Читаем Winter Rain полностью

Just who the hell was that outfit?

Goddamned soldiers, he grumbled—and they’d go and chase off the Comanche before he could get into the village to find the boys.

If the boys were still alive.

Chances were if the village found itself between the attacking Rangers and some soldier outfit, they’d slaughter any prisoners they still held.

The cold water lashed up against his bare skin, assaulting face and hands—as he ran flat out for the far side of the arroyo, aware for the first time of two dozen or more warriors racing along that north lip, skidding their ponies to a halt and dismounting on the run. In a blood fury.

Jonah turned to find out he was not alone. Behind him came a half dozen, maybe more, of the others. Every one of them firing their pistols and yelling at him, some even snarling at the warriors who had set up their own howl as they fired back and began dropping over the lip to spill into the snow-crusted arroyo, ready for some close, dirty fighting of it.

If he could just break through them, Jonah knew he could claw his way up the side and get into that village before the soldiers overran it. His boys—they might be mistook for Injuns in the dust and confusion by some green-gilled, nervous soldier who would shoot a white youngster by mistake.

A bullet hissed past his ear. He dropped on instinct. Jonah whirled in a crouch to find the warrior lunging for him at the same time the Comanche and Rangers closed ranks in a clattering collision that reverberated across the bottom of that arroyo. Hook rose to meet the screaming, painted demon hurling down on him like the master of hell itself.

The Comanche was young, strong. They grappled, stumbled backward. The warrior threw Jonah to the ground.

For a moment Hook stared up at the Indian’s eyes, not startled to find his enemy no more than a youth. The predictable foolishness of these young warriors—come back to cover the retreat of their village in the face of the soldier charge. The distant firing loomed closer still above the rim of the arroyo as he struggled with the warrior, who suddenly gripped a knife.

Glinting in the sun, it sailed overhead, then hung suspended there for a moment at the end of the youth’s arm. Jonah mightily lunged for that wrist with one hand, his right leaping to the Comanche’s throat, where he locked his fingers into a noose around the windpipe.

In but a moment Jonah sensed the arm weaken slightly, felt the shudder of his enemy as the Comanche fought for breath, clawing at the white man’s hand crabbed at his throat. Heaving himself up off his shoulders and hips, Hook desperately threw the strong youth to the side.

All about them men clashed and grappled in the thick of close quarters: grunting, crying out, cursing, yelling, begging for help. The smack of weapons against bone and sinew. The soggy slap of bodies pitched into the shallow, icy creek.

For that critical heartbeat the Comanche warrior lay gasping, his mouth a huge O, wheezing, coughing for breath as he rolled onto his side. Eyes wide with fury, hate, for the white man who had near killed him.

Hook threw himself atop the warrior as a war cry from beyond bit Jonah’s ears. All around him the rest of the fight faded as Hook landed on the Comanche trying to rise, wrestling his enemy back down, pinning the warrior by dropping a knee against the youth’s throat. Hook dragged the knife from the Indian’s hand.

With his left Jonah savagely yanked back on the man’s long hair, surprised to find it something other than black. He laid the edge of the blade under one ear as the wild eyes went wider, glaring into Jonah’s face.

Hook’s hand froze. He studied the hazel eyes, the sharp slash of nose, the crease of cheekbone no longer disguised beneath the war paint smeared in their combat. Hope. Fear. Desperation—

“Jere—…Jeremiah?”

As quickly the Comanche’s grunt of exertion faded. The warrior’s eyes stared back at Jonah’s face as the Indian stopped wrenching at the hand locked in his scalp, stopped yanking at the wrist and hand and knife pressed against his jugular. Jonah watched something like wonder, something of disbelief come into those eyes. Something almost familiar. The look he imagined Gritta would have in her eyes when at last he held her in his arms.

“P-pa?”

“Oh, dear Jesus …,” Hook whispered, his hands opening, releasing his son’s hair, letting the knife tumble into the sand. He could not take his eyes off the eyes of the one beneath him, seeing there the question, as well as the recognition, then the return of question and confusion.

Of a sudden there Jonah also saw the horror of something come to contort the face of his son.

“No-o-o-o-o-o!” Jeremiah shouted, drowning out everything else around them.

At first Jonah only sensed the dull pressure of it. No real pain. Just an instant of burning in his back, a metallic skittering along his ribs … then the cold.

A gunshot roared so close, Jonah flinched.

Перейти на страницу:

Все книги серии Jonas Hook

Cry of the Hawk
Cry of the Hawk

Forced to serve as a Yankee after his capture at Pea Ridge, Confederate soldier Jonah Hook returns from the war to find his Missouri farm in shambles.From Publishers WeeklySet primarily on the high plains during the 1860s, this novel has the epic sweep of the frontier built into it. Unfortunately, Johnston (the Sons of the Plains trilogy) relies too much on a facile and overfamiliar style. Add to this the overly graphic descriptions of violence, and readers will recognize a genre that seems especially popular these days: the sensational western. The novel opens in the year 1908, with a newspaper reporter Nate Deidecker seeking out Jonah Hook, an aged scout, Indian fighter and buffalo hunter. Deidecker has been writing up firsthand accounts of the Old West and intends to add Hook's to his series. Hook readily agrees, and the narrative moves from its frame to its main canvas. Alas, Hook's story is also conveyed in the third person, thus depriving the reader of the storytelling aspect which, supposedly, Deidecker is privileged to hear. The plot concerns Hook's search for his family--abducted by a marauding band of Mormons--after he serves a tour of duty as a "galvanized" Union soldier (a captured Confederate who joined the Union Army to serve on the frontier). As we follow Hook's bloody adventures, however, the kidnapping becomes almost submerged and is only partially, and all too quickly, resolved in the end. Perhaps Johnston is planning a sequel; certainly the unsatisfying conclusion seems to point in that direction. 

Терри Конрад Джонстон

Вестерн, про индейцев

Похожие книги

Вне закона
Вне закона

Кто я? Что со мной произошло?Ссыльный – всплывает формулировка. За ней следующая: зовут Петр, но последнее время больше Питом звали. Торговал оружием.Нелегально? Или я убил кого? Нет, не могу припомнить за собой никаких преступлений. Но сюда, где я теперь, без криминала не попадают, это я откуда-то совершенно точно знаю. Хотя ощущение, что в памяти до хрена всякого не хватает, как цензура вымарала.Вот еще картинка пришла: суд, читают приговор, дают выбор – тюрьма или сюда. Сюда – это Land of Outlaw, Земля-Вне-Закона, Дикий Запад какой-то, позапрошлый век. А природой на Монтану похоже или на Сибирь Южную. Но как ни назови – зона, каторжный край. Сюда переправляют преступников. Чистят мозги – и вперед. Выживай как хочешь или, точнее, как сможешь.Что ж, попал так попал, и коли пошла такая игра, придется смочь…

Джон Данн Макдональд , Дональд Уэйстлейк , Овидий Горчаков , Эд Макбейн , Элизабет Биварли (Беверли)

Фантастика / Любовные романы / Приключения / Вестерн, про индейцев / Боевая фантастика
Cry of the Hawk
Cry of the Hawk

Forced to serve as a Yankee after his capture at Pea Ridge, Confederate soldier Jonah Hook returns from the war to find his Missouri farm in shambles.From Publishers WeeklySet primarily on the high plains during the 1860s, this novel has the epic sweep of the frontier built into it. Unfortunately, Johnston (the Sons of the Plains trilogy) relies too much on a facile and overfamiliar style. Add to this the overly graphic descriptions of violence, and readers will recognize a genre that seems especially popular these days: the sensational western. The novel opens in the year 1908, with a newspaper reporter Nate Deidecker seeking out Jonah Hook, an aged scout, Indian fighter and buffalo hunter. Deidecker has been writing up firsthand accounts of the Old West and intends to add Hook's to his series. Hook readily agrees, and the narrative moves from its frame to its main canvas. Alas, Hook's story is also conveyed in the third person, thus depriving the reader of the storytelling aspect which, supposedly, Deidecker is privileged to hear. The plot concerns Hook's search for his family--abducted by a marauding band of Mormons--after he serves a tour of duty as a "galvanized" Union soldier (a captured Confederate who joined the Union Army to serve on the frontier). As we follow Hook's bloody adventures, however, the kidnapping becomes almost submerged and is only partially, and all too quickly, resolved in the end. Perhaps Johnston is planning a sequel; certainly the unsatisfying conclusion seems to point in that direction. 

Терри Конрад Джонстон

Вестерн, про индейцев