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Summer had come, and was retreating, burning the land quickly. Jeremiah had been but eight years old that last birthday before he was taken. He had counted three more summers since. He could celebrate no birthdays. There was no one to remind him of such a special event as one day flowed into the next, one week slipped into the next moon, each season cycled into the next winter until he began to sense just how much time had passed beneath his moccasins.

“You there,” declared the tall warrior as he stepped over to the wary Jeremiah. “Seems you and your brother are such good fighters that we should put your white names away for all time now and give you the names of famous warriors of The People.”

“Yes!” Jeremiah’s head bobbed. Zeke’s eyes grew as big as milk saucers.

“In four days, then,” the warrior said, patting a hand on Jeremiah’s shoulder. His other hand patted Zeke’s too. “We will have our naming ceremony for you both.” The warrior turned to the pair of older boys. “Coal Bear, teach them well for four days—the bow and knife. How to ride on the side of your pony.”

The two bigger youths nodded, their dark eyes flicking quickly to the two white boys grown so dark-skinned, their long and wavy hair bleached by the light from the summer’s sun.

“As you ask, uncle,” replied the taller youth.

“I already ride well,” Jeremiah said, catching up the warrior’s hand.

He stopped. “You ride well for a white boy. But you have much to learn. Now you must learn to ride like a Comanche.”

As he watched the young warrior stride away through the tall grass, Jeremiah swore he would learn to ride, just like a Comanche warrior. To mount and dismount from either side, to ride bareback, to ride even without a bridle—becoming one with a particular animal. This was a dream come true to a young boy of eleven summers. To become one of The People. To become a Kwahadi Comanche.

For so long Jeremiah had wanted only to be dead.

He and Zeke had been hauled up behind two of the looters come to their Missouri valley. Their mother and sister were thrown on other horses, behind other riders. After his warning barks, old Seth already lay dying in the yard, a bullet hole in his head, tongue lolling out like a swollen piece of pink meat dropped in the rich black dirt.

That night the unspeakable horror had begun as some of the laughing, hard-handed men had taken their turns holding the two boys down, while others assaulted Jeremiah and Zeke, sodomizing their two young prisoners as the men cursed what they called “godless Missouri Gentiles.”

That was but the first night of many more to come, each day a living hell, making it painful to ride the bony spine of the horses as the boys were plopped behind the saddles of the looters during the day, assaulted by the smelly men each night. At first Jeremiah grew frightened when he began to bleed. Then he became ashamed when he passed more and more blood, oozing and sticky, drying in his britches like the tears he and little Zeke cried almost constantly, calling for help as the men clamped their wrists and ankles, dragged their dirt-crusted fingers through the boys’ hair, and held their young faces against the stinking crotches. Laughing.

Always the laughter rang in Jeremiah’s ears. The more he fought the men who held him down while others assaulted him, and the more he screamed, the more their wild laughter seemed to echo through the nightly camps where the two boys were beaten with the short rawhide whips the men used on their horses. It seemed so long ago now, like nothing more than another short lifetime, as Jeremiah remembered the shame of his tormented wounds weeping and oozing with a foul stench, his back aflame as flies laid their eggs where he could not reach to scratch.

Jeremiah rarely saw his mother those first days out of Missouri, at least not the woman he thought was her. She had been limp, carried from horseback to a tent at night, then back to her horse, where she was tied every morning for the day’s travel. Later he saw the woman herded out of an ambulance the freebooters had stolen, looking as if she were half-asleep.

It was the same with Hattie. He had wondered if those men were doing cruel, unspeakable things to her privates as well.

But long as those days and weeks had seemed, the boys’ imprisonment with the white looters was over before the following summer. They were bartered off to some brown-skinned men when a camp of Mexican traders rendezvoused with the white renegades. When a high enough price was settled upon for the two boys, Jeremiah and Zeke were sold into slavery.

“You’re going to Chihuahua!” roared one of the white looters as he dragged Jeremiah over to the Mexican carts. “Their kind is gonna like having a young, tender gringo like you to play with way down there!”

“Where?”

“Mexico!”

“M-mexico?” Jeremiah had gasped.

“Them greasers allays pays good money for slaves bound for the Mexican trade down there, boy!”

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Все книги серии Jonas Hook

Cry of the Hawk
Cry of the Hawk

Forced to serve as a Yankee after his capture at Pea Ridge, Confederate soldier Jonah Hook returns from the war to find his Missouri farm in shambles.From Publishers WeeklySet primarily on the high plains during the 1860s, this novel has the epic sweep of the frontier built into it. Unfortunately, Johnston (the Sons of the Plains trilogy) relies too much on a facile and overfamiliar style. Add to this the overly graphic descriptions of violence, and readers will recognize a genre that seems especially popular these days: the sensational western. The novel opens in the year 1908, with a newspaper reporter Nate Deidecker seeking out Jonah Hook, an aged scout, Indian fighter and buffalo hunter. Deidecker has been writing up firsthand accounts of the Old West and intends to add Hook's to his series. Hook readily agrees, and the narrative moves from its frame to its main canvas. Alas, Hook's story is also conveyed in the third person, thus depriving the reader of the storytelling aspect which, supposedly, Deidecker is privileged to hear. The plot concerns Hook's search for his family--abducted by a marauding band of Mormons--after he serves a tour of duty as a "galvanized" Union soldier (a captured Confederate who joined the Union Army to serve on the frontier). As we follow Hook's bloody adventures, however, the kidnapping becomes almost submerged and is only partially, and all too quickly, resolved in the end. Perhaps Johnston is planning a sequel; certainly the unsatisfying conclusion seems to point in that direction. 

Терри Конрад Джонстон

Вестерн, про индейцев

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Кто я? Что со мной произошло?Ссыльный – всплывает формулировка. За ней следующая: зовут Петр, но последнее время больше Питом звали. Торговал оружием.Нелегально? Или я убил кого? Нет, не могу припомнить за собой никаких преступлений. Но сюда, где я теперь, без криминала не попадают, это я откуда-то совершенно точно знаю. Хотя ощущение, что в памяти до хрена всякого не хватает, как цензура вымарала.Вот еще картинка пришла: суд, читают приговор, дают выбор – тюрьма или сюда. Сюда – это Land of Outlaw, Земля-Вне-Закона, Дикий Запад какой-то, позапрошлый век. А природой на Монтану похоже или на Сибирь Южную. Но как ни назови – зона, каторжный край. Сюда переправляют преступников. Чистят мозги – и вперед. Выживай как хочешь или, точнее, как сможешь.Что ж, попал так попал, и коли пошла такая игра, придется смочь…

Джон Данн Макдональд , Дональд Уэйстлейк , Овидий Горчаков , Эд Макбейн , Элизабет Биварли (Беверли)

Фантастика / Любовные романы / Приключения / Вестерн, про индейцев / Боевая фантастика
Cry of the Hawk
Cry of the Hawk

Forced to serve as a Yankee after his capture at Pea Ridge, Confederate soldier Jonah Hook returns from the war to find his Missouri farm in shambles.From Publishers WeeklySet primarily on the high plains during the 1860s, this novel has the epic sweep of the frontier built into it. Unfortunately, Johnston (the Sons of the Plains trilogy) relies too much on a facile and overfamiliar style. Add to this the overly graphic descriptions of violence, and readers will recognize a genre that seems especially popular these days: the sensational western. The novel opens in the year 1908, with a newspaper reporter Nate Deidecker seeking out Jonah Hook, an aged scout, Indian fighter and buffalo hunter. Deidecker has been writing up firsthand accounts of the Old West and intends to add Hook's to his series. Hook readily agrees, and the narrative moves from its frame to its main canvas. Alas, Hook's story is also conveyed in the third person, thus depriving the reader of the storytelling aspect which, supposedly, Deidecker is privileged to hear. The plot concerns Hook's search for his family--abducted by a marauding band of Mormons--after he serves a tour of duty as a "galvanized" Union soldier (a captured Confederate who joined the Union Army to serve on the frontier). As we follow Hook's bloody adventures, however, the kidnapping becomes almost submerged and is only partially, and all too quickly, resolved in the end. Perhaps Johnston is planning a sequel; certainly the unsatisfying conclusion seems to point in that direction. 

Терри Конрад Джонстон

Вестерн, про индейцев