And now, whether you are of those who rush in, or of the gentle concourse that fears to tread, you must follow in a brief invasion of the editor’s mind.
Editor Westbrook’s spirit was contented and serene. The April number of the
While Editor Westbrook was sauntering between the rows of park benches (already filling with vagrants and the guardians of lawless childhood) he felt his sleeve grasped and held. Suspecting that he was about to be panhandled, he turned a cold and unprofitable face, and saw that his captor was – Dawe – Shackleford Dawe, dingy, almost ragged, the genteel scarcely visible in him through the deeper lines of the shabby.
While the editor is pulling himself out of his surprise, a flashlight biography of Dawe is offered.
He was a fiction writer, and one of Westbrook’s old acquaintances. At one time they might have called each other old friends. Dawe had some money in those days, and lived in a decent apartment house near Westbrook’s. The two families often went to theatres and dinners together. Mrs. Dawe and Mrs. Westbrook became ‘dearest’ friends. Then one day a little tentacle of the octopus, just to amuse itself, ingurgitated Dawe’s capital, and he moved to the Gramercy Park neighborhood where one, for a few groats per week, may sit upon one’s trunk under eight-branched chandeliers and opposite Carrara [440] marble mantels and watch the mice play upon the floor. Dawe thought to live by writing fiction. Now and then he sold a story. He submitted many to Westbrook. The
‘It’s Maupassant [441] hash,’ said Mrs. Dawe. ‘It may not be art, but I do wish you would do a five-course Marion Crawford [442] serial with an Ella Wheeler Wilcox [443] sonnet for dessert. I’m hungry.’
As far as this from success was Shackleford Dawe when he plucked Editor Westbrook’s sleeve in Madison Square. That was the first time the editor had seen Dawe in several months.
‘Why, Shack, is this you?’ said Westbrook, somewhat awkwardly, for the form of his phrase seemed to touch upon the other’s changed appearance.
‘Sit down for a minute,’ said Dawe, tugging at his sleeve. ‘This is my office. I can’t come to yours, looking as I do. Oh, sit down – you won’t be disgraced. Those half-plucked birds on the other benches will take you for a swell porch-climber. They won’t know you are only an editor.’
‘Smoke, Shack?’ said Editor Westbrook, sinking cautiously upon the virulent green bench. He always yielded gracefully when he did yield.
Dawe snapped at the cigar as a kingfisher darts at a sun-perch, or a girl pecks at a chocolate cream.
‘I have just—’ began the editor.
‘Oh, I know; don’t finish,’ said Dawe. ‘Give me a match. You have just ten minutes to spare. How did you manage to get past my office-boy and invade my sanctum? There he goes now, throwing his club at a dog that couldn’t read the “Keep off the Grass” signs.’
‘How goes the writing?’ asked the editor.
‘Look at me,’ said Dawe, ‘for your answer. Now don’t put on that embarrassed, friendly-but-honest look and ask me why I don’t get a job as a wine agent or a cab driver. I’m in the fight to a finish. I know I can write good fiction and I’ll force you fellows to admit it yet. I’ll make you change the spelling of ‘regrets’ to “c-h-e-q-u-e” before I’m done with you.’