Женщины Девятой улицы. Том 3

Williams, Tennesse. In the Bar of the Tokyo Hotel and Other Plays. Vol. 7 of The Theatre of Tennessee Williams. New York: New Directions, 1950.

Wittner, Lawrence S. Rebels Against War: The American Peace Movement, 1941–1960. New York: Columbia University Press, 1969.

Wolf, Ben. “Portrait of a President: President John F. Kennedy, an Exhibition of Portraits and Sketches by Elaine de Kooning.” Kansas City Art Institute and School of Design, 1965.

Wolfe, Tom. The Painted Word. New York: Picador, 1975.

Вулф Вирджиния. Своя комната. London: Penguin, 1928.

Вулф Вирджиния. На маяк, Hertfordshire, UK: Wordsworth Classics, 1994.

Wright, Morris. “The Violent Land — Some Observations on the Faulkner Country.” Magazine of Art 45, no. 3 (March 1952).

Wydenbruck, Nora. Rilke, Man and Poet: A Biographical Study. London: John Lehmann, 1949.

Yard, Sally. “The Angel and the Demoiselle: Willem de Kooning’s ‘Black Friday.’ ” Record of the Art Museum, Princeton University 50, no. 1 (1991).

“The Year’s Best 1955.” ArtNews 54, no. 9 (January 1956).

Young, Edward. Edward Young’s Conjectures on Original Composition. London: Forgotten Books, 2012.

Zeffirelli, Franco. “Turned-On Architecture: De Kooning and Friends.” Horizon, June 1981.

Zinn, Howard. A People’s History of the United States. New York: Harper Perennial Modern Classics, 2005.

Zucker, Steven Ezekiel. “Art in Dark Times: Abstract Expressionism, Hannah Arendt and the ‘Natality’ of Freedom.” PhD dissertation, City University of New York, 1997.

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Ранее опубликованные материалы

ArtNews: Excerpts from reviews and articles published with permission of ArtNews, Copyright © Art Media Holdings, LIC.

City Lights: Frank O’Hara, excerpts from “A Step Away from Them” and “Adieu to Norman, Bonjour to Joan and Jean-Paul” from LUNCH POEMS. © 1954 by Frank O’Hara. Reprinted with the permission of The Permissions Company, Inc., on behalf of CityLights Books, citylights.com, and Maureen Granville-Smith, Administratrix of the Estate of Frank O’Hara.

Counterpoint: A COMPLICATED MARRIAGE: MY LIFE WITH CLEMENT GREENBERG, by Janice Van Horne, © 2012 Janice Van Horne. Reprinted by permission of Counterpoint.

Dr. Barbaralee Diamonstein-Spielvogel: INSIDE THE NEW YORK ART WORLD, by Barbaralee Diamonstein-Spielvogel. Rizzoli International Publications, Inc., 1979. Rights granted by copyright holder Dr. Barbaralee Diamonstein-Spielvogel.

Geoffrey Dorfman: OUT OF THE PICTURE, MILTON RESNICK AND THE NEW YORK SCHOOL, by Geoffrey Dorfman. Midmarch Arts Press, 2003. Permission granted by copyright holder Geoffrey Dorfman.

Natalie Edgar: CLUB WITHOUT WALLS, SELECTIONS FROM THE JOURNALS OF PHILIP PAVIA, Natalie Edgar, ed. Midmarch Arts Press, 2007. Permission granted by copyright holder Natalie Edgar.

Farrar, Straus and Giroux: Excerpts from “Joseph Cornell,” “Edwin’s Head,” “In Memory of My Feelings,” “Poem Read at Joan Mitchell’s,” “Poem,” and “The Day the Lady Died” from DIGRESSIONS ON SOME POEMS BY FRANK O’HARA: A MEMOIR by Joe LeSueur. Copyright © 2003 by The Estate of Joe LeSueur. Reprinted by permission of Farrar, Straus and Giroux.

David Frankfurter: Quotations from ORIGINALS: AMERICAN WOMEN ARTISTS, by Eleanor Munro, A Touchstone Book, Simon & Schuster, Inc., 1982. Permission granted by copyright holder, David Frankfurter.

Grove: Excerpts from MEDITATIONS IN AN EMERGENCY, copyright © 1957 by Frank O’Hara. Used by permission of Grove/Atlantic, Inc., and Maureen Granville-Smith, Administratrix of the Estate of Frank O’Hara. Any third party use of this material, outside of this publication, is prohibited.

Julia Gruen: Quotations from THE PARTY’S OVER NOW, REMINISCENCES OF THE FIFTIES — NEW YORK’S ARTISTS, WRITERS, MUSICIANS, AND THEIR FRIENDS, by John Gruen. Copyright © John Gruen, 1972. The Viking Press, 1972. Permission granted by Julia Gruen.

HarperCollins: Twenty-four quotations [pp. 13–442, 811 words] from CITY POET: THE LIFE AND TIMES OF FRANK O’HARA, by Brad Gooch, © 1993, by Brad Gooch. Reprinted by permission of HarperCollinsPublishers.

Excerpts from pp. 26–31, 38–9, 99, 117, 128, 169–71, 174, 178, 193–4, from ELAINE AND BILL:

PORTRAIT OF A MARRIAGE, by Lee Hall. © 1993 by Lee Hall. Reprinted by permission of HarperCollins Publishers.

Twenty brief quotes as submitted [pp. 55–366] from LEE KRASNER: A BIOGRAPHY, by Gail Levin. © 2011 by Gail Levin. Reprinted by permission of HarperCollins Publishers.