Читаем 1984. Книга для чтения на английском языке полностью

All the while, with one part of his mind, he wondered how soon they would shoot him. “Everything depends on yourself,” O’Brien had said; but he knew that there was no conscious act by which he could bring it nearer. It might be ten minutes hence, or ten years. They might keep him for years in solitary confinement, they might send him to a labour-camp, they might release him for a while, as they sometimes did. It was perfectly possible that before he was shot the whole drama of his arrest and interrogation would be enacted all over again. The one certain thing was that death never came at an expected moment. The tradition – the unspoken tradition: somehow you knew it, though you never heard it said – was that they shot you from behind; always in the back of the head, without warning, as you walked down a corridor from cell to cell.

One day – but “one day” was not the right expression; just as probably it was in the middle of the night: once – he fell into a strange, blissful reverie. He was walking down the corridor, waiting for the bullet. He knew that it was coming in another moment. Everything was settled, smoothed out, reconciled. There were no more doubts, no more arguments, no more pain, no more fear. His body was healthy and strong. He walked easily, with a joy of movement and with a feeling of walking in sunlight. He was not any longer in the narrow white corridors in the Ministry of Love, he was in the enormous sunlit passage, a kilometre wide, down which he had seemed to walk in the delirium induced by drugs. He was in the Golden Country, following the foot-track across the old rabbit-cropped pasture. He could feel the short springy turf under his feet and the gentle sunshine on his face. At the edge of the field were the elm trees, faintly stirring, and somewhere beyond that was the stream where the dace lay in the green pools under the willows.

Suddenly he started up with a shock of horror. The sweat broke out on his backbone. He had heard himself cry aloud:

“Julia! Julia! Julia, my love! Julia!”

For a moment he had had an overwhelming hallucination of her presence. She had seemed to be not merely with him, but inside him. It was as though she had got into the texture of his skin. In that moment he had loved her far more than he had ever done when they were together and free. Also he knew that somewhere or other she was still alive and needed his help.

He lay back on the bed and tried to compose himself. What had he done? How many years had he added to his servitude by that moment of weakness?

In another moment he would hear the tramp of boots outside. They could not let such an outburst go unpunished. They would know now, if they had not known before, that he was breaking the agreement he had made with them. He obeyed the Party, but he still hated the Party. In the old days he had hidden a heretical mind beneath an appearance of conformity. Now he had retreated a step further: in the mind he had surrendered, but he had hoped to keep the inner heart inviolate. He knew that he was in the wrong, but he preferred to be in the wrong. They would understand that – O’Brien would understand it. It was all confessed in that single foolish cry.

He would have to start all over again. It might take years. He ran a hand over his face, trying to familiarize himself with the new shape. There were deep furrows in the cheeks, the cheekbones felt sharp, the nose flattened. Besides, since last seeing himself in the glass he had been given a complete new set of teeth. It was not easy to preserve inscrutability when you did not know what your face looked like. In any case, mere control of the features was not enough. For the first time he perceived that if you want to keep a secret you must also hide it from yourself. You must know all the while that it is there, but until it is needed you must never let it emerge into your consciousness in any shape that could be given a name. From now onwards he must not only think right; he must feel right, dream right. And all the while he must keep his hatred locked up inside him like a ball of matter which was part of himself and yet unconnected with the rest of him, a kind of cyst.

Перейти на страницу:

Все книги серии Modern Prose

Похожие книги

И пели птицы…
И пели птицы…

«И пели птицы…» – наиболее известный роман Себастьяна Фолкса, ставший классикой современной английской литературы. С момента выхода в 1993 году он не покидает списков самых любимых британцами литературных произведений всех времен. Он включен в курсы литературы и английского языка большинства университетов. Тираж книги в одной только Великобритании составил около двух с половиной миллионов экземпляров.Это история молодого англичанина Стивена Рейсфорда, который в 1910 году приезжает в небольшой французский город Амьен, где влюбляется в Изабель Азер. Молодая женщина несчастлива в неравном браке и отвечает Стивену взаимностью. Невозможность справиться с безумной страстью заставляет их бежать из Амьена…Начинается война, Стивен уходит добровольцем на фронт, где в кровавом месиве вселенского масштаба отчаянно пытается сохранить рассудок и волю к жизни. Свои чувства и мысли он записывает в дневнике, который ведет вопреки запретам военного времени.Спустя десятилетия этот дневник попадает в руки его внучки Элизабет. Круг замыкается – прошлое встречается с настоящим.Этот роман – дань большого писателя памяти Первой мировой войны. Он о любви и смерти, о мужестве и страдании – о судьбах людей, попавших в жернова Истории.

Себастьян Фолкс

Классическая проза ХX века
Алые Паруса. Бегущая по волнам. Золотая цепь. Хроники Гринландии
Алые Паруса. Бегущая по волнам. Золотая цепь. Хроники Гринландии

Гринландия – страна, созданная фантазий замечательного русского писателя Александра Грина. Впервые в одной книге собраны наиболее известные произведения о жителях этой загадочной сказочной страны. Гринландия – полуостров, почти все города которого являются морскими портами. Там можно увидеть автомобиль и кинематограф, встретить девушку Ассоль и, конечно, пуститься в плавание на парусном корабле. Гринландией называют синтетический мир прошлого… Мир, или миф будущего… Писатель Юрий Олеша с некоторой долей зависти говорил о Грине: «Он придумывает концепции, которые могли бы быть придуманы народом. Это человек, придумывающий самое удивительное, нежное и простое, что есть в литературе, – сказки».

Александр Степанович Грин

Классическая проза ХX века / Прочее / Классическая литература