WORLD'S END

The new house of the Robbie Budds stood at the head of an archway of elms more than a hundred years old. The farmhouse originally on the spot had been moved to one side and made into a garage with chauffeur's and gardener's quarters above. A new house had been built, modern inside, but keeping the "old Colonial" pattern. It had two stories and a half, and what was called a "gambrel" roof, starting at a steep pitch, and, when it got halfway up, finishing at a flatter pitch. In front of the house were big white columns which went above the second story; at one side were smaller columns over a porte-cochere.

Inside, the house was plain, everything painted white. The furniture was of a sort Lanny had never seen before; it also was "old Colonial," and he was to hear conversation about it, and learn the difference between "highboys" and "lowboys," and what a "court cupboard" was, and a "wing-chair," and a "ball and claw." Everything in the house had its proper place and to move it was bad manners. This had been explained to Lanny by his father; Esther had strict ideas of propriety. He should not play the piano loudly, at least not without asking if he would disturb anyone. He would make things easier if he would go to church with the family. Above all, he must be careful not to speak plainly about anything having to do with the relationship of men and women; Esther tried her best to be "modern" but she just couldn't, and it was better not to put any strain upon her. Lanny promised.

III

He had seen pictures of her, so he knew her when he saw her standing at the head of the stairs, with the big grandfather's clock behind her. It was an important moment for her as well as for him, and both of them realized it. She was becoming a stepmother, one of the most difficult of human relationships; she was taking a stranger into her perfectly ordered home, one from a culture foreign to hers and greatly suspected. He was young and he was weak, yet he had a power which could not be disregarded, having entered her husband's life ahead of her and sunk deep roots into his heart.

Esther Remson Budd was thirty-five at this time. She was a daughter of the president of the First National Bank of Newcastle, a Budd institution. She had lived most of her life in the town, and her ideas of Europe were derived from a summer of travel with teachers and members of her class in a young ladies' finishing school. She was one of the most conscientious of women, and gave earnest thought to being just and upright. She was not cold, but made herself seem so by subjecting to careful consideration everything she did and said. She was charitable, and active in the affairs of the First Congregational Church, in which her father-in-law taught a men's Bible class every Sunday morning. She guided her three children lovingly but strictly, and did her best to use wisely the powers which wealth and social position gave her.

To Esther at the age of twenty-one Robbie Budd had been a figure of romance. He went abroad frequently, met important people, and came home with contracts, the report of which spread widely - for hardly a person in that town could prosper except as Budd's prospered, and when Robbie sold automatics to Rumania, the merchants of Newcastle ordered a fresh stock of goods, and Esther's father bought her an electric coupe, a sort of showcase to drive about town in. Everybody she knew wanted her to marry Robbie; most of the girls had tried and failed, and knew there was some mystery, some story of a broken heart.

The time came when Robbie took Esther for a long drive and told her about the mysterious woman in France, the artists' model who had been painted in the nude by several men - a strange kind of promiscuity, wholly outside the possibilities of Newcastle, which in its heart was still a Puritan village. There was a child, but the woman refused to marry him and wreck his life. He had ended the unhappy affair, which was then about five years old; he had done so because he saw it preyed upon his father's mind, it could not possibly be fitted into the lessons imparted to the men's Bible class. Robbie would ask Esther to marry him, but only after she knew about this situation, and understood that he had a son and would not disown him.