Женщины Девятой улицы. Том 3

Rosen, Marjorie. Popcorn Venus: Women, Movies and the American Dream. New York: Avon Books, 1974.

Rosenberg, Eric M., Lisa Saltzman, and Timothy McElreavy. Friedel Dzubas: Critical Painting. Medford, MA: Tufts University Gallery, 1998.

Rosenberg, Harold. “Action Painting: A Decade of Distortion.” ArtNews 61, no. 8 (December 1962).

Rosenberg, Harold. “After Next, What?” Art In America 2 (1964).

Rosenberg, Harold. “The American Action Painters.” ArtNews 51, no. 8 (December 1952).

Rosenberg, Harold. The Anxious Object. Chicago: The University of Chicago Press, 1966.

Rosenberg, Harold. “The Art Establishment.” Esquire (January 1965).

Rosenberg, Harold. Art on the Edge: Creators and Situations. New York: Macmillan Publishing Co., Inc.,1971.

Rosenberg, Harold. “The Fall of Paris.” Partisan Review 6, no. 7 (November – December 1940).

Rosenberg, Harold. “Introduction to Modern American Painters.” Possibilities 1 (Winter 1947–48).

Rosenberg, Harold. “Parable for American Painters.” ArtNews 52, no. 9 (January 1954).

Rosenberg, Harold. “The Teaching of Hans Hofmann.” Arts Magazine 45, no. 3 (December 1970 – January 1971).

Rosenberg, Harold. “Tenth Street: A Geography of Modern Art.” ArtNews Annual 28 (1959).

Rosenberg, Harold. The Tradition of the New. New York: Da Capo Press, 1994.

Rosenzweig, Phyllis D. The Fifties, Aspects of Painting in New York: Hirshhorn Museum and Sculpture Garden. Washington, DC: Smithsonian Institution Press, 1980.

Ross, Clifford. Abstract Expressionism: Creators and Critics, an Anthology. New York: Harry N. Abrams, Inc., 1990.

Rosset, Barney. “The Subject Is Left Handed,” manuscript, courtesy Astrid Myers Rosset.

Rotskoff, Lori. Love on the Rocks: Men, Women, and Alcohol in Post – World War II America. Chapel Hill: University of North Carolina, 2002.

Rowley, Alison. Helen Frankenthaler: Painting History, Writing Painting. London: I. B. Tauris, 2007.

Rubenfeld, Florence. Clement Greenberg: A Life. Minneapolis: University of Minnesota Press, 2004.

Rubin, William. “The New York School, Part II.” Art International 2, nos. 2–3 (Summer 1958).

Ruddick, Sara, and Pamela Daniels, eds. Working It Out: 23 Women Writers, Artists, Scientists, and Scholars Talk about Their Lives and Work. London: Pantheon Books, 1997.

Russell, John. “Thomas Hess, Art Expert, Dies: Writer and Met Official Was 57.” New York Times, July 14, 1978.

Sadoff, Ira. “Frank O’Hara’s Intimate Fictions.” American Poetry Review 35, no. 6 (November – December 2006).

Sandler, Irving. Abstract Expressionism and the American Experience: A Reevaluation. New York: Hudson Hills, 2009.

Sandler, Irving. The Cedar Bar. New York: Washburn Gallery, January 2009.

Sandler, Irving. “The Club, How the Artists of the New York School Found Their First Audience – Themselves.” ArtForum 4, no. 1 (September 1965).

Sandler, Irving. “Mitchell Paints a Picture.” ArtNews 56, no. 6 (October 1957).

Sandler, Irving. A Sweeper Up After Artists: A Memoir. London: Thames and Hudson, 2003.

Savram, David. Taking It Like a Man: White Masculinity, Masochism and Contemporary American Culture. Princeton, NJ: Princeton University Press, 1998.

Sawin, Martica. Nell Blaine: Her Life and Art. New York: Hudson Hills Press, 1998.

Sawyer, Kenneth B. “The Artist as Collector: Alfonso Ossorio.” Studio International 169, no. 863 (March 1965).

Sawyer, Kenneth B. “The Importance of a Wall: Galleries.” Evergreen Review 2, no. 8 (Spring 1959).

Schapiro, Meyer. “The Liberating Quality of Avant-Garde Art.” ArtNews 56, no. 4 (Summer 1956).

Schapiro, Meyer. Modern Art in the 19th and 20th Centuries: Selected Papers. 1958. Reprint. New York: George Braziller, 1979.

Scharf, Lois. To Work and to Wed: Female Employment, Feminism, and the Great Depression. Westport, CT: Greenwood Press, 1980.

Schjeldahl, Peter. “Tough Love.” The New Yorker (July 15, 2002).