Forty minutes later, behind the wheel of a 1954 Ford ragtop that now belonged to me, I was headed north toward Derry. I learned on a standard, so that was no problem, but this was the first car I’d ever driven with the gearshift on the column. It was weird at first, but once I got used to it (I would also have to get used to operating the headlight dimmer switch with my left foot), I liked it. And Bill Titus had been right about second gear; in second, the Sunliner went like a bastid. In Augusta, I stopped long enough to haul the top down. In Waterville, I grabbed a fine meatloaf dinner that cost ninety-five cents, apple pie à la mode included. It made the Fatburger look overpriced. I hummed along with the Skyliners, the Coasters, the Del Vikings, the Elegants. The sun was warm, the breeze ruffled my new short haircut, and the turnpike (nicknamed “The Mile-A-Minute Highway,” according to the billboards) was pretty much all mine. I seemed to have left my doubts of the night before sunk in the cow-tank along with my cell phone and futuristic change. I felt good.
Until I saw Derry.
2
There was something wrong with that town, and I think I knew it from the first.
I took Route 7 when The Mile-A-Minute Highway petered down to an asphalt-patched two-lane, and twenty miles or so north of Newport, I came over a rise and saw Derry hulking on the west bank of the Kenduskeag under a cloud of pollution from God knew how many paper and textile mills, all operating full bore. There was an artery of green running through the center of town. From a distance it looked like a scar. The town around that jagged greenbelt seemed to consist solely of sooty grays and blacks under a sky that had been stained urine yellow by the stuff billowing from all those smokestacks.
I drove past several produce stands where the people minding the counters (or just standing side o’ the road and gaping as I drove past) looked more like inbred hillbillies from
This was the town where Harry Dunning had grown up, and I hated it from the first. No concrete reason; I just did. The downtown shopping area, situated at the bottom of three steep hills, felt pitlike and claustrophobic. My cherry-red Ford seemed like the brightest thing on the street, a distracting (and unwelcome, judging by most of the glances it was attracting) splash of color amid the black Plymouths, brown Chevrolets, and grimy delivery trucks. Running through the center of town was a canal filled almost to the top of its moss-splotched concrete retaining walls with black water.
I found a parking space on Canal Street. A nickel in the meter bought me an hour’s worth of shopping time. I’d forgotten to buy a hat in Lisbon Falls, and two or three storefronts up I saw an outfit called Derry Dress & Everyday, Central Maine’s Most Debonair Haberdashery. I doubted there was much competition in that regard.
I had parked in front of the drugstore, and paused to examine the sign in the window. Somehow it sums up my feelings about Derry — the sour mistrust, the sense of barely withheld violence — better than anything else, although I was there for almost two months and (with the possible exception of a few people I happened to meet) disliked everything about it. The sign read:
And the thin, bespectacled man in the white smock who was looking out at me just about had to be Mr. Keene. His expression did not say
The man in the white smock did not raise his in return.
I realized that the canal I’d seen must run directly beneath this peculiar sunken downtown, and I was standing on top of it. I could feel hidden water in my feet, thrumming the sidewalk. It was a vaguely unpleasant feeling, as if this little piece of the world had gone soft.