Женщины Девятой улицы. Том 3

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Schloss, Edith. “The Loft Generation: Intimate Memories of Vanished Art Worlds in New York and Rome.” Manuscript, MS no. 1763, Subseries VC, Box 15, Edith Schloss Burckhardt Papers, Columbia University Library.

Schulze, Franz. “Thomas Hess, 1920–1978.” ArtNews 77, no. 6 (September 1978).

Schuyler, James. “Frank O’Hara: Poet Among Painters.” ArtNews 73, no. 5 (May 1974).

Schuyler, James. “Is There an American Print Revival?” ArtNews 60, no. 9 (January 1962).

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Seiberling, Dorothy. “Jackson Pollock: Is He the Greatest Living Painter in the United States?” Life 27, no. 6 (August 8, 1949).

Seiberling, Dorothy. “Women Artists in Ascendance: Young Group Reflects Lively Virtues of U.S. Painting.” Life 42, no. 19 (May 13, 1957).

Seitz, William. Abstract Expressionist Painting in America. Cambridge, MA: Harvard University Press, 1983.

Seitz, William. “The Rise and Dissolution of the Avant-Garde.” Vogue (September 1, 1963).

Severini, Gino. The Artist and Society. London: The Harvill Press, 1946.

Shaw, Lytle. Frank O’Hara: The Poetics of Coterie. Iowa City: University of Iowa Press, 2006.

Sherwin, Martin J. A World Destroyed: Hiroshima and Its Legacies. Stanford, CA: Stanford University Press, 2003.

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Slivka, Rose. “Elaine de Kooning: The Bacchus Paintings.” Arts Magazine 57 (October 1982).

Slivka, Rose. “Willem de Kooning, on His Eighty-Fifth Birthday.” Art Journal 48, no. 3 (Autumn 1989).

Smith, Betty. “Women on the Works Progress Administration/Federal Art Project. New York.” Unpublished graduate school paper, 1973.

Soby, James Thrall. “Interview with Grace Hartigan.” The Saturday Review 9, no. 40 (October 5, 1957).

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Solomon, Deborah. “Artful Survivor: Helen Frankenthaler Stays Loyal to Abstract Expressionism.” New York Times Magazine, May 14, 1989.

Solomon, Deborah. “In Monet’s Light.” New York Times Magazine, November 24, 1991.

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Solomon, Deborah. “The Lyrical Mastery of Helen Frankenthaler.” Unpublished notes for article, 1989.

Solomon, Deborah. “Open House at the Pollocks.” The New Criterion 6, no. 9 (May 1988).

Sontag, Susan. “Notes on Camp.” Partisan Review 31, no. 4 (Fall 1964).

Stahr, Celia S. “Elaine de Kooning, Portraiture and the Politics of Sexuality.” Genders Online Journal 38 (2003).

Stahr, Celia S. “The Social Relations of Abstract Expressionism: An Alternative History.” PhD dissertation, University of Iowa, 1997.

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Stefanelli, Joe. “The Cedar Bar.” New York Artists Equity Association 55th Anniversary Journal, December 18, 2002.

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Sterling, Charles. “A Fine ‘David’Reattributed.” The Metropolitan Museum of Art Bulletin 9, no. 5 (January 1951).

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Stevens, Wallace. Collected Poetry and Prose. New York: The Library of America, 1997.

Stevens, Wallace. The Relations between Poetry and Painting. New York: The Museum of Modern Art, 1951.

Stewart, Regina, ed. New York Artists Equity Association 55th Annual Journal, December 18, 2002.

Stone, I. F. The Haunted Fifties. London: The Merlin Press Ltd., 1964.

Stowe, David W. “The Politics of Cafe Society.” The Journal of American History 84, no. 4 (March 1998).