Женщины Девятой улицы. Том 1

Ashton, Dore. A Joseph Cornell Album. New York: The Viking Press, 1974.

Ashton, Dore. “Jackson Pollock’s Arabesque.” Arts Magazine 53, no. 7 (March 1979).

Ashton, Dore. The Life and Times of the New York School. Bath, Somerset, UK: Adams & Dart, 1972.

Ashton, Dore. The New York School: A Cultural Reckoning. Berkeley: University of California Press, 1973.

Ashton, Dore, ed. Picasso on Art: A Selection of Views. New York: Da Capo Press, 1972.

Ashton, Dore, with Joan Banach, eds. The Writings of Robert Motherwell. Berkeley: University of California Press, 2007.

Auden, W. H. The Age of Anxiety: A Baroque Eclogue. New York: Random House, 1947.

Auping, Michael, and Lawrence Alloway, eds. Abstract Expressionism: The Critical Developments. New York: Harry N. Abrams, 1987.

Bair, Deirdre. Samuel Beckett: A Biography. New York: Harcourt Brace Jovanovich, 1978.

Baker, Elizabeth C. “Hans Hofmann, Abstract-Expressionism and Color in New York, 1945–65.” ArtNews Annual 37. New York: Macmillan Company, 1971.

Barber, Allen. “Making Some Marks.” Arts Magazine 48 (June 1974).

Bard, Joellen. “Tenth Street Days: An Interview with Charles Cajori and Lois Dodd.” Arts Magazine 52, no. 4 (December 1977).

Bard, Joellen. Tenth Street Days: The Co‐Ops of the 50s: The Galleries, Tanager, Hansa, James, Camino, March, Brata, Phoenix, Area. New York: Education, Art and Service, Inc., 1977.

Baro, Gene. “Artistic Revolution by Being Wholly Herself, Helen Frankenthaler.” Vogue, June 1975.

Barr, Alfred H., Jr. Picasso: Fifty Years of His Art. New York: The Museum of Modern Art, by the Arno Press, 1980.

Barr, Alfred H., Jr. What Is Modern Painting? New York: The Museum of Modern Art, 1943.

Barrett, William. Irrational Man: A Study in Existential Philosophy. New York: Doubleday Anchor Book, 1962.

Barrett, William. “New Innocents Abroad.” Partisan Review 17, no. 3 (1950).

Barrett, William. The Truants: Adventures Among the Intellectuals. New York: Anchor Press/Doubleday, 1982.

Barrett, William. “What Existentialism Offers Modern Man.” Commentary, July 1951.

Barzun, Jacques. “Romanticism: Definition of a Period.” Magazine of Art 42, no. 7 (November 1949).

Baskin, Wade, ed. Jean-Paul Sartre: Essays in Existentialism. New York: The Citadel Press, 1970.

Baudelaire, Charles. The Painter of Modern Life and Other Essays. New York: Phaidon Press, Inc., 1964.

Baxandall, Rosalyn, and Linda Gordon, eds. America’s Working Woman: A Documentary History 1600 to the Present. New York: W. W. Norton & Company, 1995.

Beadle, Henry Hewesernst. “Actors with Their Strings Attached: Ideas and Enthusiasts, a Writer Learns.” New York Times, May 21, 1950.

Beauvoir, Simone de. America Day by Day. London: Victor Gollancz, 1998.

Beauvoir, Simone de. “Eye for Eye.” Politics 4 (July – August 1947).

Beckett, Samuel. Samuel Beckett: The Complete Dramatic Works. London: Faber and Faber Ltd., 2006.

Belasco, Daniel. “Between the Waves: Feminist Positions in American Art, 1949–1962.” PhD dissertation, New York University, 2008.

Belgrad, Daniel. The Culture of Spontaneity: Improvisation and the Arts in Postwar America. Chicago: The University of Chicago Press, 1998.

Belton, Robert J. “Edgar Allan Poe and the Surrealists’ Image of Women.” Woman’s Art Journal 8, no. 1 (Spring – Summer 1987).

Belz, Carl. Frankenthaler: The 1950s. Waltham, MA: Rose Art Museum, Brandeis University, May 10–June 28, 1981.

Bergin, Bob. Publisher-hero as Combat Photographer in China, Barney Rosset and China exhibition at Kunming Municipal Museum, Kunming City, Yunan, China, February 20, 2014. Rare Book & Manuscript Library, Butler Library, Columbia University, New York.

Berkson, Bill. “In Living Chaos: Joan Mitchell.” ArtForum 27, no. 1 (September 1988).

Berkson, Bill, and Joe LeSueur, eds. Homage to Frank O’Hara. Bolinas, CA: Big Sky, 1978.

Berman, Marshall. All That Is Solid Melts into Air: The Experience of Modernity. London: Verso, 1993.