Читаем 1984. Книга для чтения на английском языке полностью

O’Brien had turned himself a little in his chair so that he was facing Winston. He almost ignored Julia, seeming to take it for granted that Winston could speak for her. For a moment the lids flitted down over his eyes. He began asking his questions in a low, expressionless voice, as though this were a routine, a sort of catechism, most of whose answers were known to him already.

“You are prepared to give your lives?”

“Yes.”

“You are prepared to commit murder?”

“Yes.”

“To commit acts of sabotage which may cause the death of hundreds of innocent people?”

“Yes.”

“To betray your country to foreign powers?”

“Yes.”

“You are prepared to cheat, to forge, to blackmail, to corrupt the minds of children, to distribute habit-forming drugs, to encourage prostitution, to disseminate venereal diseases – to do anything which is likely to cause demoralization and weaken the power of the Party?”

“Yes.”

“If, for example, it would somehow serve our interests to throw sulphuric acid in a child’s face – are you prepared to do that?”

“Yes.”

“You are prepared to lose your identity and live out the rest of your life as a waiter or a dock-worker?”

“Yes.”

“You are prepared to commit suicide, if and when we order you to do so?”

“Yes.”

“You are prepared, the two of you, to separate and never see one another again?”

“No!” broke in Julia.

It appeared to Winston that a long time passed before he answered. For a moment he seemed even to have been deprived of the power of speech. His tongue worked soundlessly, forming the opening syllables first of one word, then of the other, over and over again. Until he had said it, he did not know which word he was going to say. “No,” he said finally.

“You did well to tell me,” said O’Brien. “It is necessary for us to know everything.”

He turned himself toward Julia and added in a voice with somewhat more expression in it:

“Do you understand that even if he survives, it may be as a different person? We may be obliged to give him a new identity. His face, his movements, the shape of his hands, the colour of his hair – even his voice would be different. And you yourself might have become a different person. Our surgeons can alter people beyond recognition. Sometimes it is necessary. Sometimes we even amputate a limb.”

Winston could not help snatching another sidelong glance at Martin’s Mongolian face. There were no scars that he could see. Julia had turned a shade paler, so that her freckles were showing, but she faced O’Brien boldly. She murmured something that seemed to be assent.

“Good. Then that is settled.”

There was a silver box of cigarettes on the table. With a rather absent-minded air O’Brien pushed them towards the others, took one himself, then stood up and began to pace slowly to and fro, as though he could think better standing. They were very good cigarettes, very thick and well-packed, with an unfamiliar silkiness in the paper. O’Brien looked at his wrist-watch again.

“You had better go back to your Pantry, Martin,” he said. “I shall switch on in a quarter of an hour. Take a good look at these comrades’ faces before you go. You will be seeing them again. I may not.”

Exactly as they had done at the front door, the little man’s dark eyes flickered over their faces. There was not a trace of friendliness in his manner. He was memorizing their appearance, but he felt no interest in them, or appeared to feel none. It occurred to Winston that a synthetic face was perhaps incapable of changing its expression. Without speaking or giving any kind of salutation, Martin went out, closing the door silently behind him. O’Brien was strolling up and down, one hand in the pocket of his black overalls, the other holding his cigarette.

Перейти на страницу:

Все книги серии Modern Prose

Похожие книги

И пели птицы…
И пели птицы…

«И пели птицы…» – наиболее известный роман Себастьяна Фолкса, ставший классикой современной английской литературы. С момента выхода в 1993 году он не покидает списков самых любимых британцами литературных произведений всех времен. Он включен в курсы литературы и английского языка большинства университетов. Тираж книги в одной только Великобритании составил около двух с половиной миллионов экземпляров.Это история молодого англичанина Стивена Рейсфорда, который в 1910 году приезжает в небольшой французский город Амьен, где влюбляется в Изабель Азер. Молодая женщина несчастлива в неравном браке и отвечает Стивену взаимностью. Невозможность справиться с безумной страстью заставляет их бежать из Амьена…Начинается война, Стивен уходит добровольцем на фронт, где в кровавом месиве вселенского масштаба отчаянно пытается сохранить рассудок и волю к жизни. Свои чувства и мысли он записывает в дневнике, который ведет вопреки запретам военного времени.Спустя десятилетия этот дневник попадает в руки его внучки Элизабет. Круг замыкается – прошлое встречается с настоящим.Этот роман – дань большого писателя памяти Первой мировой войны. Он о любви и смерти, о мужестве и страдании – о судьбах людей, попавших в жернова Истории.

Себастьян Фолкс

Классическая проза ХX века
Алые Паруса. Бегущая по волнам. Золотая цепь. Хроники Гринландии
Алые Паруса. Бегущая по волнам. Золотая цепь. Хроники Гринландии

Гринландия – страна, созданная фантазий замечательного русского писателя Александра Грина. Впервые в одной книге собраны наиболее известные произведения о жителях этой загадочной сказочной страны. Гринландия – полуостров, почти все города которого являются морскими портами. Там можно увидеть автомобиль и кинематограф, встретить девушку Ассоль и, конечно, пуститься в плавание на парусном корабле. Гринландией называют синтетический мир прошлого… Мир, или миф будущего… Писатель Юрий Олеша с некоторой долей зависти говорил о Грине: «Он придумывает концепции, которые могли бы быть придуманы народом. Это человек, придумывающий самое удивительное, нежное и простое, что есть в литературе, – сказки».

Александр Степанович Грин

Классическая проза ХX века / Прочее / Классическая литература