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Rocking down onto his hands, Bass frantically searched the grass for the rifle knocked from his grip, tears of frustration stinging his eyes. By Jehoshaphat! That dog was a fighter to the end. He had known it from the start back there in St. Louis when Zeke hadn’t run out of fight, even when he was getting whipped—

Scratch’s fingers found the rifle, dragged it into both hands as he leaped to his feet, swinging his arms overhead as he rushed forward, yelling a guttural, unintelligible sound that welled up from the pit of him as he lunged toward the wolf and dog.

The cool air of that summer night fairly hissed as it was sliced with such force—driving the butt of his long fullstock Derringer flintlock rifle against the wolfs backbone. The creature grunted and yelped, but did not relinquish its hold on Zeke. Yellow eyes glared primally at the man.

“You goddamned sonuvabitch!” he roared as he flung the rifle overhead again.

Driving it down into the attacker a second time, Bass forced the wolf to release its hold on Zeke. Now it staggered around to face the man on three legs, that fourth still imprisoned in the dog’s jaws. Then with a powerful snap the wolf seized Zeke’s nose in his teeth, clamping down for that moment it took to compel the dog to release the bloody leg.

Whimpering, Zeke pulled free of this last attacker, freeing the wolf to whirl back around. It crouched, its head slung between its front shoulders, snarling at the man.

Once more Scratch brought his rifle back behind his head, stretching that torn flesh in the left shoulder.

He was already swinging the moment the wolf left the ground. The rifle collided with the predator less than an arm-span away. With a high-pitched yelp the wolf tumbled to the ground. Scratch was on him, slamming the rifle’s iron butt-plate down into the predator’s head again, then again.

Remembering other thieves of the forest, he flushed with his hatred of their kind.

Over and over he brought the rifle up and hurtled it down savagely. Finally stopping as he realized he had no idea how long he had been beating the beast’s head to pulp.

“Zeke,” he whispered even before he turned.

Staggering toward the dog, Bass knelt beside the big gray animal. Weakly the dog raised its head, whimpered a bit, then laid its bloody muzzle in Scratch’s hand. He quickly ran a hand over the animal’s throat, fingers finding warm, sticky blood clotting in the thick hair. Then he dragged his hand over much of the ribcage, the soft underbelly, finding no other wounds to speak of.

“Can you get up, boy?” he asked in a hopeful whisper. “Can you?”

Patting the dog on the head, Titus stood shakily himself. “C’mon now, you can get up, cain’t you?”

God, how his heart ached—not wanting to lose this dog the way he had lost Hannah, the way he lost so many other good friends—the way he almost lost Josiah.

“C’mon, boy,” he urged as if it were a desperate prayer.

With a struggle Zeke dragged his legs under him, thrashed a bit, then lurched upward onto all four. The dog staggered forward a few steps as Bass crouched, welcoming the animal into his arms. Zeke collapsed again, panting, its breath shallow and ragged.

“Good ol’ boy!” he cried louder now, his face wet with tears. “We got ’em didn’t we? Got ’em all!”

He needed light to look over the dog’s wounds.

Gazing east, he figured it was nowhere near getting time for dawn. They could light a fire and he could see to Zeke before packing up and setting out early. Be gone by the time anyone who had spotted their fire could get close.

For several minutes he knelt there stroking the animal as it laid against him, its breath growing more regular. Then he remembered Waits. She would have heard the shots and could well be near out of her mind with fright by now.

“We ought’n go back,” he whispered as he bent over, stabbing his arms under the big animal, pulling it against him as he staggered to his feet.

Its fur was warm and damp against the one arm as he started back toward their shelter in the dark, his bare feet feeling their way through the grass.

She was standing there against the trees in front of their blankets, holding a rifle ready as he emerged from the gloom. With a tiny shriek she dropped the heavy weapon and dashed toward him, throwing her arms around his neck, clinging against Bass and the dog.

“He is wounded?” she asked in Crow as she drew back, swiping tears away with both hands.

“Yes, but I won’t know how bad until I get a fire going.”

“Your daughter is sleeping,” she said as she began to turn. “I will start the fire. You stay with the dog.”

•  •  •

“That sure as hell is one ugly critter of a dog!”

From the way the speaker was smiling, Bass could easily see the man meant no harm by his critical judgment.

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Все книги серии Jonas Hook

Cry of the Hawk
Cry of the Hawk

Forced to serve as a Yankee after his capture at Pea Ridge, Confederate soldier Jonah Hook returns from the war to find his Missouri farm in shambles.From Publishers WeeklySet primarily on the high plains during the 1860s, this novel has the epic sweep of the frontier built into it. Unfortunately, Johnston (the Sons of the Plains trilogy) relies too much on a facile and overfamiliar style. Add to this the overly graphic descriptions of violence, and readers will recognize a genre that seems especially popular these days: the sensational western. The novel opens in the year 1908, with a newspaper reporter Nate Deidecker seeking out Jonah Hook, an aged scout, Indian fighter and buffalo hunter. Deidecker has been writing up firsthand accounts of the Old West and intends to add Hook's to his series. Hook readily agrees, and the narrative moves from its frame to its main canvas. Alas, Hook's story is also conveyed in the third person, thus depriving the reader of the storytelling aspect which, supposedly, Deidecker is privileged to hear. The plot concerns Hook's search for his family--abducted by a marauding band of Mormons--after he serves a tour of duty as a "galvanized" Union soldier (a captured Confederate who joined the Union Army to serve on the frontier). As we follow Hook's bloody adventures, however, the kidnapping becomes almost submerged and is only partially, and all too quickly, resolved in the end. Perhaps Johnston is planning a sequel; certainly the unsatisfying conclusion seems to point in that direction. 

Терри Конрад Джонстон

Вестерн, про индейцев

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Cry of the Hawk
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Forced to serve as a Yankee after his capture at Pea Ridge, Confederate soldier Jonah Hook returns from the war to find his Missouri farm in shambles.From Publishers WeeklySet primarily on the high plains during the 1860s, this novel has the epic sweep of the frontier built into it. Unfortunately, Johnston (the Sons of the Plains trilogy) relies too much on a facile and overfamiliar style. Add to this the overly graphic descriptions of violence, and readers will recognize a genre that seems especially popular these days: the sensational western. The novel opens in the year 1908, with a newspaper reporter Nate Deidecker seeking out Jonah Hook, an aged scout, Indian fighter and buffalo hunter. Deidecker has been writing up firsthand accounts of the Old West and intends to add Hook's to his series. Hook readily agrees, and the narrative moves from its frame to its main canvas. Alas, Hook's story is also conveyed in the third person, thus depriving the reader of the storytelling aspect which, supposedly, Deidecker is privileged to hear. The plot concerns Hook's search for his family--abducted by a marauding band of Mormons--after he serves a tour of duty as a "galvanized" Union soldier (a captured Confederate who joined the Union Army to serve on the frontier). As we follow Hook's bloody adventures, however, the kidnapping becomes almost submerged and is only partially, and all too quickly, resolved in the end. Perhaps Johnston is planning a sequel; certainly the unsatisfying conclusion seems to point in that direction. 

Терри Конрад Джонстон

Вестерн, про индейцев