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She felt as if her legs were the banks of that mountain stream suddenly released. Starting somewhere inside her belly where she had carried their daughter, Waits sensed the gushing wave wash downward, down, down over his manhood imprisoned inside her, on down as it swept over them both while their rhythm slowed like the passing of a stampede.

Not the hurtling passage of massive, lumbering, ground-shaking buffalo … but the breathless, fleeting passage of wild horses—their nostrils flaring, their eyes wide with wind-borne lust, their manes and tails blowing free in the wind.

She could tell he had enjoyed it as he pulled back from her and gazed into her eyes. He didn’t have to speak for her to know.

Her husband licked his lips and said, “There is no finer woman than you in ail this world. With all I have done wrong, with all the folks I didn’t mean to hurt but ended up hurting anyway over the years … I don’t know how I ever became worthy of your love.”

“The Grandfather Above has smiled on us both,” she whispered against his cheek, closing her eyes and wishing this moment would never end. Then of a sudden she rocked back and smiled at him, saying, “One Above smiled on me a little earlier in my life than he did in yours!”

“That doesn’t mean I’m going to die anytime soon, woman.”

Holding his face between her hands as she felt him continue to soften within her, Waits said, “You have lived through so many deaths already, I grow afraid you won’t live through any more.”

Bass pulled her against him fiercely, kissing her wet, warm mouth. When he could no longer hold his breath, he pulled away gasping. And said, “I have so much to live for now, I wouldn’t dare go and poke a stick in death’s hornet’s nest, woman.”

Resting her cheek against his shoulder, Waits felt guilty that his words gave her so little relief.

Finally she said, “I will consider those words as your vow to me, husband.”

“You have my promise—till the day we part in death.”

*One-Eyed Dream.

Other Bantam books by

TERRY C. JOHNSTON

RIDE THE MOON DOWN

CARRY THE WIND

BORDERLORDS

ONE-EYED DREAM

LONG WINTER GONE

SEIZE THE SKY

WHISPER OF THE WOLF

REAP THE WHIRLWIND

TRUMPET ON THE LAND

A COLD DAY IN HELL

WOLF MOUNTAIN MOON

CRY OF THE HAWK

WINTER RAIN

DREAM CATCHER

BUFFALO PALACE

CRACK IN THE SKY

DEATH RATTLE

WIND WALKER

WINTER RAIN

A Bantam Book

PUBLISHING HISTORY

Copyright © 1993 by Terry C. Johnston.

Map by GDS / Jeffrey L Ward.

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Все книги серии Jonas Hook

Cry of the Hawk
Cry of the Hawk

Forced to serve as a Yankee after his capture at Pea Ridge, Confederate soldier Jonah Hook returns from the war to find his Missouri farm in shambles.From Publishers WeeklySet primarily on the high plains during the 1860s, this novel has the epic sweep of the frontier built into it. Unfortunately, Johnston (the Sons of the Plains trilogy) relies too much on a facile and overfamiliar style. Add to this the overly graphic descriptions of violence, and readers will recognize a genre that seems especially popular these days: the sensational western. The novel opens in the year 1908, with a newspaper reporter Nate Deidecker seeking out Jonah Hook, an aged scout, Indian fighter and buffalo hunter. Deidecker has been writing up firsthand accounts of the Old West and intends to add Hook's to his series. Hook readily agrees, and the narrative moves from its frame to its main canvas. Alas, Hook's story is also conveyed in the third person, thus depriving the reader of the storytelling aspect which, supposedly, Deidecker is privileged to hear. The plot concerns Hook's search for his family--abducted by a marauding band of Mormons--after he serves a tour of duty as a "galvanized" Union soldier (a captured Confederate who joined the Union Army to serve on the frontier). As we follow Hook's bloody adventures, however, the kidnapping becomes almost submerged and is only partially, and all too quickly, resolved in the end. Perhaps Johnston is planning a sequel; certainly the unsatisfying conclusion seems to point in that direction. 

Терри Конрад Джонстон

Вестерн, про индейцев

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Кто я? Что со мной произошло?Ссыльный – всплывает формулировка. За ней следующая: зовут Петр, но последнее время больше Питом звали. Торговал оружием.Нелегально? Или я убил кого? Нет, не могу припомнить за собой никаких преступлений. Но сюда, где я теперь, без криминала не попадают, это я откуда-то совершенно точно знаю. Хотя ощущение, что в памяти до хрена всякого не хватает, как цензура вымарала.Вот еще картинка пришла: суд, читают приговор, дают выбор – тюрьма или сюда. Сюда – это Land of Outlaw, Земля-Вне-Закона, Дикий Запад какой-то, позапрошлый век. А природой на Монтану похоже или на Сибирь Южную. Но как ни назови – зона, каторжный край. Сюда переправляют преступников. Чистят мозги – и вперед. Выживай как хочешь или, точнее, как сможешь.Что ж, попал так попал, и коли пошла такая игра, придется смочь…

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Фантастика / Любовные романы / Приключения / Вестерн, про индейцев / Боевая фантастика
Cry of the Hawk
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Forced to serve as a Yankee after his capture at Pea Ridge, Confederate soldier Jonah Hook returns from the war to find his Missouri farm in shambles.From Publishers WeeklySet primarily on the high plains during the 1860s, this novel has the epic sweep of the frontier built into it. Unfortunately, Johnston (the Sons of the Plains trilogy) relies too much on a facile and overfamiliar style. Add to this the overly graphic descriptions of violence, and readers will recognize a genre that seems especially popular these days: the sensational western. The novel opens in the year 1908, with a newspaper reporter Nate Deidecker seeking out Jonah Hook, an aged scout, Indian fighter and buffalo hunter. Deidecker has been writing up firsthand accounts of the Old West and intends to add Hook's to his series. Hook readily agrees, and the narrative moves from its frame to its main canvas. Alas, Hook's story is also conveyed in the third person, thus depriving the reader of the storytelling aspect which, supposedly, Deidecker is privileged to hear. The plot concerns Hook's search for his family--abducted by a marauding band of Mormons--after he serves a tour of duty as a "galvanized" Union soldier (a captured Confederate who joined the Union Army to serve on the frontier). As we follow Hook's bloody adventures, however, the kidnapping becomes almost submerged and is only partially, and all too quickly, resolved in the end. Perhaps Johnston is planning a sequel; certainly the unsatisfying conclusion seems to point in that direction. 

Терри Конрад Джонстон

Вестерн, про индейцев