Читаем Winter Rain полностью

*Four Spirits Woman

Shoshone / Snake

*Two Sleep

Military

Col. Ranald S. Mackenzie—commanding, Fourth Cavalry

Major Eugene A. Carr—commanding. Fifth Cavalry

Major William B. Royall—Fifth Cavalry

Texas Rangers

Major John B. Jones—Commander, Frontier Battalion

*Captain Lamar Lockhart—commanding Company C

*Deacon Elijah Johns—Lieutenant, Company C

*Niles Coffee—Sergeant, Company C

*Clyde Yoakam—Second Sergeant, Company C

*June Callicott

*John Corn

*Harley Pettis

*Wig Danville

*Enoch Harmony

*Slade Rule

*Billy Benton

Civilians

*Nate Deidecker

*Heber Usher

Major Frank North

Captain Luther North

Lieutenant Gustavus W. Becher

Lieutenant Billy Harvey

William Schmalsle

*Ezra Dickinson

William F. Cody

* fictional characters

Prologue

Late summer 1908

HE CAME AWAKE with a struggle.

The overwhelming enemies were musky in their sweat-slicked red skins. Their heaving breath stank like rancid meat in his nostrils. The muzzles of their guns exploded in his face like the roar of riven earth on Judgment Day.

Still, his was not the sort of thrashing, physical convulsion someone suddenly awakened from a sound sleep might fight.

No, his struggle was all within the dream.

And that frightened him even more.

Of a sudden he smelled the air.

Its sharp tang reminded him. With a start he knew where he was.

Breath catching in his pounding chest, his hands grasped the edges of the grass-filled, tick-covered mattress beneath him in something close to relief.

As his head slowly plopped back against the pallet, Nathan Deidecker sighed and closed his eyes in emotional exhaustion, then drank in another breath of the cool, pungent air. Hungrily drank of the summer darkness outside.

Then realized why he had awakened.

Another low blat of thunder rumbled in off Cloud Peak rising thirteen thousand feet above the level of the sea out there in the blackness—not far off, its bellow slapped that high land in the deepest dark of postmidnight, the light of the heavens tracing down in tongues of fire just to the west of this small two-room cabin raised on a small promontory of ground by the back and shoulders and sheer will of the sinewy old scout.

Nate listened to another distant rumble, heard it coming almost serpentine across the heaving upvaulted land from a long way off, like it was some rock slide, a frightening avalanche careening down off the Big Horns toward him.

With the thunderous bellow fading onto the prairies below, the night stilled, and Deidecker marveled at just how clear and distinct and ominous sounds could seem out here in this country. Back east—hell, even back on the central plains of eastern Nebraska that he now called home—Nate could not recall ever really hearing any sound so distinct before.

As distinct as he now heard the whispers of this summer night.

Clear as rinsed crystal, he remembered the expression used by the old man just the day before when describing the property of light and sound and even how far a man might himself see in this immense, mind-numbing country.

“Damn right, Mr. Hook,” Nate mumbled to himself now. Some things were starting to come clear as rinsed crystal.

A creak of old rope crept past the thick wool blanket that hung as a crude door across the single opening between the cabin’s two small rooms.

Nate conjured a mental picture of the prairie bed: rough pine slats interlaced with hemp rope woven crosshatch to support its own grass-stuffed tick mattress.

Just someone stirring in their sleep, Nate thought. One of ’em awakened by the thunder like I was. Maybe that godforsaken green lightning—

As another distant, eerie flash backlit the Big Horns, there came another creak of the old rope, but louder this time. More stretch. And below that arose the muffle of voices. Whispered entreaties: low, husky, in need.

The green light’s eventual clap washed over the valley, and in its dying, Nate realized what was happening in the next room. Not without a little wonder.

“He’s … that old man’s making … making love to—” And he stopped whispering a moment, self-conscious at even the tiny sound his night voice made in that great silence of the thunder’s retreat. “…love to his woman.”

Deidecker sensed something rise in his throat, not sour nor choking like disgust at overhearing a bestial act. Not even fear of being discovered as an unwilling voyeur. Nothing closely resembling strong sentiment aroused by his own need of a woman to come into his life. No, what the newspaperman felt, lying there on that fragrant, landheady tick mattress dropped on Jonah Hook’s whipsawn wood floor, was something that filled Deidecker not only with immense happiness for the old scout, but with a profound sense of awe as well.

“That man’s too old to be climbing atop a woman,” he contented himself to say, rolling onto his side, away from the insistent, rhythmic creak of that rope-bed in the far room. “Especially that one … that … woman.”

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Все книги серии Jonas Hook

Cry of the Hawk
Cry of the Hawk

Forced to serve as a Yankee after his capture at Pea Ridge, Confederate soldier Jonah Hook returns from the war to find his Missouri farm in shambles.From Publishers WeeklySet primarily on the high plains during the 1860s, this novel has the epic sweep of the frontier built into it. Unfortunately, Johnston (the Sons of the Plains trilogy) relies too much on a facile and overfamiliar style. Add to this the overly graphic descriptions of violence, and readers will recognize a genre that seems especially popular these days: the sensational western. The novel opens in the year 1908, with a newspaper reporter Nate Deidecker seeking out Jonah Hook, an aged scout, Indian fighter and buffalo hunter. Deidecker has been writing up firsthand accounts of the Old West and intends to add Hook's to his series. Hook readily agrees, and the narrative moves from its frame to its main canvas. Alas, Hook's story is also conveyed in the third person, thus depriving the reader of the storytelling aspect which, supposedly, Deidecker is privileged to hear. The plot concerns Hook's search for his family--abducted by a marauding band of Mormons--after he serves a tour of duty as a "galvanized" Union soldier (a captured Confederate who joined the Union Army to serve on the frontier). As we follow Hook's bloody adventures, however, the kidnapping becomes almost submerged and is only partially, and all too quickly, resolved in the end. Perhaps Johnston is planning a sequel; certainly the unsatisfying conclusion seems to point in that direction. 

Терри Конрад Джонстон

Вестерн, про индейцев

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Вне закона
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Кто я? Что со мной произошло?Ссыльный – всплывает формулировка. За ней следующая: зовут Петр, но последнее время больше Питом звали. Торговал оружием.Нелегально? Или я убил кого? Нет, не могу припомнить за собой никаких преступлений. Но сюда, где я теперь, без криминала не попадают, это я откуда-то совершенно точно знаю. Хотя ощущение, что в памяти до хрена всякого не хватает, как цензура вымарала.Вот еще картинка пришла: суд, читают приговор, дают выбор – тюрьма или сюда. Сюда – это Land of Outlaw, Земля-Вне-Закона, Дикий Запад какой-то, позапрошлый век. А природой на Монтану похоже или на Сибирь Южную. Но как ни назови – зона, каторжный край. Сюда переправляют преступников. Чистят мозги – и вперед. Выживай как хочешь или, точнее, как сможешь.Что ж, попал так попал, и коли пошла такая игра, придется смочь…

Джон Данн Макдональд , Дональд Уэйстлейк , Овидий Горчаков , Эд Макбейн , Элизабет Биварли (Беверли)

Фантастика / Любовные романы / Приключения / Вестерн, про индейцев / Боевая фантастика
Cry of the Hawk
Cry of the Hawk

Forced to serve as a Yankee after his capture at Pea Ridge, Confederate soldier Jonah Hook returns from the war to find his Missouri farm in shambles.From Publishers WeeklySet primarily on the high plains during the 1860s, this novel has the epic sweep of the frontier built into it. Unfortunately, Johnston (the Sons of the Plains trilogy) relies too much on a facile and overfamiliar style. Add to this the overly graphic descriptions of violence, and readers will recognize a genre that seems especially popular these days: the sensational western. The novel opens in the year 1908, with a newspaper reporter Nate Deidecker seeking out Jonah Hook, an aged scout, Indian fighter and buffalo hunter. Deidecker has been writing up firsthand accounts of the Old West and intends to add Hook's to his series. Hook readily agrees, and the narrative moves from its frame to its main canvas. Alas, Hook's story is also conveyed in the third person, thus depriving the reader of the storytelling aspect which, supposedly, Deidecker is privileged to hear. The plot concerns Hook's search for his family--abducted by a marauding band of Mormons--after he serves a tour of duty as a "galvanized" Union soldier (a captured Confederate who joined the Union Army to serve on the frontier). As we follow Hook's bloody adventures, however, the kidnapping becomes almost submerged and is only partially, and all too quickly, resolved in the end. Perhaps Johnston is planning a sequel; certainly the unsatisfying conclusion seems to point in that direction. 

Терри Конрад Джонстон

Вестерн, про индейцев