignantly.

Lloyd saw a look of satisfaction pass briefly across Walter’s face, and realized that Walter had cleverly manipulated Macke, playing on whatever was left of his professional pride in order to get him to reveal his intentions. Now, at least, Walter knew where Lloyd and the others were being taken.

But what would happen at the barracks?

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Fall of Giants
Fall of Giants

Follett takes you to a time long past with brio and razor-sharp storytelling. An epic tale in which you will lose yourself."– The Denver Post on World Without EndKen Follett's World Without End was a global phenomenon, a work of grand historical sweep, beloved by millions of readers and acclaimed by critics as "well-researched, beautifully detailed [with] a terrifically compelling plot" (The Washington Post) and "wonderful history wrapped around a gripping story" (St. Louis Post- Dispatch)Fall of Giants is his magnificent new historical epic. The first novel in The Century Trilogy, it follows the fates of five interrelated families-American, German, Russian, English, and Welsh-as they move through the world-shaking dramas of the First World War, the Russian Revolution, and the struggle for women's suffrage.Thirteen-year-old Billy Williams enters a man's world in the Welsh mining pits…Gus Dewar, an American law student rejected in love, finds a surprising new career in Woodrow Wilson's White House…two orphaned Russian brothers, Grigori and Lev Peshkov, embark on radically different paths half a world apart when their plan to emigrate to America falls afoul of war, conscription, and revolution…Billy's sister, Ethel, a housekeeper for the aristocratic Fitzherberts, takes a fateful step above her station, while Lady Maud Fitzherbert herself crosses deep into forbidden territory when she falls in love with Walter von Ulrich, a spy at the German embassy in London…These characters and many others find their lives inextricably entangled as, in a saga of unfolding drama and intriguing complexity, Fall of Giants moves seamlessly from Washington to St. Petersburg, from the dirt and danger of a coal mine to the glittering chandeliers of a palace, from the corridors of power to the bedrooms of the mighty. As always with Ken Follett, the historical background is brilliantly researched and rendered, the action fast-moving, the characters rich in nuance and emotion. It is destined to be a new classic.In future volumes of The Century Trilogy, subsequent generations of the same families will travel through the great events of the rest of the twentieth century, changing themselves-and the century itself. With passion and the hand of a master, Follett brings us into a world we thought we knew, but now will never seem the same again.

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