Женщины Девятой улицы. Том 3

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Poydinecz-Conley, Donna. Unpublished interview with Helen Frankenthaler, June 14, 1978.

Preston, Stuart. “By Husband and Wife; A Group Show by Teams – Three Modernists.” New York Times, September 25, 1949.

Preston, Stuart. “Diverse Showings, Realism and Surrealism – ‘Collectors’ Finds’.” New York Times, February 8, 1953.

Prioleau, Betsy. Seductress: Women Who Ravished the World and Their Lost Art of Love. New York: Viking, 2003.

Rago, Louise Elliott. “We Visit with Grace Hartigan.” School Arts: The Art Education Magazine 59, no. 9 (May 1960).

Randall, Margaret. Ecstasy Is a Number: Poems. Phoenix, AZ: Orion Press, 1961.

Randall, Margaret. My Town: A Memoir of Albuquerque, New Mexico in Poems, Prose, and Photographs. San Antonio, TX: Wings Press, 2010.

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Read, Herbert. The Politics of the Unpolitical. London: Routledge, 1945.

“Red Visitors Cause Rumpus: Dupes and Fellow Travelers Dress Up Communist Fronts.” Life 26, no. 14 (April 4, 1949).

Reinhardt, Ad. “Twelve Rules for a New Academy.” ArtNews 56, no. 3 (May 1957).

Rembert, Virginia Pitts. “Mondrian, America, and American Painting.” PhD dissertation, Columbia University, 1970. “Remembering Joan.” Evergreen Review 104 (January 2001).

Rich, Adrienne Cecile. A Change of World. New Haven, CT: Yale University Press, 1951.

Rich, Daniel Cotton. “Freedom of the Brush.” Atlantic Monthly 181 (February 1948).

Richard, Paul. “Much Ado about Frankenthaler.” Washington Post, April 19, 1975.

Richler, Mordecai, ed. Writers on World War II: An Anthology. New York: Alfred A. Knopf, 1991.

Riesman, David, with Nathan Glazer and Reuel Denney. The Lonely Crowd: A Study of the Changing American Character. New Haven, CT: Yale University Press, 1978.

Riley, Charles II. The Saints of Modern Art: The Ascetic Ideal in Contemporary Painting, Sculpture, Architecture, Music, Dance, Literature, and Philosophy. Hanover, NH: University Press of New England, 1998.

Riley, Glenda. Inventing the American Woman: A Perspective on Women’s History. Arlington Heights, IL: Harlan Davidson, Inc., 1986.

Rivers, Larry. “Larry Rivers on The Club.” The New Criterion Special Issue, no. 49 (1986).

Rivers, Larry, and Arnold Weinstein. What Did I Do? The Unauthorized Autobiography. New York: Aaron Asher Books, HarperCollins Publishers, 1992.

Rivers, Larry, with Carol Brightman. “The Cedar Bar,” New York 12, no. 43 (November 5, 1979).

Robertson, Brian. Lee Krasner, Paintings, Drawings and Collages. London: Whitechapel Gallery, September – October 1965.

Robson, Deirdre. “The Avant-Garde and the On-Guard: Some Influences on the Potential Market for the First Generation Abstract Expressionists in the 1940s and Early 1950s.” Art Journal 47, no. 3 (Autumn 1988).

Robson, Deirdre. “The Market for Abstract Expressionism: The Time Lag between Critical and Commercial Acceptance.” Archives of American Art Journal 25, no. 3 (1985).

Rockwell, John. “Virgil Thomson, Composer, Critic and Collaborator with Stein, Dies at 92.” New York Times, October 1, 1989.

Rose, Barbara. “American Great: Lee Krasner.” Vogue (June 1972).

Rose, Barbara. “First-Rate Art by the Second Sex.” New York 7, no. 14 (April 8, 1974).

Rose, Barbara. Frankenthaler. New York: Harry N. Abrams, Inc., 1972.

Rose, Barbara. “Jackson Pollock at Work.” Partisan Review 47, no. 1 (Winter 1980).

Rose, Barbara. Krasner/Pollock: A Working Relationship. East Hampton, NY: Guild Hall Museum, August 8 – October 4, 1981.

Rose, Barbara. “The Landscape of Light, Joan Mitchell.” Vogue (June 1974).

Rose, Barbara. Lee Krasner: A Retrospective. New York: The Museum of Modern Art, 1983.

Rose, Barbara. “Life on the Project.” Partisan Review 52, no. 2 (Spring 1985).

Rose, Barbara, edited by Alexis Gregory. American Painting: The Twentieth Century. Lausanne: SKIRA, 1969.

Rose, Phyllis, ed. The Norton Book of Women’s Lives. New York: W. W. Norton and Company, 1993.