Zone One

Mark Spitz’s idea of what lay beyond the Zone, the portrait created by the incessant gunfire, was dwarfed by the spectacle before him. The wall had kept this reality from him. It would not hold, it was obvious. He had to get back to Kaitlyn and Gary, and they needed to make a plan. The dead leaked in massive piles on the other side of the wall, mounting between the barrier and the buildings on the north side of Canal. It would have been impossible for the cranes to keep up, even in working condition. The dead clambered up the bodies of the fallen and were rent by the artillery, contributing to the heap, and these latest were trampled by the next wave, which was cut down in turn. The corpses entwined and tangled in a mutilated pile half as high as the wall, and dark fluids from their wounds sprayed and gurgled through the seams in the concrete where the broad sections met, the weight of the corpses compressing the interior murk from the carcasses as if they were overripe fruit. The barrier was a dam now, suppressing the roiling torrent of the wasteland. It would not hold.

He saw the flaw, where it would break. The marines had maneuvered the concrete T segments into the heart of Canal, and once they stabilized the Zone, they secured them with redoubtable steel brackets two feet wide and two inches thick. The metal scaffolding of the catwalk assembly provided additional support on the Zone side against the malevolent forces of uptown. But Mark Spitz saw the chink through now-wastelanded eyes: the brackets were as flimsy as plywood boards nailed into a window frame, in that elemental image of the barricade. That’s where every fortification splintered: where the nail pierced the wood, the rivet penetrated the concrete. The prayer met the truth. There is always a place for the dead to find purchase.

This night it was not a ravaged, skeletal hand that tore the plank away but the unholy mass of all the mobilized agony brimming Broadway. There was a furious blast of machine-gun fire, and more dead fell to the fleshy heap. The bracket at the western edge of the T section athwart the famous boulevard wrenched out of joint, and its brother connecting the next section east ejected from its moorings. It flew across the intersection and pulverized the face of an army clerk who had been gesturing to one of the snipers in her aerie. The tumbling concrete section ripped the catwalk free, and the metal armature halted the descent of the wall for a moment while hurling soldiers into the street; then it gave way. The soldier with the obliterated face fell to his knees at the same time the concrete slab hit the ground, crushing the Disposal agent who had been steering a load of rotting pets toward the incinerators and a young soldier who had been climbing one of the ladders up the catwalk. The dead sloshed through the gap, clambering over the concrete ramp and the crushed bodies, losing balance on the uneven surface and spinning in ludicrous pratfalls onto Canal. They stepped on one another, impelled one another forward in a current, spread in hungry rivulets east and west and downtown after being penned in for so long. Some of the dead that had been trapped at the bottom of the pile staggered to their feet and joined the advance.

Here they came, the ambassadors of nil. Already the front door of the bank was impassable, already the dead infiltrated one block south of the shattered barrier to reclaim the Zone as their own. The soldiers on the catwalk were stranded. They fired their assault rifles down into the maelstrom of skels, but the scaffolding terminated in ramps at either end and the men and women on the wall were cornered. The time to risk a jump disappeared; there was no open space for a landing, so swiftly had the dead swept into the street. A portion of skels dallied to partake of the stunned soldiers at the foot of the wall, but most coursed down the avenue after other sustenance. The majority of the abominations did not stop to feed, as if being loosed upon the emptied streets was meal enough, as if right now it sufficed for them to walk, to persist beyond death.

Looking down at them through the twisting ash, Mark Spitz shuddered. The dead streamed past the building like characters on an electronic ticker in Times Square, abstractions as impenetrable as the Quiet Storm’s vehicles. He’d always peered from the skyscraper windows into the streets, seeking. Close to the ground, almost at their level, he read their inhuman scroll as an argument: I was here, I am here now, I have existed, I exist still. This is our town.