WORLD'S END

The men wouldn't talk to strangers about the war; it was too terrible, it would discourage people. But among themselves it was all right, and Marcel's mutilated face was a passport to all hearts. He heard about winter fighting in heavy snow, with the trenches only a few yards apart, so that you could hear the enemy talking, and shout abuse and defiance at him; if you lifted your cap an inch above the parapet, it would be riddled with bullets in a second or two. Shelling was incessant, day and night, and hand grenades were thrown; only a few sentries stayed to watch, while the rest hid in dugouts underground. Great tracts in the forest had been reduced to splinters, and in the poste de secours, a shelter dug half under the hillside, a dozen doctors had been killed in the course of a year. No going about at all in the daytime; yet you could hear the church bells ringing in a village behind the lines. One of the stories was about a man who picked up an old hand organ in one of the buildings wrecked by shells, and brought it up one rainy night to one of the cagnas, or dug-outs, and stood outside in the rain playing it, and men began singing, hundreds of them all over the place, even with the shells falling around. "Sidi Brahim," they sang.

Among other things, Lanny learned what had happened to his mother's former chauffeur and handy man, Sergeant Pierre Bazoche. He had taken part in one of those innumerable attempts that came to nothing. Line after line of men had charged across an exposed place on a hillside, and just lay where they fell. There was no way to get to them; those who were not killed at once died slowly - but in any case they stayed all winter, and the smell of them made an invisible cloud that drifted slowly over the trenches, sometimes to the poilus and sometimes to the boches.

After talks like that Marcel would go back and paint. He made a painting that he called "Fear," and for a while he didn't want anybody to see it; perhaps it was a confession of something in himself. He was so proud, so serene, and full of ardor for his beloved France - could it be that he had ever been terrified? The truth is that this complicated arrangement of pipes and tissues that comprise a man is so fragile, so soft and easily damaged, that nature has provided an automatic impulse to protect it. There are parts of it that can hurt so abominably - and in truth you would have difficulty in naming any part that you would care to have struck by a little steel cylinder moving at the rate of half a mile per second. The boches had this same feeling, and many Catholics among them carried on their persons magic formulas containing detailed specifications. "May God preserve me against all manner of arms and weapons, shot and cannon, long or short swords, knives or daggers, or carbines, halberds, or any thing that cuts or pierces, against thrusts of rapiers, long and short rifles, or guns, and suchlike, which have been forged since the birth of Christ; against all kinds of metal, be it iron or steel, brass or lead, ore or wood." The poor devils lay dead upon the field with these prayers in their pockets.

Marcel painted a dim, mysterious form, the upper part of a human being, you couldn't be sure whether it was man or woman; it was shrouded in a sort of dark hood, and you saw only the face, and at first only the eyes, which had a faint glow, and were staring at you with a look that seized your own. The face was not distorted, the expression was subtler than that, it was a soul which had been acquainted with fear for a long time; and not just a physical fear, but a moral horror at a society in which men inflicted such things upon one another.

At least, that is what M. Rochambeau said after he had looked at the picture for a long time. He said it was quite extraordinary, and certainly none of the persons who saw it ever forgot it. But Marcel put it away. He said it wasn't a picture for wartime - not until the enemy could see it too!

IV

The British had failed in their efforts to take the Dardanelles, largely because they couldn't decide whether the taking was worth the cost. Now they were starting an advance from Salonika, a harbor in the north of Greece. That country had a pro-German king, and those beautiful islands which the Bluebird had visited had become lurking places of submarines seeking to destroy British commerce and the troopships which came heavily loaded from India and Australia. The entire Mediterranean was the scene of unresting naval war, and Lanny didn't need to look at war maps, because he had been to the places and had pictures of them in his eager mind.