Женщины Девятой улицы. Том 1

Сартр Ж.-П. «Экзистенциализм – это гуманизм». Пер. с фр. М.Н. Грецкого, Сартр Ж.-П. Человек в осаде. Сост., вступ. ст., примеч. Л. Н. Токарева. М.: Вагриус, 2006.

Троцкий Л. «Искусство и революция (из письма в редакцию «Партизан Ревю»)», Троцкий Л. Д. Против Сталина: двенадцать лет оппозиции (статьи, речи и письма Л. Троцкого из «Бюллетеня оппозиции», июль 1929 – август 1941) (https://www.marxists.org/russkij/trotsky/works/trotm235.html).

Фридан Б. Загадка женственности. СПб.: Литера; М.: Прогресс, 1993.

Шиллер Ф. Письма об эстетическом воспитании человека. М.: Рипол-Классик, 2017.

Юнг К.Г. «Психология и литература», Юнг К.Г., Нойманн Э. Психоанализ и искусство. М.: Рефл-бук; К.: Ваклер, 1998.

Abel, Lionel. “Harold Rosenberg, 1906–1978.” ArtNews 77, no. 8 (September 1978).

Abel, Lionel. The Intellectual Follies: A Memoir of the Literary Venture in New York and Paris. New York: W. W. Norton and Co., 1984.

Abel, Lionel. “Scenes from the Cedar Bar.” Commentary, December 1, 1982.

Abstract Expressionism, Second to None. Chicago: Thomas McCormick Gallery, 2004.

Abstract Expressionism, Second to None. Abstract Expressionism: A Tribute to Harold Rosenberg, Paintings and Drawings from Chicago Collections. Chicago: The David and Alfred Smart Gallery, The University of Chicago, October 11–November 25, 1979.

Action/Precision: The New Direction In New York, 1955–60. Newport Beach, CA: Newport Harbor Art Museum, 1984.

After Mountains and Sea: Frankenthaler 1956–1959. New York: Solomon R. Guggenheim Museum, January 15–May 3, 1998, Solomon R. Guggenheim Foundation, 1998.

Albers, Patricia. Joan Mitchell: Lady Painter, a Life. New York: Alfred A. Knopf, 2011.

Alberti, Leon Battista. On Painting. New Haven, CT: Yale University Press, 1966.

Alcopley, L. “The Club, Its First Three Years.” Issue: A Journal for Artists 4 (1985).

Allen, Donald, ed. The Collected Poems of Frank O’Hara. Berkeley: University of California Press, 1995.

Allentuck, Marcia Epstein. John Graham’s System and Dialectics of Art, Annotated From Unpublished Writings with a Critical Introduction by Marcia Epstein Allentuck. Baltimore, MD: Johns Hopkins University Press, 1971.

Alloway, Lawrence. “Sign and Surface (Notes on Black and White Painting in New York).” Quadrum 9, 1960.

Alloway, Lawrence, and Mary Davis McNaughton. Adolph Gottlieb: A Retrospective. New York: Hudson Hills, 1995.

Altshuler, Bruce. The Avant-Garde in Exhibition, New Art in the 20th Century. New York: Harry N.

Abrams, Inc., 1994.

Anfam, David. Abstract Expressionism. London: Thames & Hudson World of Art, 2012.

Arb, Renée. “They’re Painting Their Way.” Harper’s Jr. Bazaar (1947).

Arendt, Hannah. “The Concentration Camps.” Partisan Review 15, no. 7 (July 1948).

Arendt, Hannah. The Human Condition. Chicago: University of Chicago Press, 1958.

Arnason, H. H. Robert Motherwell. New York: Harry N. Abrams, Inc., 1977.

Art with the Touch of a Poet: Frank O’Hara. Storrs, CT: The William Benton Museum of Art, the University of Connecticut, January 24–March 13, 1983.

Artists of the New York School Second Generation, Paintings by TwentyThree Artists. New York: The Jewish Museum, March 10 to April 28, 1957.

Artists’ Theatre New York, Four Plays. New York: Grove Press, 1960.

Ashbery, John. “An Expressionist in Paris.” ArtNews 64, no. 2 (April 1965).

Ashbery, John. “Frank O’Hara’s Question.” Book Week, September 25, 1966.

Ashbery, John. “In Memory of My Feelings.” ArtNews 66, no. 9 (January 1968).

Ashbery, John. Interview. “The Invisible Avant-Garde.” ArtNews Annual 34 (1968).

Ashbery, John, edited by David Bergman. Reported Sightings: Art Chronicles, 1957–1987. New York: Alfred A. Knopf, 1989.