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Where was that goddamned dog? Zeke was bound to get himself hurt or killed mixing with them what had come to steal their horses. In his gut it felt good, real good, to know that he wasn’t going into this alone. The dog was there with him. Bass quickened his pace.

As that strong, feral odor struck him full in the face Scratch stepped close enough to the far side of the meadow to see their shadows rearing. The struggling ponies were frightened, crying out, straining at the end of their picket-pins right where he had tied them to graze their full until morning.

He stopped, half-crouching, searching the dark for the intruders, those horse-thieves come to run off with his stock—

A dim yellow-gray blur burst from the treeline. His teeth bared, Zeke pounced, colliding noisily with one of the thieves just beyond the ponies.

There had to be more, Scratch knew—his finger itchy along the trigger. With Zeke’s roar the thieves had to expect the owner of the horses to be coming.

But as Bass looked left and right he couldn’t spot any others. Perhaps only one had stolen in alone.

Then in the midst of that growling and snapping Scratch suddenly realized the dog hadn’t pounced on a horse-thief at all. It was another four-legged. A predator. A goddamned wolf.

“Zeke!” he roared as he bolted forward toward the contest. Remembering that dog fight Zeke was slowly losing in front of the waterfront tippling house back in St. Louis when Scratch stepped in and saved the animal’s life.

The damned bone-headed dog didn’t know when he was getting the worst of a whipping.

Three of the ponies whipped this way and that, kicking and snorting at the ends of their picket ropes where he had secured them. Dodging side to side Bass rushed into their midst, ready to club the wolf off Zeke when the battle-scarred dog tumbled toward him under the legs of a pack horse, fighting off two of them.

Two goddamned wolves!

At that moment Samantha set up a plaintive bawl, jerking him around as if he were tied to her by a strip of latigo.

Again and again she thrashed her hind legs, flailing at a third wolf that slinked this way and that, attempting to get in close enough to hamstring her.

He’d fought these damned critters before, big ones too, high in the mountains and on the prairies.

Taking a step back as Samantha connected against her attacker with a small hoof, Scratch jammed the rifle against his shoulder, staring down the long, octagonal barrel to find the target. Then set the back trigger.

As the predator clambered back to all fours and began to slink toward the mule once more, he shut both eyes and pulled the front trigger. With a roar the powder in the pan ignited and a blinding muzzle-flash jetted into the black of night.

On opening his eyes, Titus heard the .54-caliber lead ball strike the wolf, saw it bowl the creature over.

Whipping to his left the trapper up-ended the rifle, gripping the muzzle in both hands as he started for the mass of jaws and legs and yelps where Zeke was embroiled with two lanky-limbed wolves, getting the worst of it. Slinging the rifle over his shoulder and preparing to swing the buttstock at one of the dog’s attackers, a fragment of the starlit night tore itself loose and flickered into the side of his vision.

Landing against Scratch with the force of its leap, a fourth wolf sank its teeth deep into the muscle at the top of his bare left arm. Struggling on the ground beneath the animal as it attempted to whip its head back and forth to tear meat from its prey, Bass yanked a pistol from his belt as the pain became more than he could bear—fearing he was about to lose consciousness at any moment.

He fought for breath as he rammed the pistol’s muzzle against the attacker’s body and pulled the hammer back with his thumb, dragging back the trigger an instant later. The roar was muffled beneath the furry attacker’s body, nonetheless searing the man’s bare flesh with powderburns as the big round ball slammed through the wolf and blew a huge, fist-sized hole out the attacker’s back in a spray of blood.

Pitching the empty pistol aside, Scratch pried at the jaws death-locked onto his torn shoulder, savagely tearing the wolfs teeth from his flesh. He rolled onto his knees shakily, blood streaming down the left arm, finding Zeke struggling valiantly beneath his two attackers, clearly growing weary. Bass pulled the second pistol from his belt and clambered to his feet. Lunging closer he aimed at the two darker forms as they swarmed over their prey, praying he would not miss.

The moment the bullet struck, the wolf yelped and rolled off the dog, all four of its legs galloping sidelong for a moment before they stilled in death. The last wolf remained resolutely twisted atop Zeke. The dog had one of the attacker’s legs imprisoned in his jaws but the wolf clamped down on Zeke’s throat, thrashing its head side to side in its brutal attempt to tear open its prey, assuring the kill.

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Все книги серии Jonas Hook

Cry of the Hawk
Cry of the Hawk

Forced to serve as a Yankee after his capture at Pea Ridge, Confederate soldier Jonah Hook returns from the war to find his Missouri farm in shambles.From Publishers WeeklySet primarily on the high plains during the 1860s, this novel has the epic sweep of the frontier built into it. Unfortunately, Johnston (the Sons of the Plains trilogy) relies too much on a facile and overfamiliar style. Add to this the overly graphic descriptions of violence, and readers will recognize a genre that seems especially popular these days: the sensational western. The novel opens in the year 1908, with a newspaper reporter Nate Deidecker seeking out Jonah Hook, an aged scout, Indian fighter and buffalo hunter. Deidecker has been writing up firsthand accounts of the Old West and intends to add Hook's to his series. Hook readily agrees, and the narrative moves from its frame to its main canvas. Alas, Hook's story is also conveyed in the third person, thus depriving the reader of the storytelling aspect which, supposedly, Deidecker is privileged to hear. The plot concerns Hook's search for his family--abducted by a marauding band of Mormons--after he serves a tour of duty as a "galvanized" Union soldier (a captured Confederate who joined the Union Army to serve on the frontier). As we follow Hook's bloody adventures, however, the kidnapping becomes almost submerged and is only partially, and all too quickly, resolved in the end. Perhaps Johnston is planning a sequel; certainly the unsatisfying conclusion seems to point in that direction. 

Терри Конрад Джонстон

Вестерн, про индейцев

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Кто я? Что со мной произошло?Ссыльный – всплывает формулировка. За ней следующая: зовут Петр, но последнее время больше Питом звали. Торговал оружием.Нелегально? Или я убил кого? Нет, не могу припомнить за собой никаких преступлений. Но сюда, где я теперь, без криминала не попадают, это я откуда-то совершенно точно знаю. Хотя ощущение, что в памяти до хрена всякого не хватает, как цензура вымарала.Вот еще картинка пришла: суд, читают приговор, дают выбор – тюрьма или сюда. Сюда – это Land of Outlaw, Земля-Вне-Закона, Дикий Запад какой-то, позапрошлый век. А природой на Монтану похоже или на Сибирь Южную. Но как ни назови – зона, каторжный край. Сюда переправляют преступников. Чистят мозги – и вперед. Выживай как хочешь или, точнее, как сможешь.Что ж, попал так попал, и коли пошла такая игра, придется смочь…

Джон Данн Макдональд , Дональд Уэйстлейк , Овидий Горчаков , Эд Макбейн , Элизабет Биварли (Беверли)

Фантастика / Любовные романы / Приключения / Вестерн, про индейцев / Боевая фантастика
Cry of the Hawk
Cry of the Hawk

Forced to serve as a Yankee after his capture at Pea Ridge, Confederate soldier Jonah Hook returns from the war to find his Missouri farm in shambles.From Publishers WeeklySet primarily on the high plains during the 1860s, this novel has the epic sweep of the frontier built into it. Unfortunately, Johnston (the Sons of the Plains trilogy) relies too much on a facile and overfamiliar style. Add to this the overly graphic descriptions of violence, and readers will recognize a genre that seems especially popular these days: the sensational western. The novel opens in the year 1908, with a newspaper reporter Nate Deidecker seeking out Jonah Hook, an aged scout, Indian fighter and buffalo hunter. Deidecker has been writing up firsthand accounts of the Old West and intends to add Hook's to his series. Hook readily agrees, and the narrative moves from its frame to its main canvas. Alas, Hook's story is also conveyed in the third person, thus depriving the reader of the storytelling aspect which, supposedly, Deidecker is privileged to hear. The plot concerns Hook's search for his family--abducted by a marauding band of Mormons--after he serves a tour of duty as a "galvanized" Union soldier (a captured Confederate who joined the Union Army to serve on the frontier). As we follow Hook's bloody adventures, however, the kidnapping becomes almost submerged and is only partially, and all too quickly, resolved in the end. Perhaps Johnston is planning a sequel; certainly the unsatisfying conclusion seems to point in that direction. 

Терри Конрад Джонстон

Вестерн, про индейцев