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Sure enough the old dog was in motion, growling off to his right—not where he had heard Zeke a moment before. Yonder, toward the horses at the edge of the gently sloping meadow.

Had someone, red or white, stumbled upon them camped here? he wondered as he took a first barefooted step, then listened some more. Snake country, this was—them Shoshone—though Crow were known to plunge this far south, Arapaho push in too. Had some hunting party found their tracks and followed them here against the bluff?

Every night of their journey north from Taos Bass had damn well exercised caution. They would stop late in the lengthening afternoons and water their horses, then let them graze a bit while he gathered wood for a small fire he always built directly beneath the wide overhang of some branches to disperse the smoke. Waits nursed the baby and when her tummy was full Bass’s Crow wife passed the child to him. If his daughter was awake after her supper, the trapper cuddled the babe across his arm or bounced her gently in his lap while Waits cooked their supper. But most evenings the tiny one fell asleep as the warm milk filled her tummy.

So the man sat quietly with the child sleeping against him, watching his wife kneel at the fire, listening to the twilight advancing upon them, his nostrils taking in the feral innocence of this land carried on every breeze. With all the scars, the slashes of knife, those pucker holes from bullets and iron-tipped arrows too, with the frequent visits of pain on his old joints and the dim sight left him in that one eye … even with all those infirmities, this trapper fondly named Scratch nonetheless believed Dame Fortune had embraced him more times than she had shunned him.

Every morning for the past twenty-five days they loaded up their two packhorses and the new mule he had come to call Samantha, dividing up what furs Josiah Paddock had refused to take for himself, what necessaries of coffee, sugar, powder, lead, and foofaraw he figured the three of them would need, what with leaving Taos behind for the high country once more. By the reckoning of most, he hadn’t taken much. A few beaver plews to trade with Sublette at the coming rendezvous on Ham’s Fork where he would buy a few girlews and geegaws to pack off to Rotten Belly up in Absaroka, Crow country. When Bass returned Waits by the Water to the land of her people for the coming winter.

Josiah. Each time he thought on the one who had been his young partner, thought too on that ex-slave Esau they had stumbled across out in Pawnee country,* on the others he left behind in the Mexican settlements … it brought a hard lump to Scratch’s throat.

For those first few days after bidding them that difficult farewell, Titus would look down their back-trail, fully expecting to find one or more of them hurrying to catch up, to again try convincing him to remain where it was safe, maybe even to announce that they were throwing in with him once more. After some two weeks he eventually put aside such notions, realizing he and Josiah had truly had their time together as the best of friends, realizing too that their time lay in the past.

Time now for a man to ride into the rest of his tomorrows with his family.

One of the ponies snorted in that language he recognized as nervousness edging into fear. Whoever it was no longer was staying downwind of the critters.

Kneeling, Bass swept up one of the pistols from where he laid them when he settled down to sleep. After stuffing it in the belt that held up his leggings and breechclout, Scratch scooped up a second pistol and poked it beneath the belt with the first.

Gazing down at the look of apprehension on the woman’s face, he whispered in Crow, “Our daughter needs a name.”

He stood before Waits could utter a reply and pushed into the dark.

The babe needed a name. For weeks now his wife said it was for the girl’s father to decide. Never before could he remember being given so grave a task—this naming of another. A responsibility so important not only to the Crow people, but important to him as well. The proper name would set a tone for her life, put the child’s feet on a certain path like no other name could. Now that his daughter was almost a month old, he suddenly realized he could no longer put this matter aside, dealing each day with other affairs, his mind grown all the more wary and watchful now that there were these two women to think of, to care for, to protect.

More than his own hide to look after, there were others counting on him.

No one was going to slink on in and drive off their horses—

Suddenly Zeke emitted more than a low rumble. Now it became an ominous growl.

One of the ponies began to snort, another whinnying of a sudden. And he could hear their hooves slam the earth.

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Все книги серии Jonas Hook

Cry of the Hawk
Cry of the Hawk

Forced to serve as a Yankee after his capture at Pea Ridge, Confederate soldier Jonah Hook returns from the war to find his Missouri farm in shambles.From Publishers WeeklySet primarily on the high plains during the 1860s, this novel has the epic sweep of the frontier built into it. Unfortunately, Johnston (the Sons of the Plains trilogy) relies too much on a facile and overfamiliar style. Add to this the overly graphic descriptions of violence, and readers will recognize a genre that seems especially popular these days: the sensational western. The novel opens in the year 1908, with a newspaper reporter Nate Deidecker seeking out Jonah Hook, an aged scout, Indian fighter and buffalo hunter. Deidecker has been writing up firsthand accounts of the Old West and intends to add Hook's to his series. Hook readily agrees, and the narrative moves from its frame to its main canvas. Alas, Hook's story is also conveyed in the third person, thus depriving the reader of the storytelling aspect which, supposedly, Deidecker is privileged to hear. The plot concerns Hook's search for his family--abducted by a marauding band of Mormons--after he serves a tour of duty as a "galvanized" Union soldier (a captured Confederate who joined the Union Army to serve on the frontier). As we follow Hook's bloody adventures, however, the kidnapping becomes almost submerged and is only partially, and all too quickly, resolved in the end. Perhaps Johnston is planning a sequel; certainly the unsatisfying conclusion seems to point in that direction. 

Терри Конрад Джонстон

Вестерн, про индейцев

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Кто я? Что со мной произошло?Ссыльный – всплывает формулировка. За ней следующая: зовут Петр, но последнее время больше Питом звали. Торговал оружием.Нелегально? Или я убил кого? Нет, не могу припомнить за собой никаких преступлений. Но сюда, где я теперь, без криминала не попадают, это я откуда-то совершенно точно знаю. Хотя ощущение, что в памяти до хрена всякого не хватает, как цензура вымарала.Вот еще картинка пришла: суд, читают приговор, дают выбор – тюрьма или сюда. Сюда – это Land of Outlaw, Земля-Вне-Закона, Дикий Запад какой-то, позапрошлый век. А природой на Монтану похоже или на Сибирь Южную. Но как ни назови – зона, каторжный край. Сюда переправляют преступников. Чистят мозги – и вперед. Выживай как хочешь или, точнее, как сможешь.Что ж, попал так попал, и коли пошла такая игра, придется смочь…

Джон Данн Макдональд , Дональд Уэйстлейк , Овидий Горчаков , Эд Макбейн , Элизабет Биварли (Беверли)

Фантастика / Любовные романы / Приключения / Вестерн, про индейцев / Боевая фантастика
Cry of the Hawk
Cry of the Hawk

Forced to serve as a Yankee after his capture at Pea Ridge, Confederate soldier Jonah Hook returns from the war to find his Missouri farm in shambles.From Publishers WeeklySet primarily on the high plains during the 1860s, this novel has the epic sweep of the frontier built into it. Unfortunately, Johnston (the Sons of the Plains trilogy) relies too much on a facile and overfamiliar style. Add to this the overly graphic descriptions of violence, and readers will recognize a genre that seems especially popular these days: the sensational western. The novel opens in the year 1908, with a newspaper reporter Nate Deidecker seeking out Jonah Hook, an aged scout, Indian fighter and buffalo hunter. Deidecker has been writing up firsthand accounts of the Old West and intends to add Hook's to his series. Hook readily agrees, and the narrative moves from its frame to its main canvas. Alas, Hook's story is also conveyed in the third person, thus depriving the reader of the storytelling aspect which, supposedly, Deidecker is privileged to hear. The plot concerns Hook's search for his family--abducted by a marauding band of Mormons--after he serves a tour of duty as a "galvanized" Union soldier (a captured Confederate who joined the Union Army to serve on the frontier). As we follow Hook's bloody adventures, however, the kidnapping becomes almost submerged and is only partially, and all too quickly, resolved in the end. Perhaps Johnston is planning a sequel; certainly the unsatisfying conclusion seems to point in that direction. 

Терри Конрад Джонстон

Вестерн, про индейцев