Женщины Девятой улицы. Том 3

Lipstadt, Deborah E. Beyond Belief: The American Press and the Coming of the Holocaust, 1933–1945. New York: The Free Press, 1986.

Livingston, Jane. The Paintings of Joan Mitchell. New York: Whitney Museum, 2002.

Lord, James. Giacometti: A Biography. New York: Farrar, Straus, Giroux, 1985.

Louchheim, Aline B. “Betty Parsons: Her Gallery, Her Influence.” Vogue (October 1, 1951).

Lowenthal, Leo. “The Crisis of the Individual: II. Terror’s Atomization of Man.” Commentary (January 1946).

Lukach, Joan M. Hilla Rebay: In Search of the Spirit in Art. New York: George Braziller, Inc., 1983.

“Lunch.” Lear’s (November – December 1988).

Lund, David. “Scenes from the Cedar.” New York Artists Equity Association 55th Anniversary Journal, December 1, 2002.

Lundberg, Ferdinand, and Marynia F. Farnham, M.D. Modern Woman: The Lost Sex. New York: The Universal Library, Grosset & Dunlap, 1947.

Lurie, Alison. V. R. Lang: Poems and Plays with a Memoir by Alison Lurie. New York: Random House, 1975.

Lynes, Russell. Good Old Modern: An Intimate Portrait of the Museum of Modern Art. New York: Atheneum, 1973.

Lynes, Russell. The Tastemakers: The Shaping of American Popular Taste. New York: Dover Publications, 1980.

Macdonald, Dwight. The Memoirs of a Revolutionist: Essays in Political Criticism. New York: Farrar, Straus and Cudahy, 1957.

Macdonald, Dwight. “The Root Is Man, Part II.” Politics (July 1946).

MacLeish, Archibald. “The Irresponsibles.” The Nation (May 18, 1940).

Magee, Michael. “Tribes of New York: Frank O’Hara, Amiri Baraka, and the Poetics of the Five Spot.” Contemporary Literature 42, no. 4 (Winter 2001).

Malina, Judith. The Diaries of Judith Malina: 1947–1957. New York: Grove Press, Inc., 1984.

Manso, Peter. Provincetown: Art, Sex, and Money on the Outer Cape. New York: Simon and Schuster, 2003.

Marquis, Alice Goldfarb. Alfred H. Barr, Jr., Missionary for the Modern. Chicago: Contemporary Books, 1989.

Marquis, Alice Goldfarb. The Art Biz: The Covert World of Collectors, Dealers, Auction Houses, Museums, and Critics. Chicago: Contemporary Books, 1991.

Marquis, Alice Goldfarb. Art Czar: The Rise and Fall of Clement Greenberg. Boston: MFA Publications, 2006.

Marter, Joan. Women and Abstract Expressionism: Painting and Sculpture, 1945–1959. New York: Baruch College, City University of New York, 1997.

Marter, Joan, ed. Women of Abstract Expressionism. New Haven, CT: Yale University Press, 2016.

“Martha Jackson Dies on Coast; Gallery Aided Abstract Artists.” New York Times, July 5, 1969.

Matossian, Nouritza. Black Angel: A Life of Arshile Gorky. London: Pimlico, 2001.

Mattison, Robert Saltonstall. Grace Hartigan: A Painter’s World. New York: Hudson Hills Press, 1990.

Mayer, Musa. Night Studio: A Memoir of Philip Guston, by his daughter Musa Mayer. New York: Alfred A. Knopf, 1988,

Mayor, A. H. “The Artists for Victory Exhibition.” Metropolitan Museum of Art Bulletin, December 1942.

McCarthy, Mary. The Company She Keeps. London: Virago Press, 2011.

McCoy, Garnett, Alfred H. Barr Jr., Baldwin Smith, and Allen Rosenbaum. “A Continued Story: Alfred H. Barr, Jr., Princeton University, and William C. Seitz.” Archives of American Art Journal 21, no. 3 (1981).

McKinzie, Richard D. The New Deal for Artists. Princeton, NJ: Princeton University Press, 1973.

McG. Thomas Jr., Robert. “Patsy Southgate, Who Inspired 50’s Literary Paris, Dies at 70.” New York Times, July 26, 1998.

Mead, Margaret. Male and Female: A Study of the Sexes in a Changing World. New York: Penguin Books, 1981.

Mead, Margaret. “Night After Night.” trans/formation 1, no. 2 (1951).

“A Memorial Service for John Bernard Myers.” The Grey Art Gallery, New York, Thursday, October 15, 1987.

Merleau-Ponty, Maurice. “Cezanne’s Doubt.” Partisan Review 13, no. 4 (September – October 1946).

Milazzo, Richard. “Caravaggio on the Beach.” Evergreen Review 101 (Winter 1998).