Woes of the True Policeman

Celestino Arraya, whose house Rosa Amalfitano visited on the third day after her arrival in Santa Teresa, was born in Villaviciosa in 1900 and died at a cantina called Los Primos Hermanos in 1933, a few months after Hitler came to power. Little information is available about his childhood: legend has him as a brave young soldier with Pancho Villa when the reality is that he spent the Villa years hiding away on a ranch where his friend Federico Montero-an eminent politician and landowner who managed to navigate the turbulent years of the Revolution with courage and unerring instinct-bred fighting bulls. It was the Piedras Negras bullring that saw his first triumph, in 1920. After that, successful appearances followed in other border cities and towns: Ojinaga, Nogales, Matamoros, Nueva Rosita. These were some of the rings from which he emerged raised aloft, clutching tail and ears in his hands like a shipwrecked sailor frozen stiff with cold. He was extremely adept in the art of killing. His final anointing occurred at the Monterrey bullring and, in 1928, in Mexico City, where he was acclaimed in the ring and feted on public thoroughfares. He was tall and slender-cadaverous, according to some-and always sharply dressed, whether in bullfighting attire or civilian clothes. The elegance with which he moved in the ring, though, became a mannered stride in everyday life, the strut of a preening gangster. Along with Federico Montero and other friends, he belonged to a bachelor’s club, The Cowboys of Death, which was officially gastronomic and harmless, though of terrible memory. Death, the real thing, came to him at the hands of a sixteen-year-old boy who for motives that remain unknown came looking for him at the cantina Los Primos Hermanos and with his old rifle put two bullets in his head before being shot in turn by the bullfighter’s comrades. The statue that stands guard over his mausoleum was erected at the initiative of Montero and other friends, who bore the full cost themselves. The sculptor was Pablo Mesones Sarabia (1891-1942), of the Potosí school of Maestro Garabito.

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